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IMDbPro

Chevalier

Titre original : A Knight's Tale
  • 2001
  • PG
  • 2h 12m
ÉVALUATION IMDb
7,0/10
215 k
MA NOTE
POPULARITÉ
1 033
274
Heath Ledger in Chevalier (2001)
Home Video Trailer from Columbia Pictures
Liretrailer2:22
7 vidéos
99+ photos
Romance réconfortanteAventureDrameMesureRomance

Suite à la mort de son maître, un écuyer paysan, motivé par la famine et la gloire, se crée une nouvelle identité en tant que chevalier.Suite à la mort de son maître, un écuyer paysan, motivé par la famine et la gloire, se crée une nouvelle identité en tant que chevalier.Suite à la mort de son maître, un écuyer paysan, motivé par la famine et la gloire, se crée une nouvelle identité en tant que chevalier.

  • Réalisation
    • Brian Helgeland
  • Scénariste
    • Brian Helgeland
  • Vedettes
    • Heath Ledger
    • Mark Addy
    • Rufus Sewell
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,0/10
    215 k
    MA NOTE
    POPULARITÉ
    1 033
    274
    • Réalisation
      • Brian Helgeland
    • Scénariste
      • Brian Helgeland
    • Vedettes
      • Heath Ledger
      • Mark Addy
      • Rufus Sewell
    • 761Commentaires d'utilisateurs
    • 108Commentaires de critiques
    • 56Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 4 victoires et 13 nominations au total

    Vidéos7

    A Knight's Tale
    Trailer 2:22
    A Knight's Tale
    A Knight's Tale Additional Scene
    Clip 1:09
    A Knight's Tale Additional Scene
    A Knight's Tale Additional Scene
    Clip 1:09
    A Knight's Tale Additional Scene
    A Knight's Tale Scene: We Will Rock You
    Clip 0:58
    A Knight's Tale Scene: We Will Rock You
    A Knight's Tale Scene: Training
    Clip 0:58
    A Knight's Tale Scene: Training
    A Knight's Tale Scene: Concentrate
    Clip 0:55
    A Knight's Tale Scene: Concentrate
    A Knight's Tale: Epk
    Featurette 4:37
    A Knight's Tale: Epk

    Photos166

    Voir l’affiche
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    Distribution principale38

    Modifier
    Heath Ledger
    Heath Ledger
    • William Thatcher
    Mark Addy
    Mark Addy
    • Roland
    Rufus Sewell
    Rufus Sewell
    • Count Adhemar
    Shannyn Sossamon
    Shannyn Sossamon
    • Jocelyn
    Paul Bettany
    Paul Bettany
    • Geoffrey Chaucer
    Laura Fraser
    Laura Fraser
    • Kate
    Alan Tudyk
    Alan Tudyk
    • Wat
    Bérénice Bejo
    Bérénice Bejo
    • Christiana
    • (as Berenice Bejo)
    Scott Handy
    Scott Handy
    • Germaine
    James Purefoy
    James Purefoy
    • Colville
    Leagh Conwell
    Leagh Conwell
    • Young William Thatcher
    Christopher Cazenove
    Christopher Cazenove
    • John Thatcher
    Steven O'Donnell
    Steven O'Donnell
    • Simon the Summoner
    • (as Steve O'Donnell)
    Jonathan Slinger
    Jonathan Slinger
    • Peter the Pardoner
    Nick Brimble
    Nick Brimble
    • Sir Ector
    Karel Dobrý
    Karel Dobrý
    • Flanders King of Arms
    Philip Lenkowsky
    Philip Lenkowsky
    • Rouen King of Arms
    Roger Ashton-Griffiths
    Roger Ashton-Griffiths
    • Old Bishop
    • Réalisation
      • Brian Helgeland
    • Scénariste
      • Brian Helgeland
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs761

    7,0215.3K
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    10

    Avis en vedette

    9Iok

    Makes Braveheart Look Historically Accurate

    I first saw "A Knight's Tale" by chance. A few of us had decided on an ad hoc visit to the local cinema and selected "A Knight's Tale" simply because it sounded the least "teen" movie on the bill. We slapped down our cash and took our seats.

    The movie began...

    A crowd of peasants are assembled to watch the jousting. And they're singing "We Will Rock You."

    My initial response was "God, this is going to be bad."

    But as the movie continued, it suddenly dawned on me - I wasn't hating the movie at all! On an intellectual level, I should have been booing and throwing stuff at the screen but there's something about the sheer verve and energy of "A Knight's Tale" that just drags you in on an emotional level.

    A clever script with many modern references, a good cast of likeable characters and a fantastic soundtrack (the reveal of "Golden Years" is particularly good) all add up to make "A Knight's Tale" one of the most entertaining mainstream movies I've seen in a long time.

    Normally I hate "popcorn" movies - not because I consider them "low brow" or an insult to the intelligence, but because they're shallow, tired and lack soul. Yet "A Knight's Tale" is different. No, it won't change your life and it won't make you ponder your place in the universe. But it will entertain you.

    If you're looking for an "old fashioned" good vs. evil movie with a twist, or your copy of "The Princess Bride" is wearing thin, check out "A Knight's Tale."

    8/10
    7Colbridge

    Hugely entertaining medieval romp set to modern rock classics

    Brian Helgeland's A Knight's Tale is a hugely entertaining medieval romp set to modern rock classics such as Queen's 'We Will Rock You' and Thin Lizzy's 'The Boys are Back in Town'. The movie urges you to join in the fun with recognisable songs that is a jarring juxtaposition to the 14th century goings on at first but you soon get used to the idea.

    Heath Ledger is excellent as the peasant who wants to be a knight and, upon meeting a homeless writer, who turns out to be Chaucer, offers to forge papers so that Ledger can bluff his way into the annual jousting competition to prove his worth as a knight and finds romance along the way.

    This film has everything - action, adventure, comedy, romance and rock songs. It's feel good entertainment and Helgeland's unique approach still feels fresh, sassy and on point. Ledger is surrounded by a good supporting cast of Paul Bettany, Rufus Sewell, Mark Addy, Shannyn Sossamon and James Purefoy.

    It's the perfect mix of a smart witty script, solid acting and an off kilter approach that really works. Baz Luhrmann pulled a similar trick with both Romeo & Juliet (1996) and Moulin Rouge (2001) by mixing up period pieces with modern songs to serve the narrative in an unconventional way.
    9bhirschi42

    More accurate than you might think

    The first time I saw A Knight's Tale (on cable, missed it in theater), I had the same reaction as many of you - Queen? David Bowie? In a movie set in the middle ages?

    But I stayed with it, and I'm glad I did. Once you get past the glaring anachronisms (put in the film on purpose, of course), you find the movie is actually quite true to its period.

    The presence of Chaucer in the film, combined with some of its details, leads me to suspect that Brian Helgeland has read "Chaucer's Knight" by fellow filmmaker Terry Jones (of Monty Python fame). The book deconstructs the knight in Chaucer's "The Knight's Tale" in a totally unique way -- he is seen NOT as the flower of medieval chivalry (as most scholars have interpreted him), but as a mercenary out for nothing but money and blood. The character in the film Chaucer would have written about, then, is not Sir William Thatcher (Heath Ledger), but Count Adhemar of Anjou (Rufus Sewell).

    The part of the film in which this connection "clicked" for me was the scene where Count Adhemar is called away to his command in a "Free Company" -- a particular stain on the reputation of knighthood which Jones talks extensively about in his book.

    Jones' book made use of extensive research into medieval history, and Helgeland's film obviously does, too.

    Chaucer was a master of satire in his day. Helgeland's use of modern conventions in a period film is a conceit of which - I believe - Chaucer would definitely have approved.

    I gave "A Knight's Tale" 9 out of 10 - it's not perfect, but I like it so much, I try to watch it every time it comes on (it's been on HBO and Cinemax pretty regularly for the past several months). Check it out!
    8mstomaso

    Absolutely unexpected pleasure. Light-hearted but satisfying on many levels

    This wonderfully uplifting little film has a great big heart, good humor, and a classic message about love and honor, and the rarity and preciousness of those who practice both with style. I went to see this with my spouse and a good friend of ours because THEY (the spouse and the friend) wanted to see it. I am a non-fan of comedies, and had been annoyed by the stream of trashy Connecticut Yankee in King Arthur's Court films that had been coming out since the 1980s. My spouse had also informed me that I would be seeing Jousting performed to Bachman Turner Overdrive. My reaction was to reach for the nearest bottle of hard liquor. I didn't need it.

    I've now seen this film about six times, and though I can't say that I see something new in it every time (it's just not that complicated), I can say that I have enjoyed it each and every time. The characters, though relatively uncomplicated, are very lovable and the casting is quite excellent all around. Before Brokeback Mountain, William Thatcher was Heath Ledger's most memorable role. He's a poor boy from London's Cheapside who wants to change his stars and to become an honored knight. Travelling from tournament to tournament with his fellow indentured servants, his liege passes on, and William seizes the moment - taking his armor and his horse to become Sir Ulrich Von Liechtenstein of the Gelderland.

    He is joined by the other now-free indentures, and eventually, by Chaucer and a female Farrier played by the wonderful Laura Fraser. Eventually, William falls in love with a princess and is challenged by a rival for her affections with a lot more experience, money and political clout. The love story, which could have easily become a distracting annoyance, in fact, comes to dominate and drive the story very nicely.

    Special kudos to Ledger, Alan Tudyk, Rufus Sewell, Paul Bettany and James Purefoy for their awesome performances. And extra special kudos to Director Brian Helgeland for pulling off an impossible task - taking a fairy tale, making us want to believe it, and yet retaining some wonderful elements of silliness often missing in the fairy tale genre. This would make a wonderful romantic living-room double feature with The Princess Bride.

    Recommendation: Definitely worth seeing.
    7kergillian

    Could've been an absolute bomb, but somehow magically works perfectly!

    this film is ridiculously unbelievable, thin on plot, shamefully predictable, historically inaccurate in so many ways...yet it all works! The combination of modern music to medieval setting should be awful, but no, it works! The costumes are totally wrong for the period (on purpose I'd hazard to guess - at one point Angelina Jolie lookalike Shannyn Sossamon is wearing a hat & dress outfit that looks startlingly similar to a costume Julia Roberts wore in Pretty Woman...) but it works! Heath Ledger is an Aussie (what happened to the black hair he had in 10 Things I Hate About You! I didn't recognize him!) and Alan Tudyk is a Texan, so their accents should have tanked! But they didn't, just a few slippages a la Mel Gibson in Braveheart or Jonny Lee Miller in Hackers...

    This film is funny, fast-paced (certainly didn't *feel* over 2h...), well constructed, hilariously tongue-in-cheek (From the We Will Rock You opening scene to the Nike swooshes on the armor I couldn't stop laughing!) It certainly has its problems (including some *horribly* cheezy lines - most on purpose but that doesn't make them any less horrible! and an evil Hollywood ending - including a Bravheart-like scream of defiance in the final joust that made me cringe...) but those problems are overcome by sharp wit and consistent amusement. The actors were obviously enjoying themselves, and the action was beautifully blended in with the rest of the film. None of the jousting scenes were too long (like, say, the race in Phantom Menace...) and all were shot in such a way as to make them really exciting!

    And I have to laud Paul Bettany who was an incredible and incredibly amusing Geoffrey Chaucer...even though he looks eerily similar, IMO, to Thom Yorke...)

    Kudos to anyone who recognizes Laura Fraser (the blacksmith) from Man in the Iron Mask...

    Overall: A great watch. I went in expecting little and came out extremely satisfied. Not the best film of its kind, but a head above most. And the blending of contemporary style and music and characterization with the medieval story/setting is really well done. It really shouldn't but it does work! 7/10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Chaucer first introduces "Sir Ulrich" in his speech, the crowd doesn't react at first because the Czech extras didn't understand it. Mark Addy's loud prompt tipped them off to start cheering. The awkward moment was left in because it made the scene funnier.
    • Gaffes
      This is a satirical romance, not a historical documentary. While nominally set in the middle of the 14th century (when Edward the Black Prince and Geoffrey Chaucer were active), it freely amalgamates the costume, custom and slang of many different centuries to create a unique world. The Chaucer character (who mentions his signature Canterbury Tales) bears almost no resemblance to his historical counterpart. Matte replicas of the London Eye and the Eiffel Tower are included to drive home the anachronistic intentions.
    • Citations

      Chaucer: You're good. You're very good. My lords, my ladies, and everybody else here not sitting on a cushion!

      [crowd roars]

      Chaucer: Today... today, you find yourselves equals.

      [crowd roars]

      Chaucer: For you are all equally blessed. For I have the pride, the privilege, nay, the pleasure of introducing to you to a knight, sired by knights. A knight who can trace his lineage back beyond Charlemagne. I first met him atop a mountain near Jerusalem, praying to God, asking his forgiveness for the Saracen blood spilt by his sword. Next, he amazed me still further in Italy when he saved a fatherless beauty from the would-be ravishing of her dreadful Turkish uncle.

      [crowd, boo]

      Chaucer: In Greece he spent a year in silence just to better understand the sound of a whisper. And so without further gilding the lily and with no more ado, I give to you, the seeker of serenity, the protector of Italian virginity, the enforcer of our Lord God, the one, the only, Sir Ulllrrrich von Lichtenstein!

      [crowd roars]

      Chaucer: Thank you, thank you, I'll be here all week.

    • Générique farfelu
      After the credits finish, Roland, Wat, Kate, and Geoff have a flatulence contest/drinking game. Wat loses, but Kate is the obvious winner.
    • Autres versions
      There is a slight difference between the UK cinema version and the UK DVD release. In the cinematic release, the queen/Robbie Williams version of We Are The Champions starts playing when William and Jocelyn kiss just before the credits, whereas the DVD release has a different song play. However, We Are The Champions still plays over the last half of the credits.
    • Connexions
      Featured in HBO First Look: The Making of 'A Knight's Tale' (2001)
    • Bandes originales
      We Will Rock You
      Written by Brian May

      Performed by Queen

      Courtesy of Hollywood Records and Courtesy of EMI Records UK Ltd.

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    • How long is A Knight's Tale?Propulsé par Alexa
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    • What are the differences between the Theatrical Version and the Extended Cut?
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    Détails

    Modifier
    • Date de sortie
      • 11 mai 2001 (Canada)
    • Pays d’origine
      • United States
    • Langues
      • English
      • French
      • Latin
    • Aussi connu sous le nom de
      • A Knight's Tale
    • Lieux de tournage
      • Barrandov Studios, Prague, République tchèque(Studio)
    • sociétés de production
      • Columbia Pictures
      • Escape Artists
      • Finestkind
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 65 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 56 569 702 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 16 511 391 $ US
      • 13 mai 2001
    • Brut – à l'échelle mondiale
      • 117 487 657 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 12m(132 min)
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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