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Ring

Titre original : Ringu
  • 1998
  • 14A
  • 1h 36m
ÉVALUATION IMDb
7,2/10
84 k
MA NOTE
POPULARITÉ
4 496
617
Ring (1998)
Trailer for Ringu
Liretrailer0:25
1 vidéo
99+ photos
JaponaisHorreur populaireHorreur surnaturelleHorreurMystère

Une journaliste et son ex-mari enquêtent sur une cassette vidéo maudite qui, selon la rumeur, tuerait le spectateur sept jours après qu'il l'ait regardée.Une journaliste et son ex-mari enquêtent sur une cassette vidéo maudite qui, selon la rumeur, tuerait le spectateur sept jours après qu'il l'ait regardée.Une journaliste et son ex-mari enquêtent sur une cassette vidéo maudite qui, selon la rumeur, tuerait le spectateur sept jours après qu'il l'ait regardée.

  • Réalisation
    • Hideo Nakata
  • Scénaristes
    • Hiroshi Takahashi
    • Kôji Suzuki
  • Vedettes
    • Nanako Matsushima
    • Miki Nakatani
    • Yûko Takeuchi
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,2/10
    84 k
    MA NOTE
    POPULARITÉ
    4 496
    617
    • Réalisation
      • Hideo Nakata
    • Scénaristes
      • Hiroshi Takahashi
      • Kôji Suzuki
    • Vedettes
      • Nanako Matsushima
      • Miki Nakatani
      • Yûko Takeuchi
    • 494Commentaires d'utilisateurs
    • 171Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 7 victoires et 1 nomination au total

    Vidéos1

    Ringu
    Trailer 0:25
    Ringu

    Photos107

    Voir l’affiche
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    + 99
    Voir l’affiche

    Distribution principale40

    Modifier
    Nanako Matsushima
    Nanako Matsushima
    • Reiko Asakawa
    Miki Nakatani
    Miki Nakatani
    • Mai Takano
    Yûko Takeuchi
    Yûko Takeuchi
    • Tomoko Ôishi
    Hitomi Satô
    Hitomi Satô
    • Masami
    Yôichi Numata
    • Takashi Yamamura
    Yutaka Matsushige
    Yutaka Matsushige
    • Yoshino
    Katsumi Muramatsu
    • Kôichi Asakawa
    Rikiya Ôtaka
    Rikiya Ôtaka
    • Yôichi Asakawa
    Masako
    • Shizuko Yamamura
    Daisuke Ban
    • Heihachirô Ikuma
    Kanehiro Ri
    • Komiya kameraman
    Yûrei Yanagi
    • AD Okazaki
    • (as Yanagi Yûrei -yûjô shutsuen-)
    Yôko Ôshima
    • Reiko no oba
    Kiriko Shimizu
    • Yoshimi Ôishi
    Makoto Kakeda
    • Kanrinin
    Rie Ino'o
    Rie Ino'o
    • Sadako Yamamura
    Hiroyuki Tanabe
    • Hayatsu
    Miwako Kaji
    • Kazue Yamamura
    • Réalisation
      • Hideo Nakata
    • Scénaristes
      • Hiroshi Takahashi
      • Kôji Suzuki
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs494

    7,284.4K
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    Avis en vedette

    bob the moo

    Just plain creepy – really unnerving film

    Rumours abound about a video tape that, once you watch it you have a week before you die. When a relative dies in a way that suggests she saw the video, journalist Reiko tracks down the tape and recklessly watches it. She finds she is under the curse and shows it to her ex-husband to get his help. When her son watches the tape Reiko and Ryuji race against time to discover the meaning behind the curse to be able to lift it.

    I came to this only knowing the hype and the barest bits of the story. I knew it was meant to be scary and I wasn't disappointed. The plot is good in it's one word description but there are a few holes in it and something's aren't well explained. However it is a good story to follow as it is a form of a ghost hunt as they try to unravel the mystery. The whole thing has an air of uneasiness about it.

    The film has some very scary moments – especially the ending which I won't even hint at. However for the most part it is just plain creepy – which is even worse. There's no blood or gore – just a real sense of being uncomfortable. The director has seen teen horrors before so he teases us – he has shots of people with doors just over their shoulder, or the TV lingering in the rear of the shot – knowing that we are conditioned to expect something to jump out – but then nothing does. Instead the scares come slowly and blatantly really not being shocking but just making your skin crawl.

    The acting is superb all round although Sanada is a little stony at times but he gets better. The real star is the director who uses music and sound effects to get the eerie effect but also uses images that are weird to just creep out the whole film. I hope Hollywood directors learn what can be done with subtly rather than multimillion pound monsters or effects.

    I have said before that Fire Walk With Me was one of the creepiest films I've seen. And that was for the same reason, just making me feel uncomfortable and unnerved. Here this little gem takes that to a whole new level.
    7ma-cortes

    Astounding terror movie about a vengeful specter that kills everybody hear a surrealist videotape

    Afterwards the horrible death of some adolescents and her niece Tomoko , the journalist named Reiko begins to investigate rumors about a videotape that causes the strange murders . As she discovers that whenever a teenager spontaneously dies with a horrifying look on his face after hearing a supposedly killing videotape and one time the phone rings ,telling he had only one week to live . The TV reporter shows up to investigate these deeds . Reiko is helped by his ex-husband and later they face a race to save their lives from spooky creature . Reiko tries to get the bottom of mystery and discovers the secrets of life of Sadako and her father . Besides mysterious events are happening at home her husband and both of them are caught up by ominous Sadako.

    Based on original Japanese novel by Koji Suzuki , it was a real success in the Asian cinemas and all around the world . This horror film provides great load of screams, grisly killings and creepy atmosphere which becomes pretty sinister with the Sadako appearing . The picture is a sleek production with average budget by approx 1.200.000 dollars , and packs genuine chills , suspense, tension , and shocks , it's a terror-thriller very exciting . The film is paced with intelligent edition, special use of color and slick utilization of shock images . This frightening movie displays thrills , chills , hard-edged drama and ghastly images . While the look is suitable atmospheric and eerie, the argument stretches plausibility to the breaking point. This is an acceptable adaptation of the novel and movie that took successfully Japan . The movie has some special effects describing series of weird and otherworldly happenings and a magnificent make-up specially reflected on the hair-raising countenance of dead . Eerie musical score and tenebrous cinematography with the TV surrealist images filmed in 35 mm and in super 8 style . The motion picture is professionally directed by Hideo Nakata in similar style to Takashi Shimzu movies . Nakata is an expert on horror cinema with eerie phantoms of pale complexion and long hair and directed its following ¨Ringu 2 (1999)¨ ; furthermore he directed US version ¨Ring 2¨ with Naomi Watts. Of course ¨The Ring¨ followed its American version directed by Gore Verbinski whose argument copies exactly the Japan original movie without surprises.
    dottyflowers

    Have to disagree with Mike, the original is better.

    I have to disagree with the comment above from Mike Washen. Indeed, the storyline of both movies is similar for the first part of the movie (no complaints so far), but the second part of the originals movie is more believable IMHO. The original has only one real special effect but this does not mean that the movie isn't scary. Especially due to this lack of special effects a better thrill is created al throughout the movie. One sees just enough to get scared. The originals story builds up a tad more slowly which gives a better story overall. If you are going for special effects, take the remake. If you like to see all 4 movies and like a scary experience overall take the original.
    7Bungle-9

    More of a mystery than a horror

    This movie was considerably hyped up, so I saw it eventually. My personal opinion is that this is more of a good mystery movie than a horror movie - it really wasn't that scary, to me at least. The only really scary moments were spoiled for me because I had already seen them before on things like "The 100 Scariest Movie Moments" on TV or something, and the notes by a critic inside the DVD box also spoiled it.

    Sound design was one part of this film that struck me - quite good at doing what it was supposed to, sometimes unsettling. I didn't feel a lot of character to be honest - just people making their way through the story.

    In my opinion, worth seeing just to investigate the hype, but don't expect to need a new change of underwear after seeing it. For that, you might want to consider The Grudge.
    worldsofdarkblue

    Ringu and The Ring

    Unlike some reviewers here, I'm happy to have seen Hollywood's 'The Ring' first. Now that I've seen both I would have to say that 'Ringu' is the better film (marginally).

    The Hollywood version was quite an unsettling experience in it's own right and having seen it first I rather expected 'Ringu' would be a 'ruined' experience as I was already familiar with the overall story and, of course, THE scene. After all, when the scene finally occurs in 'The Ring' the unexpectedness of it very much increases the shock of it. I hadn't been truly frightened by a scene from a horror movie for a very long time so I was unequivocally impressed.

    So when I got around to watching 'Ringu' my expectation was low. I assumed that the absence of surprise would diminish the experience greatly but, as it turns out, the difference in the styles (and some of the substance as well) was adequate enough to scare me all over again even though I thought I knew what to expect. Somehow I doubt that this would have been the case if I'd watched these movies in reverse order. I believe 'The Ring' would have been less enjoyable as it likely would have suffered from comparison.

    The familiarity actually served as a primer for watching the original. I've found that reading subtitles often detracts from the complete enjoyment of a film as one's appreciation of the visual content usually suffers from the distraction. In this case though, I found it to be less of a problem. Of course it certainly doesn't hurt to have the ability to rewind and in instances where I was unable to finish reading the dialogue completely you can be sure that I made use of it.

    The first difference that struck me was the teens found in the car. Like the girl in the closet in 'The Ring' their faces are frozen into grotesque masks, but the more terrifying aspect is that they have been 'gotten to' outside of their homes and all at the same time. This really drives home the realization that there may be no way to escape this thing. Safety in numbers? Nope. Don't go home? Nope, won't help.

    'Ringu' is somewhat more detailed in providing background than is 'The Ring'. The demonic child is shown in a scene that was omitted from the copied version and it adds a little something extra to our understanding of this terrifying entity. Also, I found that the valiant attempt to lift the curse by trying to 'free' the spirit from the well was more intense and claustrophobic (not to mention yuckier) than the American film.

    But what is it exactly that is so disquieting about both versions? Well, to begin with, the seemingly unrelated, disjointed and positively eerie imagery that is seen on the mysterious videotape really gets under the skin. The first time we see these we are troubled by the strangeness of them and thoroughly perplexed as to their meaning. We come to realize that a seed of uneasiness has been planted within us. The direction is masterful at nourishing this seed not only by showing short repeats of these images, but also by giving us incremental hints of what is still to come. We are briefly shown the well. Briefly again, the beginning of emergence. Briefly again, it's almost out. More and more I found myself getting cold shivers at each progression. The uneasiness is becoming dread.

    But there's something else that frightens apart from the film's construction. Is it the ultimate realization that this thing will not be placated no matter the heroic and well-intentioned efforts of the film's principal leads? Yes, that's an acutely chilling slant to be sure. But ultimately, I feel that the most disturbing element is that, were we to find ourselves in this position, we would be faced with a terrible choice - face the horror ourselves or deliberately inflict it on another. Escape it and you condemn your own soul. Now that's some scary sh*t

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    Intérêts connexes

    Hidetoshi Nishijima and Tôko Miura in Conduis mon char (2021)
    Japonais
    Florence Pugh in Midsommar: Solstice d'été (2019)
    Horreur populaire
    Daveigh Chase in Le cercle (2002)
    Horreur surnaturelle
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    Horreur
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The 2001 UK DVD release back cover carries a disclaimer, stating that the distributor accepts no responsibility "for any injuries or fatalities that may occur during or after the viewing of this videocassette."
    • Gaffes
      In a close-up of Sadako in the end scene, one of her fake finger extensions is coming off.
    • Citations

      Reiko Asakawa: Ryuji? When it's time for me to die... Stay with me.

    • Connexions
      Edited into Diminishing Returns: Diminishing Returns Are Dead (2022)
    • Bandes originales
      Feels Like 'Heaven'
      Performed by HIIH

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    FAQ29

    • How long is Ring?Propulsé par Alexa
    • Who is the ghostly woman that Ryuji sees and asks "was it you who did this?" shortly after seeing the cursed video?
    • What is 'Ringu' about?
    • Is 'Ringu' based on a book?

    Détails

    Modifier
    • Date de sortie
      • 1 février 2022 (Canada)
    • Pays d’origine
      • Japan
    • Langue
      • Japanese
    • Aussi connu sous le nom de
      • El aro
    • sociétés de production
      • Basara Pictures
      • Toho
      • Imagica
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 200 000 $ US (estimation)
    • Brut – à l'échelle mondiale
      • 364 839 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 36m(96 min)
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

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