ÉVALUATION IMDb
5,6/10
34 k
MA NOTE
Un senior dans un collège de la ligue de lierre, qui dépend de bourses d'études et travaille de côté, est accepté dans une société secrète. Il espère que cela améliorera les chances à Harvar... Tout lireUn senior dans un collège de la ligue de lierre, qui dépend de bourses d'études et travaille de côté, est accepté dans une société secrète. Il espère que cela améliorera les chances à Harvard, mais The Skulls n'est pas ce qu'il pense.Un senior dans un collège de la ligue de lierre, qui dépend de bourses d'études et travaille de côté, est accepté dans une société secrète. Il espère que cela améliorera les chances à Harvard, mais The Skulls n'est pas ce qu'il pense.
- Prix
- 1 nomination au total
Noah Dalton Danby
- Hugh Mauberson
- (as Noah Danby)
Mac Fyfe
- Laurence Thorne
- (as Mak Fyfe)
Histoire
Le saviez-vous
- AnecdotesThe Skull-and-Bones Society (on which this movie was based) actually gives out watches to each class of skulls, though not necessarily with the whole branding ceremony. After the movie was filmed, Joshua Jackson acquired one of the actual watches and gave it to director Rob Cohen.
- GaffesIt is not possible for a plastic oar lock (like the ones on the shell) to break as shown.
- Citations
Will Beckford: If it's secret and elite, it can't be good.
- Autres versionsThe DVD version includes deleted scenes showing: Luke working as a singing flower delivery boy; a longer bar scene; after the bar scene they stop off at the news office; what happens after they fall off the roof; judge Mandrake blackmailing Luke; judge Mandrake convincing Caleb to "confess".
- ConnexionsFeatured in Spotlight on Location: The Skulls (2000)
- Bandes originalesSomething About a Ceiling
Written by Dave Bassett, Brian Keitz, Casey Dolan
Performed by 3 Day Wheely
Courtesy of DreamWorks Songs
Commentaire en vedette
The Skulls is a thinly veiled allusion to one of the purportedly most secret of all secret societies, Skull and Bones, the Yale group to which George Bush (the former president) belonged. You know all about those secret societies; they breed smart, rich young men who will put other smart, rich young men in power, and then those men will put other smart, rich young men in power, and so forth and yadda yadda yadda. You can find out all sorts of things about Skull and Bones online, and I suppose there's a chance some of those things are actually true. But for the purposes of this movie - and this review - suffice to say that The Skulls is a small group mostly made up of rich white kids who get paid scholarships, free cars, free women, the whole works. And what does this secret society ask for in return? Unbound loyalty, of course. Unquestioning and absolute loyalty, kind of like the Mob, really, only the Mob is more overtly criminal.
The story focuses on Luke, a townie at Yale University. Luke wants to go to law school, but the tuition's a little high. He's parentless and low on funds, so of course he's prime pickings for The Skulls. Will he join them? Darn tootin' he will, despite the protests of his best friend and this hot young blonde he likes. They try to reason with him, believing their friendship is stronger than his need to be a lawyer, but they're wrong. If they were right, we'd have no movie.
So he joins, and wouldn't you know it, all kinds of bad things happen to poor Luke. There's murder, there's corruption, and gosh and golly, our boy just doesn't know who to trust. More twists than a Poe novel; the only problem is, they're not believable twists. If you're cynical about this kind of movie (as I am), you'll laugh out loud many times, both at the acting and the dialogue. The worst offense is in the timing, quite frankly. At no point are we led to believe that this society could be a GOOD thing. We know immediately it's bad. See, I think to be truly sinister you need to wear a mask of credibility. If I already know how bad you are, I won't be as afraid of you or as startled when you actually do something despicable.
This is a real chucklefest, in the same vein as Final Destination, Urban Legends, I Know What You Did Last Summer (both movies), and even the Scream movies, which I didn't care for (but I know many of you did, so whatcha gonna do). You have an attractive cast spouting incredible lines in unbelievable situations. The old moviegoer in us wonders what Jimmy Stewart or Gregory Peck would have done in this movie when they were younger (and, in Stewart's case, alive), but that's probably a philosophical debate best left to denizens of the old critics' home. As for me, I'd say pass on The Skulls - it's as hollow as its name might imply.
The story focuses on Luke, a townie at Yale University. Luke wants to go to law school, but the tuition's a little high. He's parentless and low on funds, so of course he's prime pickings for The Skulls. Will he join them? Darn tootin' he will, despite the protests of his best friend and this hot young blonde he likes. They try to reason with him, believing their friendship is stronger than his need to be a lawyer, but they're wrong. If they were right, we'd have no movie.
So he joins, and wouldn't you know it, all kinds of bad things happen to poor Luke. There's murder, there's corruption, and gosh and golly, our boy just doesn't know who to trust. More twists than a Poe novel; the only problem is, they're not believable twists. If you're cynical about this kind of movie (as I am), you'll laugh out loud many times, both at the acting and the dialogue. The worst offense is in the timing, quite frankly. At no point are we led to believe that this society could be a GOOD thing. We know immediately it's bad. See, I think to be truly sinister you need to wear a mask of credibility. If I already know how bad you are, I won't be as afraid of you or as startled when you actually do something despicable.
This is a real chucklefest, in the same vein as Final Destination, Urban Legends, I Know What You Did Last Summer (both movies), and even the Scream movies, which I didn't care for (but I know many of you did, so whatcha gonna do). You have an attractive cast spouting incredible lines in unbelievable situations. The old moviegoer in us wonders what Jimmy Stewart or Gregory Peck would have done in this movie when they were younger (and, in Stewart's case, alive), but that's probably a philosophical debate best left to denizens of the old critics' home. As for me, I'd say pass on The Skulls - it's as hollow as its name might imply.
- dfranzen70
- 30 oct. 2000
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- How long is The Skulls?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Skulls
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 35 046 120 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 034 885 $ US
- 2 avr. 2000
- Brut – à l'échelle mondiale
- 50 802 120 $ US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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