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Meurtre en musique

Titre original : Columbo: Murder with Too Many Notes
  • Téléfilm
  • 2001
  • TV-PG
  • 1h 38m
ÉVALUATION IMDb
6,7/10
2,1 k
MA NOTE
Peter Falk, Scott Atkinson, Charles Cioffi, Billy Connolly, Hillary Danner, Richard Riehle, and Chad Willett in Meurtre en musique (2001)
CriminalitéDrameMystèreThrillerDrame policierEnquête policière

Ajouter une intrigue dans votre langueA popular film composer murders his talented protege, who's been secretly ghostwriting most of his compositions in recent years, after he threatened to expose their secret to the public. Lt.... Tout lireA popular film composer murders his talented protege, who's been secretly ghostwriting most of his compositions in recent years, after he threatened to expose their secret to the public. Lt. Columbo investigates.A popular film composer murders his talented protege, who's been secretly ghostwriting most of his compositions in recent years, after he threatened to expose their secret to the public. Lt. Columbo investigates.

  • Director
    • Patrick McGoohan
  • Writers
    • Richard Levinson
    • William Link
    • Jeff Cava
  • Stars
    • Peter Falk
    • Billy Connolly
    • Richard Riehle
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,7/10
    2,1 k
    MA NOTE
    • Director
      • Patrick McGoohan
    • Writers
      • Richard Levinson
      • William Link
      • Jeff Cava
    • Stars
      • Peter Falk
      • Billy Connolly
      • Richard Riehle
    • 40Commentaires d'utilisateurs
    • 5Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos51

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    Rôles principaux23

    Modifier
    Peter Falk
    Peter Falk
    • Columbo
    Billy Connolly
    Billy Connolly
    • Findlay Crawford
    Richard Riehle
    Richard Riehle
    • Sgt Degarmo
    Charles Cioffi
    Charles Cioffi
    • Sidney Ritter
    Hillary Danner
    • Rebecca
    Chad Willett
    Chad Willett
    • Gabriel McEnery
    Scott Atkinson
    Scott Atkinson
    • Tony
    Obi Ndefo
    • Nathaniel Murphy
    Randy Oglesby
    Randy Oglesby
    • Joshua Vinten
    Luis Avalos
    Luis Avalos
    • Antonio
    Harry Danner
    Harry Danner
    • Fitch
    Anne McGoohan
    • Marcia
    Herschel Sparber
    • Priestly
    Steve O'Connor
    Steve O'Connor
    • Throve
    Larry Gilman
    • Tomblin
    Michael P. Byrne
    • Schwartz
    Van Epperson
    Van Epperson
    • Photographer
    Joanne Lara
    • Angela
    • Director
      • Patrick McGoohan
    • Writers
      • Richard Levinson
      • William Link
      • Jeff Cava
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs40

    6,72.1K
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    Avis en vedette

    Wizard-8

    A lesser episode, to put it mildly

    While I am a big enough fan of the "Columbo" mystery series to be glad enough to have the opportunity to watch any episode, I have to admit that I thought this particular episode was pretty weak stuff. It starts off pretty well, with a murder that is pretty original and ingenious. But once Columbo gets into the story and starts doing his thing, things go rapidly downhill. For some reason, this particular investigation goes along at a really slow pace - it takes forever for Columbo to uncover the clues, and the padding is pretty blatant. And while I was keeping attention throughout, the last scene of the episode - the point where Columbo traditionally beats the murderer at his or her own game - didn't seem finished. All Columbo had at this point, if you ask me, was a bunch of circumstantial evidence. While I don't know if I would call this episode the absolute worst "Columbo" episode made - I still haven't watched all the episodes - I have a sneaking suspicion it would be among the bottom five or so.
    6blanche-2

    odd Columbo - and not very good

    I have to agree with everything that's been written about this episode - it's a bomb. Not THE BOMB, a BOMB.

    The story wasn't bad, but as has been pointed out, too much went unexplained. The drive to the killer's house - Columbo running out of gas - what was all that about? I think Columbo was trying to rattle the guy or get him to lose his temper. We don't know though.

    Obvious filler to stretch the episode was the "Name that Tune" with the orchestra. Embarrassing.

    The denouement - were they kidding? Where was the evidence?

    Very disappointing. Obviously, a slapped-together episode because the name "Columbo" meant ratings - they figured the audience would watch anything with Peter Falk as Columbo. They were right. But it was insulting.
    bob the moo

    Enjoyable Columbo film despite a weak ending and some bum notes from Falk

    Findlay Crawford is an award winning film composer with a small secret – most of his best work has been written standing on the shoulders of the young, uncredited composer Gabriel McEnery. Now that Gabriel has started asking for some credit and has begun being vocal about it in front of others, Crawford decides that the time is right and placates him with the offer of conducting at a show the next night. However he has no intention of letting this happen and instead drugs Gabriel and puts him on the roof (where he usually hangs out) on top of a defunct lift panel. As he starts his show he times the lift to go to the roof, thus opening the panel and flipping Gabriel's comatose body off the roof to his death. All seems like a pointless waste of young talent to the witnesses but a stray noise tells Columbo that there is more to this than a tragic accident or suicide.

    This is the most recent Columbo that I have seen and I was therefore very worried that it would be terrible as some of the ones I've seen from around 1990 have been mostly average at best. However the directing presence of Columbo regular McGoohan made me think again plus the plot summary suggested that, having already caught a Spielberg clone, Columbo was going after John Williams. This may be the case but given that I don't know much about Williams outside of his music so any sly digs at him were lost on me. The plot is pretty clever and it was developed well enough to hold my interest but the ending is really weak and is not enough to trap Crawford even in the world of TV detectives. The direction is good and the film feels quite modern, which I know it is but it was still a new feel for the Columbo movies for me.

    The cast are so-so and mostly good. Falk was good for the most part but at times his Columbo seemed to be almost an impression of Columbo; this is most evident when trying to "name that tune" with Crawford's orchestra. Outside of this he is good but it is not his best turn in the mac. Connolly is a solid choice of guest star and he works well with Falk – it is nice to have a genuine big name in the suspect's chair. He is a big character as well and, although toned down from his comic personae, he still provides a good presence. The support isn't that great but it doesn't really matter that much (although Willett looks about 12 years old).

    Overall an enjoyable film from the Columbo series despite the weak ending and a performance that isn't Falk's best. Maybe not enough to convince unbelievers that the long running series is deserved but fans will find it easy to enjoy.
    7Barginhunterman

    Classical - Not!

    Having seen almost all the Columbo movies I was disappointed by this latest offering. Peter Falk was trying hard to recreate his best form as the raincoat claden detective but sadly fell short.

    The character interaction was predictable and with the likes of Patrick McGoohan directing (again) and the ever 'loud' and 'outrageous' Billy Connolly one would have hoped for a far better script to do justice to this great series of TV movies.
    6TheLittleSongbird

    Good if not great

    Murder with too Many Notes(love the title) was a good episode, but it was too flawed to be considered great. Starting with the good points, it is strikingly filmed, the music is delightful, there is some nice scripting and the acting from Peter Falk(not his best mind you, some of the more humorous parts such as "guess the piece" fell slightly flat) and Billy Conolly(toned down but surprisingly effective) is good. However, the plot isn't as strong this time around, the forensics for example as said already is dated and the ending especially was far too abrupt and underdeveloped. The pacing was uneven here, some of it was okay, some of it was slow and other parts felt somewhat frantic. The direction is a tad lacking as well. So overall, it is good, with some good performances, music and title, but the ending and plot fell flat for me. 6/10 Bethany Cox

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Billy Connolly's character name, "Findlay Crawford", is taken from his stand-up comedy, in which he mocks the names wealthy parents give their children. "Findlay" and "Crawford" are two separate names he cites as being particularly irksome.
    • Gaffes
      When Columbo is on the roof after the body falls, his hair is blowing in the wind and the Sergeant's tie is waving about, but the sheet music remains where it fell.
    • Citations

      Lt. Columbo: Oh, sorry to disturb you, sir. I realize this is a bad time.

      Findlay Crawford: Have a drink. It's a good time to be drinking.

      Lt. Columbo: Uh, not right now, thank you, sir. Still on duty. Would it be all right, sir, if I, uh, smoked a small cigar?

      Findlay Crawford: Of course. I love a good cigar myself. There's a humidor over there. Help yourself.

      Lt. Columbo: Oh, I'm kind of used to these here, thank you.

      Findlay Crawford: Please yourself. Light up, sit down, and make yourself at home. No more home for poor Gabriel, I'm afraid.

      Lt. Columbo: Oh, that was unfortunate, sir.

      Findlay Crawford: It was a tragedy, Mr. Columbo, a tragedy. A wonderful young man with a great future.

      Lt. Columbo: So I heard, sir.

      Findlay Crawford: He was like a son to me. Let's have some music.

      [classical instrumental music starts playing loudly. Crawford starts acting as a composer and then turns the music off]

      Findlay Crawford: Tchaikovsky.

      Lt. Columbo: Well, uh, sir, I...

      Findlay Crawford: Perhaps you'd rather hear some rock and roll?

      Lt. Columbo: I wouldn't say that, sir.

      Findlay Crawford: [singing] In a cabin, in a canyon, excavating for a mine, lived a miner

      Lt. Columbo: A forty-niner.

      Lt. Columbo, Findlay Crawford: And his daughter, Clementine. Oh, my darlin', oh, my darlin', oh my darlin' Clementine, you are lost and gone forever...

      Lt. Columbo: Dreadful sorry...

      Lt. Columbo, Findlay Crawford: Clementine.

      Findlay Crawford: At least we established part of your taste. But I think it's time for some sad music. More befitting the mood of the evening. A little cello, perhaps. Nothing weeps like a cello.

      [instrumental cello music starts playing]

      Lt. Columbo: Uh, Mr. Crawford... Mr. Crawford, I'm sure you could play wonderful music all night long, but there are a few questions. I realize that this has been a shock to you, but it has to be done.

      Findlay Crawford: What did you have in mind, Mr. Columbo?

      Lt. Columbo: Where were you, sir, when the deceased fell off the roof?

      Findlay Crawford: I was on stage, conducting a concert.

      Lt. Columbo: And when was the last time that you saw Mr. McEnry alive, sir?

      Findlay Crawford: That would be last evening. In here, in the bungalow.

      Lt. Columbo: And sort of mood was he in?

      Findlay Crawford: Since I had just informed him he would be conducting the theme from The Killer in tonight's program, ecstatic.

      Lt. Columbo: Ecstatic day before... Day before. So, uh... Oh, so he wasn't here when you arrived today?

      Findlay Crawford: I arrived at the studio a few minutes before the performance. I didn't see Gabriel. I just assumed, as was his normal practice, he'd be on the roof, conducting along with me, and would appear when he was due on stage.

      Lt. Columbo: So the first time that you saw him today he was on the ground. I can imagine how you felt, sir.

      Findlay Crawford: I was devastated.

      Lt. Columbo: And what did you do right after that?

      Findlay Crawford: Some members of the audience had come outside to gawk. I told them to go back indoors. I announced that the performance for this evening was cancelled, and assured those present that the tickets would be good for next Saturday, when an additional piece would be added to the program. A piece that I would compose myself as a trib...

      [sniffs]

      Findlay Crawford: ... as a tribute to Gabriel.

      Lt. Columbo: Oh, very nice gesture, sir. Uh, tell me, did Mr. Gabriel, when he was conducting, did he always use a baton?

      Findlay Crawford: Of course. We all use batons. Why do you ask?

      Lt. Columbo: Well... Well, you never know, sir. Somebody said he was a bit eccentric.

      Findlay Crawford: [scoffs] Not that eccentric.

    • Connexions
      Featured in Columbo: Murder with Too Many Notes
    • Bandes originales
      1812 Overture
      Music by Pyotr Ilyich Tchaikovsky

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    Détails

    Modifier
    • Date de sortie
      • 12 mars 2001 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Mord efter noter
    • Lieux de tournage
      • Universal Studios - 100 Universal City Plaza, Universal City, Californie, États-Unis(Studio)
    • sociétés de production
      • Universal Television
      • Studios USA
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 38 minutes
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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    Peter Falk, Scott Atkinson, Charles Cioffi, Billy Connolly, Hillary Danner, Richard Riehle, and Chad Willett in Meurtre en musique (2001)
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