Foolish

While I knew what I was getting myself into by purchasing a ticket to a film written by Master P, who could have guessed that 50% of this movie would be a concert film.

That's where `Foolish' stands. If you enjoy comedian Eddie Griffin, then this film will sate your appetite quickly. If you're a fan of decent writing and average acting, then this flick will fail you. I understand where this film comes from. Like last year's `I Got The Hookup', Master P has cornered the market on lowbrow entertainment. Simply because it's cheap to produce, he can call in favors, and the audience can only trust the brand name of P. The final product is devoid of any real drama, interesting characters, and even laughs. I do not find Eddie Griffin funny at all, so sitting through his endless `White guys act like this, black guys act like that' type bits is intolerable. I doubt there is even 10 pages of dialog here, and the stuff that made it into the film is unintentionally funny. It's a hoot to watch Griffin and P try to stumble their way through a dramatic scene, It's more horrifying that anything David Cronenberg could dream up. A supporting cast of Andrew `Dice' Clay (wearing glasses that would make Elton John blush) and Traci Bingham should spell out clearly the quality of this production. Master P consistently shovels s**t to his audience, and they come begging for more. It's a crying shame. ---------- 2

Foolish is a decent flick , based on where it came from. Eddie Griffin does what he can with the script, but it almost takes away from his acting chops. This film should have just been a stand up comedy film, because that's all it really is.

I think Eddie Griffin is an underrated comic in the industry. He has received mild popularity with viewers of "Def Comedy Jam" and was on the short-lived UPN sitcom "Malcolm and Eddie." He is very talented, very energetic and I wish I can see him in more movies.

The film spends most of its time on stage, with Eddie on the spotlight doing his hilarious schtick. That's a good thing. Because I feel that is the only reason to see this film. All of its subplots involving drug-dealing and the death of a family member are throwaways. Master P doesn't exactly have a knack for drama. But ignore those elements and you'll have a great time. I was laughing uproariously!!!

"Foolish" is a refreshing, honest, and scathing indictment of the racial inequality present in the film & television industry. It performs a powerful two-pronged attack on this subject matter through the wild comedy stylings of Eddie Griffin, and the skills of dramatic thespian Master P.

Eddie, who's rakish good looks and obvious capabilities as a modern-day Don Juan make one think that he is the second coming of Miles Standish, is the main character of the film. He portrays Miles 'Foolish' Waise, a semi-successful stand-up comedian who is being "woo-ed" by entertainment executives eager to harness his humorous talents. They sense that he is a masterful genius after hearing his stand-up routines. However, to say they are "routine" is to perform an injustice to Mr. Griffin. His stand-up performances delve into such previously untapped comedic wells as: the tensions and differences between people of different color, what it is like to grow up poor, and (his comedic tour de force) how "crazy" white people are.

Providing the Yin to Eddie's Yang is Master P as Quentin 'Fifty Dollah' Waise. I'm not sure if "P" had the opportunity to study under Adler, Strasberg, or perhaps even Uta Hagen, but wherever it was that he received training I'm sure that there is a proud teacher shedding a tear at the dramatic performance of "P". How fitting it is that "P", who's first scene in "Foolish" brought about comparisons to Olivier and Brando in THIS reviewer's mind, should have the first name "Master". For he has truly "mastered" the art of dramatic storytelling from an actor's and writer's perspective. Without giving away any details, watch for the subtle nuances in Master P's performance when the nubile young woman removes her clothes...10 seconds of pure acting brilliance.

Also lending assistance to this quality oasis in a desert of cinematic drivel are Andrew Dice Clay in an astounding performance as El Dorado Ron, whip-smart Traci Bingham as Simone, and (in a scene-stealing role) Swedish acting legend Sven-Ole Thorsen as Paris.

In most cases great films aren't made without quality production design and "Foolish" certainly holds nothing back there. It is clear that Master P must have mortgaged the entire 'No Limit' fortune to pay for the cost of this picture. The sets look convincing, background crowds appear dense and well-directed, as do the authenticity of street and studio scenes.

The costume design is ingenious as well. Master P's choice of the gold tooth was no doubt arrived at after an intensive amount of character research. One curious note however...It does appear that the budget for the women's clothing was stretched thin, as in some scenes they appear in little or nothing at all. Other than that, "Foolish" looks like a $60-$80 million dollar studio picture.

For the sake of providing the most pure viewing experience possible to the uninitiated, I will leave further details untouched. I think that my thesis regarding the point of this film is so convincingly and entertainingly proven in its viewing that I won't risk spoiling it here.

Ultimately I believe this story breaks new ground by dealing with exciting and inflammatory subject matter by using realistic, almost documentary-style filmmaking and performances. The stand-up segments are filled with fresh insights that investigate material that hasn't been investigated before. Master P's performance is capable of generating empathy from the most time-hardened cynic, and Eddie Griffin's character 'Foolish' makes us both laugh and cry.

My verdict?... FOOLISH = 'Master'-ful 'P'iece of Filmmaking!

This is short and to the point: the only good thing about the movie and the only reason why it isn't a 1 star movie is because of Eddie Griffin's incredible stand up. Master P is by far the worst screenwriter to ever put a film together. The worst part of the movie wasn't even the writing however, it was Master P's incapability to act that screwed the movie further. The entire movie should have been under the control of Eddie Griffin, perhaps he could have saved it, his scenes with his grandmother and his stand up are the only positive moments in this movie. and one last thought: why was Andrew Dice Clay in the movie? who made that decision???