dinnerladies

Dinnerladies ranks as one of the best comedies of all all time, it's as witty, hilarious and all out lovely as it was when it first aired.

It's consistent from beginning to end, the humour remains sharp and witty throughout, the characters are incredible, and such is the writing, and the acting, that you care for them. You will see this particularly so in the episode Christine.

Wood's writing was so brilliant, and so selfless, she could have saved the best lines for herself, but she didn't. The lines were generously spread around, however, Walters always seemed to steal the show, Petula Gordino became more and more extreme, and more funny.

Favourite episodes include Fog and the glorious finale Toast.

This was a wonderful, clever, funny comedy, I loved it 9/10.

I absolutely love this show! It's the highlight of my week, watching it on a Friday night. It has me in hysterics from start to finish. I've heard a lot of people say they don't like it, but I just can't see why. It captures men and women perfectly, and that's REAL men and women, not just stereotypes. The way Tony just gives up when the girls start talking about PMS or blokes, the way Dolly criticises Jean in practically every other sentence, the way Bren and Tony never quite get together and you really want them to, the way Stan won't go in the ladies loo... Hilarious every time! Ok, it hasn't got MUCH staying power, as they talk about mostly current issues, but I hope it goes on for a good long time. I f every comedy was as good as this, the world would be a much happier place. Victoria Wood is a comic genius and totally underrated. She totally understands real people's thoughts and feelings! If only Friends was this good...

Dinnerladies is uniquely british and unsurprisingly does not travel well beyond these shores. There is little physical humour and the references are primarily based on UK culture and the north of England in particular. However, it is also the best example of its type I've ever seen. Victoria Wood's dialogue is fantastic, (Alan Bennett is the only other writer in her league in this regard). The staging is restricted (effectively one set, two rooms) the plots are secondary and contrived because they are of no real significance. It is all merely backdrop for the characters Ms Wood creates and the way they speak to, across and around each other.

A superb example of intelligent writing managing to survive in a world of slapstick

Those who make any form of negative comments about this hilarious comedy should have their heads tested. This program is British comedy at its best, capturing the dry wit and sarcasm that is such a common feature of the great Englishman/ woman. Victoria Wood's writing is pure genius and the incredibly talented actors who surround her deliver those classic lines with impeccable timing. Victoria Wood resists the temptation, that so many "comedians" succumb to, of using slap stick to gain laughs. By capturing the charming characteristics of normal everyday people, particularly the Northern culture, that we can all relate to, Wood is 100% successful in producing a comedy which proves that British comedy shows ARE the funniest in the world.

I have watched on DVD hundreds of times All the episodes of Dinner Ladies. Those who did not like or maybe not quite understood some of the humour, check it out again, there are a great many hidden gems as to the brilliant mind of Victoria woods writing. "He played my body like a pinball machine. I lit up, paid out, and no tilting" was the brilliant line of Bren (victoria wood) mother (Julie Walters) describing her relationship with her young man. It was everyday folk, talking about everyday issues. Hidden behind the charm and the humour the show showed its emotional side, with Bren giving up her holiday to help her mother financially, single mothers, and redundancy. The show lasted two series. I look with great hesitation Victoria Woods next project.