The Visit

"The Visit" tells the story of a young convicted rapist and AIDS victim (Harper) in prison, the visits he receives from family and friends which resurrect old issues, and his final quest for resolution and purpose. On the upside "The Visit" is a solid drama which is short on entertainment and long on meaning, interspersed with surreal dream-like sequences, backed with a plaintive jazz score, cloaked in very unprison-like atmospherics, offers excellent performances, and avoids cliches and stereotypes. However, the film's theatrical presentation and somewhat vague purpose may limit audience appeal to more serious minded film goers and fans of the players. (B)

I saw this movie last Sunday at the Method Fest in Pasadena, CA. While I must admit that I went simply because Hill Harper was in it, it turned out to be an excellent movie. It moved me. It made me cry, laugh and think. Billy Dee Williams and Marla Gibbs reminded me, in some respects, of my parents. Rae Dawn Chong also reminded me of a relative. Hill Harper's character moved me most, you feel his pain, you know his character is innocent. He is an excellent actor and I'd really like to see much more of him on the big screen.

The synergy of the entire cast was wonderful. They fed off of each other's energy. But of course, without a wonderful director, there is no wonderful film. I would really like to see this film again, I'd like to own a video copy. I hope this film can find it's way into major theaters, it really deserves to be seen by a wider audience.

The Visit tells the story of a inmate convicted of rape who is looking to a parole after 5 years in prison. In this time period, we watch as he gets visits from his brother, mother, father and an old friend. These visits and his parole board meeting are the strongest parts of the movie filled with good acting (in particular from Harper and Williams), but the film gets lowered due to un-needed dramatic cut-away edits and weird scenes outside of the prison which shouldn't be. Watchable for the redemption scenes, but has it's share of flaws along the way. B+ (just slightly)

I fell asleep with the t.v. on and woke up to find this film. That was the end of the night. I was riveted to the tube. The performances were flawless and so real that I entered into the film and was right there with all of them. Each character was moving and understandable. You have met all of them in your lifetime. It was so moving. The tears flowed and I was taken on a journey into his life. It didn't matter that we did not see what transpired to bring him into prison. You had to believe in him and believe in his innocence to really feel where he was at. The brother summed up what the journey was all about when he spoke at the funeral. It just verbalized what I saw happening and that the prison of his anger was where the real bars existed and that had to be removed by him and only him to allow freedom. What superb metaphor! And we all can relate. I truly would see the movie again and again and am seeking a copy to keep. It is a masterpiece in a celluloid world where few exist.

THE VISIT / (2000) **1/2 (out of four)

By Blake French:

"The Visit" is based on a stage play by Kosmond Russell, which itself was inspired by personal experiences with his brother in an Ohio prison. Director Jordan Walker-Pearlman added characters from his own circle of experience and synthesized the play with another previously written story to create the screenplay for "The Visit"

"The Visit" is a unique, original experience. It is not merely a prison drama, but a deep, human, passionate story about finding spiritual renewal and inner peace. Jordan Walker-Pearlman had good intentions with this often intriguing motion picture and incorporates solid voice. The movie also embarks the first full-length motion picture from Urban World Films, a new independent film company created to distribute and market minority movies.

The film stars Hill Harper as Alex Waters, a young man sentenced to 25 years in prison because of a rape he insists he did not commit. Alex spends his endless hours behind bars, with only one companion: his prison psychiatrist, Dr. Coles (Phylicia Rashad from "The Bill Cosby Show"), who strives to give Alex a greater awareness of himself.

The movie takes us inside a tortured family including Alex's successful older brother (Obba Babatunde), his unforgiving, controlling father (Billy Dee Williams), and his loving, passionate mother (Marla Gibbs). Along the way we also meet a childhood friend of Alex, an incest survivor named Felicia (Rae Dawn Chong). These characters are forced to reexamine their stance on Alex when they visit him for the first time in a number of years, only to learn he is dying of AIDS. "The Visit" is a smooth ride; there are no road bumps, awkward moments, undeveloped characters, or major plot problems, but something about it kind of feels distant. I think it's the various ideas in the thematic basis that are never completely explored. For instance, Alex insists that he never raped anyone-a massive point. But we never learn the truth, or any important information involving this issue. We don't see why he was convicted or what really happened. A plot hole this big is surely a conscious decision by the filmmakers; they probably thought this was unimportant, and wanted to focus on the movie's emotional, family, and spiritual themes. But whether he did or didn't brutally rape a woman is definitely important. For us to be involved we need to care for the main character, and I do not usually empathize with convicted rapists.

The spiritual aspects are also unclear. We know Alex's family is religious, and we know at the end Alex becomes a changed person because of his spiritual conviction, but we never see those changes. It is a crime for us to spend 107 minutes with a character as complex as Alex, and hear that he experiences complete transformation, but never see it. These little plot holes really skewer the impact of the narrative.

"The Visit" is not without its redeeming factors. Hill Harper ("He Got Game"), who received the Emerging Artist Award at the Chicago International Film Festival in 2000, provides us with a captivating, personal performance. Billy Dee Williams is also in top form, giving a stark, controlling edge to his character. The supporting cast is also very convincing.

"The Visit" contains good morals and a neat style. The format for the storytelling is unusually engaging. The film exposes Alex's inner emotions with fantasy scenes involving him and the different people in his life. Walker-Pearlman and cinematographer John Demps also work hard to create alternatives to the typical cuts back and forth between two characters sitting across from each another. I give the filmmakers credit for tying to produce a movie with a fresh flavor, but we don't fully absorb what we taste here.