Ajouter une intrigue dans votre langueHandguns come into the lives of 9 individuals in LA somehow connected to each other. Deaths follow.Handguns come into the lives of 9 individuals in LA somehow connected to each other. Deaths follow.Handguns come into the lives of 9 individuals in LA somehow connected to each other. Deaths follow.
- Prix
- 7 victoires et 1 nomination au total
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this film is different as a score of people discover things about themselves and others that they didn't know and how to use a gun.
at first i must admit it was a slow flick, but i like these movies where the point of view changes from one character to another with their own little side stories, only to find that they are all really connected.
this is a fun movie that deals with the reality of guns in the united states and how harmful they can be in the wrong hands. a terrific message put to use in a very strange story...i give it two thumbs up in the origionality department and another two thumbs up for anna paquin, who goes from the silent and scared ROGUE in the X-MEN movie, to a trashy whore who just happens to be underage and loving it.
at first i must admit it was a slow flick, but i like these movies where the point of view changes from one character to another with their own little side stories, only to find that they are all really connected.
this is a fun movie that deals with the reality of guns in the united states and how harmful they can be in the wrong hands. a terrific message put to use in a very strange story...i give it two thumbs up in the origionality department and another two thumbs up for anna paquin, who goes from the silent and scared ROGUE in the X-MEN movie, to a trashy whore who just happens to be underage and loving it.
"It's the Rage" is actually the title of this movie, which I saw the other night on cable, and it's an odd duck of a film, starting out with Jeff Daniels' character shooting a man in his living room. He explains to his horrified wife (Joan Allen) that the man was a burglar, but she discovers, with even more horror, that it's actually her husband's business partner. What the @#^k??! Then, some other characters are introduced, each one crazier than the other (played by Gary Sinese, Robert Forster, Anna Paquin, Giovanni Ribisi, all great). Then, the characters start interacting, in extremely clever, well-written ways. The one thing that unites these loonies is that they're all on the edge and they all have guns. (Is that two things?) Consider the possibilities. Or better yet, see the film.
This is another attempt by Hollywood to get the general public
incensed against guns. When the truth be known, Hollywood
wouldn't have a thing to write about and make movies about if it
weren't for guns. Take a moment and think about the movies you
have seen lately and long ago. Guns, Guns, and more guns. You
can count on one hand the 'driving miss daisy' type movies that
have come out of Hollywood. In this movie they don't want you to
pay attention to the lack of morals demonstrated by almost all of
the characters. Just think about the guns. The story was
interesting with the interplay of how the characters were at one
time or other involved with one another.The last good movie I saw
was 'Secondhand Lions'.
incensed against guns. When the truth be known, Hollywood
wouldn't have a thing to write about and make movies about if it
weren't for guns. Take a moment and think about the movies you
have seen lately and long ago. Guns, Guns, and more guns. You
can count on one hand the 'driving miss daisy' type movies that
have come out of Hollywood. In this movie they don't want you to
pay attention to the lack of morals demonstrated by almost all of
the characters. Just think about the guns. The story was
interesting with the interplay of how the characters were at one
time or other involved with one another.The last good movie I saw
was 'Secondhand Lions'.
To be taken seriously only as political satire. Quite humorous and edgy, with a sharp script, but spotty continuity in the narrative. Almost more a cartoon than a good story.
None of the characters are believable, which is OK, as they seem to be distillations of types. All of the men in this film are horrible--I wouldn't want a friend or a relative among them. Women are treated as victims, more or less, what spare representation there is of women, though both Joan Allen and Anna Paquin are wonderful in these highly stylized roles.
Jeff Daniels's performance, as are those of most of the other men, are masterpieces of underacting. Gary Sinise and Giovanni Ribisi are given grand opportunities to chew up the scenery, which one may have every expectation either will do, literally, at any moment.
It seems to me this is also less about guns than it is about how guns are a horrible and all too real manifestation of those things--far more terrible and dark--that may have become by now an inalterable part of the American (that is, the U.S. American) character. Some other themes, besides casual (and not so casual) violence--twisted attitudes toward sexuality, the vagaries of the over-hot infotech culture, and our inability to perceive our own psychological deficiencies--are not well integrated.
None of the characters are believable, which is OK, as they seem to be distillations of types. All of the men in this film are horrible--I wouldn't want a friend or a relative among them. Women are treated as victims, more or less, what spare representation there is of women, though both Joan Allen and Anna Paquin are wonderful in these highly stylized roles.
Jeff Daniels's performance, as are those of most of the other men, are masterpieces of underacting. Gary Sinise and Giovanni Ribisi are given grand opportunities to chew up the scenery, which one may have every expectation either will do, literally, at any moment.
It seems to me this is also less about guns than it is about how guns are a horrible and all too real manifestation of those things--far more terrible and dark--that may have become by now an inalterable part of the American (that is, the U.S. American) character. Some other themes, besides casual (and not so casual) violence--twisted attitudes toward sexuality, the vagaries of the over-hot infotech culture, and our inability to perceive our own psychological deficiencies--are not well integrated.
Excellent acting, sly intertwining of modern characters, and escalating suspense make this movie intriguing and very watchable, despite the sophomoric and "in-your-face" anti-gun agenda that is as subtle as a lead balloon.
Le saviez-vous
- AnecdotesJanuary Jones's film debut.
- GaffesWhen Tim and Chris are at the table discussing what time Tim got home, the newspaper in Tim's hands changes position between shots.
- ConnexionsFeatures Train de luxe (1934)
- Bandes originalesUn bel di vedremo (Madame Butterfly)
by Giacomo Puccini
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- How long is All the Rage?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 9 730 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 718 $ US
- 9 juill. 2000
- Brut – à l'échelle mondiale
- 9 730 $ US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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