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Ce que femme veut

Titre original : What Women Want
  • 2000
  • PG
  • 2h 7m
ÉVALUATION IMDb
6,5/10
235 k
MA NOTE
POPULARITÉ
1 591
382
Mel Gibson and Helen Hunt in Ce que femme veut (2000)
Regarder Trailer[OV]
Liretrailer2:16
1 vidéo
99+ photos
Comédie à concept élevéComédie romantiqueFantastique surnaturelleComédieFantastiqueRomance

Après un accident, un cadre misogyne acquiert la capacité d'entendre ce que les femmes ont vraiment à l'esprit.Après un accident, un cadre misogyne acquiert la capacité d'entendre ce que les femmes ont vraiment à l'esprit.Après un accident, un cadre misogyne acquiert la capacité d'entendre ce que les femmes ont vraiment à l'esprit.

  • Réalisation
    • Nancy Meyers
  • Scénaristes
    • Josh Goldsmith
    • Cathy Yuspa
    • Diane Drake
  • Vedettes
    • Mel Gibson
    • Helen Hunt
    • Marisa Tomei
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,5/10
    235 k
    MA NOTE
    POPULARITÉ
    1 591
    382
    • Réalisation
      • Nancy Meyers
    • Scénaristes
      • Josh Goldsmith
      • Cathy Yuspa
      • Diane Drake
    • Vedettes
      • Mel Gibson
      • Helen Hunt
      • Marisa Tomei
    • 457Commentaires d'utilisateurs
    • 70Commentaires de critiques
    • 47Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 5 victoires et 9 nominations au total

    Vidéos1

    Trailer[OV]
    Trailer 2:16
    Trailer[OV]

    Photos215

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 211
    Voir l’affiche

    Distribution principale99+

    Modifier
    Mel Gibson
    Mel Gibson
    • Nick Marshall
    Helen Hunt
    Helen Hunt
    • Darcy Maguire
    Marisa Tomei
    Marisa Tomei
    • Lola
    Alan Alda
    Alan Alda
    • Dan Wanamaker
    Ashley Johnson
    Ashley Johnson
    • Alex Marshall
    Mark Feuerstein
    Mark Feuerstein
    • Morgan Farwell
    Lauren Holly
    Lauren Holly
    • Gigi
    Delta Burke
    Delta Burke
    • Eve
    Valerie Perrine
    Valerie Perrine
    • Margo
    Judy Greer
    Judy Greer
    • Erin the File Girl
    Sarah Paulson
    Sarah Paulson
    • Annie
    Ana Gasteyer
    Ana Gasteyer
    • Sue Cranston
    Lisa Edelstein
    Lisa Edelstein
    • Dina
    Loretta Devine
    Loretta Devine
    • Flo the Doorwoman
    Diana Maria Riva
    Diana Maria Riva
    • Stella
    Eric Balfour
    Eric Balfour
    • Cameron
    Andrea Baker
    Andrea Baker
    • Office Intern
    • (as Andrea Taylor)
    Jon Frazier
    • Truck Driver
    • (credit only)
    • Réalisation
      • Nancy Meyers
    • Scénaristes
      • Josh Goldsmith
      • Cathy Yuspa
      • Diane Drake
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs457

    6,5235.3K
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    Avis en vedette

    jjs402

    They want Mel Gibson to be a nice guy -- that's what they want.

    I think most of the other comments I've seen are over-analyzing this light movie. It's a cute fantasy about a male chauvinist transformed into a nice guy by developing (inadvertently) some sensitivity. Women want nice looking guys to be nice GUYS, too. I'm not sure why anyone would need much more in the movie.

    The humor is good and Gibson does some amusingly self-effacing stuff and some slick dancing. I thought Helen Hunt was quite believable as the climbing ad exec. I agree with some of the other comments about Tomei deserving a better part but she does what she can with her role.

    I thought the relationship development between Gibson and his daughter was interesting, too (albeit accelerated).

    Other comments mention the length of the movie, but I was fine with it. It seemed fine to me.

    If you're like me and you appreciate the "personal transition" type of movie (my favorite: Groundhog Day), then this is a good fit. This is a movie to help you unwind.

    If you are looking for psychological insight into the unfulfilled desires of women and the blatantly unsatisfactory male response, this will disappoint. But watch it anyway -- you probably need to unwind.
    nikhavey

    Is mind Reading the Only Way for Men to Understand?

    The film What Women Want is about a man, Nick Marshall (Mel Gibson), who has been characterized as a 'man's man,' a male who is the type of guy that other men look up to. Darcy Maguire (Helen Hunt) also stars and sends Marshall into a male power trip when she is offered a job position that he was trying so hard to get. Marshall is known for his ability to seduce women and fornicate with them. Most of the women in his life think that he is a self centered jerk, because of the way he objectifies them. Even his fifteen year old daughter feels as if they are not related because of his poor communication skills with women. But an unexpected twist took place one day while blow drying mousse in his hair. While he was going about his business, Marshall tripped, and fell into his bathtub full of water, being electrocuted severely. Oddly enough, what would kill a normal human being did not harm Nick in any way, rather than it mysteriously gave him the power to hear what women are thinking. So, equipped with his new skill, he goes about his day, not knowing he has this amazing ability. Throughout his random encounters with women, particularly at work, he comes to realize that all the women are not very fond of him.

    In all movies, there is always a message of some sort that the director is trying to express. In this particular film, I believe there is more than one message. One of the dilemmas the movie expressed was women do not know what they want. Throughout the movie, women were constantly complaining about men, or their hair, or their outfit. The truth is that women do not know what they do want; only what they don't want. Another message it displayed is a world renown problem: the concept that men do not have a clue about women. They communicate differently as men, and want different things as well. Is reading women's minds the only way for men to understand? I sure hope not.

    The technique of this movie is nothing to throw a fit over. The average cinematography isn't dazzling, but it is good enough to keep the viewer interested. The sound track was well thought out, with many famous songs helping out in several scenes and strongly assisting in setting the mood. A few things stand out in the movie that question reality. For example, Gibson falls into a full bathtub, gets electrocuted by thousands of volts, and only wakes up with a headache. At a different point in the movie he gets shocked again, but not by a household utensil. The second time it's by lightning, and again, just a headache. No singed eyebrows or fried shoelaces were to be found.

    What Women Want is an entertaining movie at the least. Mel Gibson, as always, does an excellent job portraying his character, as well as Helen Hunt. The cast did a well-rounded job, and no one was out of place. I enjoyed the movie thoroughly and enjoyed the humor. The film was filled with talented acting, laughs, and lighthearted suspense. It would be a good recommendation for anyone who is bored and desires a humorous, fun movie. The idea of a man being able to read women's minds is clever and amusing. Should this ever happen, would it be classified as a gift, or a nightmare?
    8csagne

    A nice idea, well executed

    It is not easy to start from a funny idea like this, write a script for 90 minutes, get some humour and end up with a perfect bake.

    In fact, it's easy to go wrong somewhere along the way, last too long, make it too slapstick, or too serious, and then after 25 minutes people know they shouldn't have paid for their seat.

    This film - about a man suddenly endowed with hearing women's thoughts - is a favourite rerun at Christmas, and I still watch it (ok not in full, I have a life too) instead of changing channels because it's still funny.

    Mel Gibson and Helen Hunt are really good there, they just coined it and you wish there were more unpretentious (but with a tiny bit of depth and message) comedies like this around.
    7zornicajohanova

    Different storiline, important message and good vibes all in one

    You know, I've watched this movie probably 5-6 times. As a kid. I didn't get the the whole idea. I knew this simple fact, but I loved it. Now, many years later I thoroughly enjoyed this movie. Man, it's been a long time since I have felt like this, while watching a film. So, let me say what I have to say. The storyline is something old, but expressed in a new way. There is romance, but a mature, not a cheesy one. The main idea (that there is no need for men to read our minds, but to listen what we say, like in 80%, not in 3%) is smoothly expressed throughout the movie. My favourite thing was that, at one point, the main character started helping (you guessed right - women). And that's what makes this film up-lifting.
    meadowlark

    It reminded me of one of those late 50's early 60's romantic comedies.

    A new creative director (Helen Hunt) is hired by an ad agency (run by Alan Alda) to bring it up to date by appealing to the women's market. Mel Gibson, an account executive and a real man's man, was slated for that position, and he wants to get rid of Hunt. At her first staff meeting, Hunt gives each person a package of various women's products, and each must come up with a campaign for at least one of the items.

    At home, Gibson tries out the products in a tour de force of cross-dressing. Funny, if not roll on the floor hilarious, and he does it with an aplomb that makes it look so easy that you at the very least have to admire his skill. In the process, Gibson falls into a tub, followed by a live hair dryer, and receives a shock that alters his brain so that he can hear the thoughts of women. As a result, he bowls everyone over, especially Hunt, with his creative insight into the women's market. Now he's got her right where he wants her...or so he thinks. But creative insight turns out to be a two-edged sword.

    I liked this one a lot more than I thought I would. It reminded me of one of those late 50's early 60's romantic comedies, at least in its earlier scenes. In fact, I liked it so much that it made me feel sorry for Woody Allen. His "Curse of the Jade Dragon" suffers by comparison. I mention it, because Allen's film also stars Helen Hunt and, interestingly, has a similar situation–a woman is hired on to bring a company up to date, and she threatens to disrupt the man's career. Even mind-alteration is involved, although of a different kind.

    I think the mind-reading premise is brilliant and is set in just the right context, and Hunt and Gibson played off each other very well. I've seen Mel Gibson on a couple of Jay Leno shows, and he seemed ill-at-ease and sometimes a little abrupt, as though he were either very shy, not too bright, or for some reason just didn't want to be there. But what a difference when he's on screen and playing a role that in bygone days would have been filled by Jack Lemmon or Tony Randall or Rock Hudson. Ok, maybe he's not the all-round actor that Lemmon was, but he fit that particular role perfectly. And he even does a bit of a Gene Kelly routine!

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    Intérêts connexes

    Jim Carrey in Menteur menteur (1997)
    Comédie à concept élevé
    Meg Ryan and Billy Crystal in Quand Harry rencontre Sally... (1989)
    Comédie romantique
    Dan Aykroyd, Bill Murray, Harold Ramis, and Ernie Hudson in S.O.S. fantômes (1984)
    Fantastique surnaturelle
    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie
    Elijah Wood in Le seigneur des anneaux: La communauté de l'anneau (2001)
    Fantastique
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The Nike representatives are real Nike ad representatives, not actresses.
    • Gaffes
      When Nick thinks he's in line for a promotion to creative director, he and his staff make numerous references to moving up to the 44th floor. Immediately prior, there is an exterior shot of their building that is no more than 15 stories.
    • Citations

      [looking distractedly in refrigerator]

      Nick Marshall: What am I doing? She's not in the refrigerator.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Proof of Life/Vertical Limit/The Emperor's New Groove/State and Main/Pollock/Dungeons and Dragons (2000)
    • Bandes originales
      Something's Gotta Give
      Written by Johnny Mercer

      Performed by Sammy Davis Jr.

      Courtesy of MCA Records

      Under license from Universal Music Enterprises

    Meilleurs choix

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    FAQ21

    • How long is What Women Want?Propulsé par Alexa
    • Why doesn't Nick hear his assistants Eve and Margo's inner thoughts?

    Détails

    Modifier
    • Date de sortie
      • 15 décembre 2000 (Canada)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • What Women Want
    • Lieux de tournage
      • Dresden Room Restaurant - 1760 N. Vermont Avenue, Los Feliz, Los Angeles, Californie, États-Unis(Back Door Piano Lounge)
    • sociétés de production
      • Paramount Pictures
      • Icon Entertainment International
      • Wind Dancer Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 70 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 182 811 707 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 33 614 543 $ US
      • 17 déc. 2000
    • Brut – à l'échelle mondiale
      • 374 111 707 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 7m(127 min)
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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