Ajouter une intrigue dans votre langueA bored Italian socialite (Kim Basinger) abandons her jet-set lifestyle for the rigors and rewards of rural Kenya in this true story, based on the best-selling memoir by Kuki Gallmann. Direc... Tout lireA bored Italian socialite (Kim Basinger) abandons her jet-set lifestyle for the rigors and rewards of rural Kenya in this true story, based on the best-selling memoir by Kuki Gallmann. Directed by Hugh Hudson (Chariots of Fire).A bored Italian socialite (Kim Basinger) abandons her jet-set lifestyle for the rigors and rewards of rural Kenya in this true story, based on the best-selling memoir by Kuki Gallmann. Directed by Hugh Hudson (Chariots of Fire).
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 3 nominations au total
- Luka
- (as James Ngcobo)
- Vincenzo
- (as Steven Jennings)
Avis en vedette
Everything fell apart due to poor script
It seemed the actors were trying desperately to make up for that lack of continuity and motivation in the script, and so, often their performances seemed contrived, plastic, and/or over-the-top. I think under the guidance of better writing, these actors would shine like we know they can.
What happened to character development and motivation? Perhaps it died in the car crash at the beginning of the film? Was Kuki an American in Italy, or an Italian? Who was the lady that was with Kuki's mother, when they were trying to convince her to come home? Did Kuki and Paolo really love each other or not? Did the people working at Kuki's house become close with her? Kuki seemed oblivious to them. When did Kuki and Ema start speaking the language? It seemed they suddenly just knew it. Why did Ema want to leave to go to school? Kuki was digging a ditch to help out with the water supply, but then we never see any resolution to that situation. What happened??
One of the sweetest moments in the film for me, was when Ema connects with a little African boy, who obviously has a love for snakes too. He shows the boy around his house and introduces them to the snakes he has, and then we never see the boy again (!).
I also would have liked to see what was in the egg that was mentioned repeatedly within the story. Not having the resolution of that aspect (the egg) in particular, left me angry as the credits rolled.
"I Dreamed of Africa" did have interesting scenery and I believe talented cast and crew, but because the script was so bad, everything else really fell apart.
Magnificent scenery emphasized at the expense of the story
Filming Africa is a cinematographer's dream. Unfortunately, Director Hugh Hudson seems to have been so enamored with creating beautiful photography (and it was truly magnificent) that he rushed through the dramatic elements to get to the next helicopter shot of wild animals loping across the plains. Many of the important dramatic scenes were not allowed to fully develop, giving a snippet and then cutting away to a completely unrelated scene. This took much of the impact out of the film. One example is the egg hanging over the bed. A big point was made over the fact that Paolo had put something in the egg. Yet, we never learn what it is. Why tease us with this tidbit if he is not going to follow through?
The film had strong conservationist undertones, but they were tastefully done and not overly preachy. The point was made that poaching to hunt elephants for ivory is illegal and unconscionable, but it was presented in a way that wasn't strident and smug. The scenes of dead elephants made the statement in a poignant way, much better than any dialogue could have.
Kim Basinger was excellent as Kuki. She went with a more natural look which was very flattering. The understated makeup used in the film revealed that even at 47, she is still one of the most beautiful women on the planet. However, after a three-year hiatus since L.A. Confidential, she delivered her second consecutive acting triumph, proving that she is more than just a pretty face. Her acting was far more genuine and mature than any role I had seen her play before. After having read an interview she gave about the film, it is clear that Basinger is a strong conservationist and naturalist and she identified strongly with her role, which imbued her performance with great conviction and believability.
This film was good, but it could have been much better. I rated it a 7/10. The locations and photography were marvelous, but the story's power was frayed by inattention to basic filmmaking tenets. If Hudson had spent more time developing the characters and creating continuity for the story, it would have been an exceptional film.
Well worth watching, Basinger gives another good performance !
I have since bought it on DVD and decided to watch it again a few days ago. Although not having the same impact as my first viewing, here was my opinion.
I saw this film as a wonderfully photographed movie (based on a True Story) about a very strong willed woman "Kuki Gallman".
In the beginning we see her survive a horrific car crash and raising a family by herself. She decides to marry a man called Paolo (Vincent Perez) whom she has known only a short time. She likes Paolo a lot and sees that he is great with her Son Emmanuel, she makes a very difficult decision against the wishes of her Mother (Eva Marie Saint) to move to Africa to live with him.
Their initially idyllic life is shattered by confrontations with Poachers, Loneliness on her part (as her Husband likes danger and is often away on hunting Trips) and culminates with immense personal tragedy.
The performances were very good in this Movie (including a pre-bond outing for Daniel Craig with an excellent South African accent) Vincent Perez was excellent as Kuki Gallman's Husband Paolo. Overall Kim Basinger was admittedly not up to the Oscar Winning Level of LA Confidential and did have a couple of poorly acted scenes, but also showed flashes of dramatic excellence and touches the viewer in some of the more emotional scenes, So overall her performance was quite good. Eva Marie Saint offered a solid supporting performance as Basinger's Mother.
I have to say that it is obvious to me , film critics and a lot of others did not really give this film a chance and possibly compared it to Out of Africa. This is unfair as the film is set in different time and about different individuals. I personally found this film much more watchable than the aforementioned film but probably not as well acted.
Hugh Hudson has directed a great looking film, but the script needed additional work, which would have improved the impact of some scenes.
All in all though this film is well worth your time, do watch it and form your own opinions. 7/10
Nice Premise & Locale, But Story Lacks Spark
I never quite understood, or was told, a number of things in here, such as how the leading lady "Kuki Gallman") in this movie and her husband, financially survived. He was out fishing and hunting with his buddies all the time and she was home building some sort of wildlife conversation. One almost got to the point of asking, "What's the point of this story?" outside of being some sort of travelogue. That's the feel I got; an overly-long documentary about living in Kenya. It gets boring quickly.
Given the circumstances and scenery, this movie should have been fascinating, but it tedious. I'm not surprised it flopped at the box office and video stores.
Real facts on unbelievable landscape
Le saviez-vous
- AnecdotesFinal score for a theatrical movie by Composer Maurice Jarre.
- GaffesThere is a visible string suspending the airborne plate that Paolo shoots (in the party scene, just after they arrive in Africa).
- Citations
Kuki Gallmann: We think we control this place, but this place controls us.
- Générique farfeluEnd credits runs entirely over aerial shots from African landscapes.
- ConnexionsFeatured in The Rosie O'Donnell Show: Episode #4.165 (2000)
- Bandes originalesVoi che sapete
From 'Le Nozze di Figaro'
Music by Wolfgang Amadeus Mozart
Libretto by Lorenzo da Ponte
Performed by Brigitte Fassbaender with the Wiener Philharmoniker (as Vienna Philharmonic Orchestra)
Conducted by István Kertész
Courtesy of The Decca Record Company Limited/London
Under license from Universal Music Special Markets
Meilleurs choix
- How long is I Dreamed of Africa?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- I Dreamed of Africa
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 6 651 522 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 411 445 $ US
- 7 mai 2000
- Brut – à l'échelle mondiale
- 14 400 327 $ US
- Durée
- 1h 54m(114 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1






