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Ginî piggu: Manhôru no naka no ningyo

  • Vidéo
  • 1988
  • 16+
  • 1h 3m
ÉVALUATION IMDb
5,5/10
2,7 k
MA NOTE
Ginî piggu: Manhôru no naka no ningyo (1988)
HorreurHorreur corporelleHorreur gore

Ajouter une intrigue dans votre langueAn artist rescues a mermaid in a sewer, who develops bleeding sores all over her body. He paints a portrait with what oozes from her body, and eventually dismembers her.An artist rescues a mermaid in a sewer, who develops bleeding sores all over her body. He paints a portrait with what oozes from her body, and eventually dismembers her.An artist rescues a mermaid in a sewer, who develops bleeding sores all over her body. He paints a portrait with what oozes from her body, and eventually dismembers her.

  • Director
    • Hideshi Hino
  • Stars
    • Shigeru Saiki
    • Mari Somei
    • Masami Hisamoto
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,5/10
    2,7 k
    MA NOTE
    • Director
      • Hideshi Hino
    • Stars
      • Shigeru Saiki
      • Mari Somei
      • Masami Hisamoto
    • 40Commentaires d'utilisateurs
    • 39Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos13

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    Rôles principaux5

    Modifier
    Shigeru Saiki
    • The Artist…
    Mari Somei
    • The Mermaid
    Masami Hisamoto
    • Neighbor (female)
    Gô Rijû
    • Neighbor (male)
    Tsuyoshi Toshishige
    • Director
      • Hideshi Hino
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs40

    5,52.6K
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    10

    Avis en vedette

    LLAAA4837

    Experimental art film

    I saw this in the middle of the night, and it wasn't subtitled. Still, I figured out what it was about, despite the fact that I don't speak it's language. It's about what appears to be a painter who rescues an injured woman who begins to rot and spew pus. As she dies, he uses her goop as paint. The film's ending is depressing as it appears that he wasn't playing with a full deck.

    The overall tone of the film is bad enough without the bizarre situation, but the fact that the film literally doesn't race makes the outcome more of an effective idea that could be better implemented with a little less patience. Still, when the screen isn't drenched with guts and pus, it's pretty to look at. This is, i guess, a part of some strange series of films in Japan that deal with special effects gore and realism. This works in both areas, but also happens to have a little more to offer.
    8nasteen8

    My personal favorite of the Guinea Pig series

    I think during the 80's, while Cronenberg and the like were showing their special effects skills, some daring Japanese directors were ready to show their might on the screen and it led to these films. All of them were put together to showcase nothing more than special effects with almost no story line whatsoever. Except this little gem!! I have to say, these films are definitely heavy on the gore, and they are way good at the special effects. They definitely caught me off guard when I saw them without knowing what I was sitting down to watch. But that's where it ends, special effects for gross out factors (which the Japanese do very well). But again, this one is a bit different than the others, so don't just write it off like perhaps "Flower of Flesh and Blood" or "Devil's Experiment".

    First off, this has the artist element, as the crazy man who paints the scum and filth inside of a sewer would. And it has a very strange feeling almost from the get go. An almost bizarre art house quiet despair right from the get go. You can almost smell the rotting filth just by watching it. And that's exactly how I can explain this film, as if you watch an animal get hit by a car and watch it die, and subsequently rot to a bloody mess on the side of the road. But that's only an allegory to what the movie looks like, as the movie is perhaps an allegory to a deeper meaning.

    While this film is certainly vile, and has loads of gross out factors from stem to stern, it has a certain humanity to it. Almost a beautiful love to it. And that is where this movie stands out from the others.

    If you've seen the others and haven't seen this one, then definitely watch it. If you've wanted to see them, and haven't yet, definitely watch this one. If you like gross out gore cinema, then definitely watch this one. If you're weak in the stomach, then steer very far away from any of these films.
    SUTTER CANE

    A Japanese, twisted version of "Splash"

    This is a sick movie. A young painter finds a dying mermaid in the sewer and he takes her home. Then the mayhem begins... This is actually a real movie compared to the previous "Guinea Pig"-movies. It´s not so sick an it got a certain cinematic style. Still I wouldn´t recommend it to anyone but hardcore-Japanese-splatter-movie-fans. I give it 5 out of 10.
    5Bogey Man

    Disgusting and vile, Guinea Pig style!

    Mermaid in a Manhole is the fourth entry in the more than infamous Japanese Guinea Pig series which tries to be as shocking as a film can be. This kind of trash can be made only in Japan. Mermaid is directed by Hideshi Hino, a man behind the most infamous part of the series, Guinea Pig 2: Flowers of Flesh and Blood. Mermaid is not as sick as the first two entries in the series, but Mermaid is still very very disgusting and "shocking" as the young painter finds a wounded and beautiful mermaid from a sewer and takes her home and places into tub. He begins to paint her as she is unconscious in the tub, but soon she begins to have some very severe symptoms of "melting" as pus filled and exploding vesicles appear on her skin and soon she is FILLED with crawling worms and disgusting excretions and secretions as her slow death comes more and more near..So this doesn't make much sense and all the film has to offer are shocks and a need for barf bag.

    The scenes of wet and pus spurting mayhem are disgusting enough, but what I really had difficulties to sit through were the scenes of thousands of slithery worms which are definitely real and plenty, and the girl has them in her mouth, too! What kind of an actress would agree to act in such a role? I'm not actually scared of worms or don't hate them, but there are so many hundreds of them and they are filled with blood and pus and they appear ANYWHERE from the girl's body and they are very lively and active so I simply couldn't watch the film without some disgust reactions, even though I watched the whole thing and didn't use any fast forward. So I definitely can recommend this, if you're looking for something very disgusting and despisable!

    There are no cinematic merits in this film (or other Guinea Pig films), although the scene in the sewer is pretty haunting, so that is perhaps the only cinematic merit of the film! Either horror fans like these or then not. Others will puke trying to watch these, that's for sure! Try to show Mermaid to your girlfriend or sister and count seconds how much she can take! It is impossible to give stars for these films, because there are nothing but scenes of disgust and loathing. If you're a fan of Japanese extreme horror and sicko cinema, then Guinea Pigs are worth tracking down as a curiosity, but they are by no means great or noteworthy films, no matter how hard core horror fan one thinks he is. I watched this film (and most of the whole series) as a curiosity and 'cause I'm interested in Orient cinema in its all forms, excluding s/m cinema and other of its kind. As a marginal cinema fanatic, I give Mermaid 5 stars out of ten even though it is pretty useless to give stars for these. At least this is the most disgusting film I've ever seen!
    7trashgang

    starts boring but ends into a gorefest

    This is a rather strange entry in the Guinea Pig franchise but one that is a must see after a while because in the beginning it looks rather childish and stupid but slowly it turns into a squirmfest to end in a gorefest.

    When a painter wants to return to a sewer were he has been before entering the manhole to go into the sewer he comes across a girl laying in the filthy water. Coming closer he notices that it is a mermaid. Somehwo he has seen her before but by getting closer he sees that she has some kind of infection. He picks her up and takes her home to place her in a bath. She do ask to be painted by him and to use the colored puss coming out of her infection. Until then it's a bit ridiculous but the painter gets addicted to her and when the infection gets worse and she almost dies the worms come in.

    It's from that point that this horror flick turns into a gruesome flick. First out of the puss do come the worms but if that's not enough she starts vomiting worms being alive and it's not faked. Naturally the mermaid do dies and the painter can't take it anymore and starts to cut her up. At the end we do have a twist and this gory flick is over.

    It's a rather good entry into the franchise because it do has it flows. The worms can make viewers decide to turn it off but for people into Japanese stuff this is your thing.

    Gore 3/5 Nudity 1/5 Effects 3/5 Story 3/5 Comedy 0/5

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This is the last film starring Mari Somei, as the 25-years-old actress mysteriously disappeared in 1988. Her fate remains unknown.
    • Générique farfelu
      At the end of the credits there is a small scene in the sewer where we hear something move in the water.
    • Connexions
      Edited into Guinea Pig's Greatest Cuts (2005)

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    FAQ2

    • Why does the Artist paint things from the sewer?
    • Why does the Painter start stabbing and dismembering the Mermaid?

    Détails

    Modifier
    • Date de sortie
      • 25 juillet 1988 (Japan)
    • Pays d’origine
      • Japan
    • Langue
      • Japanese
    • Aussi connu sous le nom de
      • Guinea Pig 5: Mermaid in a Manhole
    • sociétés de production
      • Japan Home Video (JHV)
      • Ogura Jimusyo Co.
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 3m(63 min)
    • Couleur
      • Color

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