ÉVALUATION IMDb
6,7/10
6,2 k
MA NOTE
Ajouter une intrigue dans votre langueA little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.A little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.A little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.
- Director
- Writers
- Stars
- A remporté 2 prix Primetime Emmy
- 9 victoires et 24 nominations au total
Avis en vedette
This one is a tough one to call when comparing to the 1982 version, however it is still very good in it's own right and is probably the *closest* transition from stage to screen this show will ever receive.
When comparing this to the 1982 theatrical version, it's easy to be a little disappointed. Kathy Bates puts in a good bid as Miss Hannigan, but it's impossible to tell whether the character is nicer or meaner than Carol Burnett's version. While Bates version seems nicer all around, she does not turn over a new leaf at the end nor does she oppose the murder of poor Annie.
Some notable omissions from this version include no Punjab or Asp, Rooster's "Cock-a-doodle-doo", the Hannigan-Warbucks "Sign" number, Annie's curls, and the emphasis on "Tomorrow".
Overall, it is an enjoyable watch, however if you are looking to see the very best version, I'd recommend the 1982 classic.
When comparing this to the 1982 theatrical version, it's easy to be a little disappointed. Kathy Bates puts in a good bid as Miss Hannigan, but it's impossible to tell whether the character is nicer or meaner than Carol Burnett's version. While Bates version seems nicer all around, she does not turn over a new leaf at the end nor does she oppose the murder of poor Annie.
Some notable omissions from this version include no Punjab or Asp, Rooster's "Cock-a-doodle-doo", the Hannigan-Warbucks "Sign" number, Annie's curls, and the emphasis on "Tomorrow".
Overall, it is an enjoyable watch, however if you are looking to see the very best version, I'd recommend the 1982 classic.
This adaption of "Annie" is an excellent piece of film making. The casting,
direction, writing, choreography all come together in perfect balance to entertain people of all ages.
My only wish is that budget and time constraints would have allowed for the
entire original story and score to remain in tact. The Hooverville / "We'd Like to Thank You Mr. Hoover" sequence in the original stage musical was perfect in
showing the effects of the depression, as well as giving us the introduction to Sandy. I only hope that future TV musicals allow the time for the full production, much like the 1993 version of "Gypsy" starring Bette Midler.
I've noticed that some people have commented about the multi-racial casting
and how secretary Grace would never have been a black woman. Historically,
this is most likely correct, but again let's keep in mind that this is musical theatre and for people to just start singing with invisible musicians isn't very realistic either. I'm glad to see that Audra MacDonald was cast because she has the
perfect acting skills, personality and voice to play Grace. Even though many of these stories are traditionally "white", the ability to cast multi-ethnic roles only enriches the piece and is completely appropriate in our modern society.
direction, writing, choreography all come together in perfect balance to entertain people of all ages.
My only wish is that budget and time constraints would have allowed for the
entire original story and score to remain in tact. The Hooverville / "We'd Like to Thank You Mr. Hoover" sequence in the original stage musical was perfect in
showing the effects of the depression, as well as giving us the introduction to Sandy. I only hope that future TV musicals allow the time for the full production, much like the 1993 version of "Gypsy" starring Bette Midler.
I've noticed that some people have commented about the multi-racial casting
and how secretary Grace would never have been a black woman. Historically,
this is most likely correct, but again let's keep in mind that this is musical theatre and for people to just start singing with invisible musicians isn't very realistic either. I'm glad to see that Audra MacDonald was cast because she has the
perfect acting skills, personality and voice to play Grace. Even though many of these stories are traditionally "white", the ability to cast multi-ethnic roles only enriches the piece and is completely appropriate in our modern society.
The story is presented well thanks to superb acting, especially from the convincing Alan Cumming as 'Rooster' Hannigan. (You'd never think it seeing him in the film, but he's actually got a strong Scottish accent).
The songs are well-choreographed and the orchestration is marvellous. The ultimate song is one left from the 1982 version: 'N.Y.C.' where all the atmosphere is captured in one shot.
The only real fault is that Kathy Bates isn't very gin-soaked or ahteable even as Miss Hannigan.
This film was made for TV, and yet you wouldn't think it. Granted some of the sets have a studio feel to them, in particular the mansion, you forget about this as the dancing and story sweep away your imagination.
The best advice I can give you on watching this film is to not, as I have done here, continuously compare and contrast this to the 1982 version, as this will deter you from enjoying the full effect of a movie that captures the Broadway atmosphere.
All who value a good musical with fantastic orchestration are gonna like this movie!
The songs are well-choreographed and the orchestration is marvellous. The ultimate song is one left from the 1982 version: 'N.Y.C.' where all the atmosphere is captured in one shot.
The only real fault is that Kathy Bates isn't very gin-soaked or ahteable even as Miss Hannigan.
This film was made for TV, and yet you wouldn't think it. Granted some of the sets have a studio feel to them, in particular the mansion, you forget about this as the dancing and story sweep away your imagination.
The best advice I can give you on watching this film is to not, as I have done here, continuously compare and contrast this to the 1982 version, as this will deter you from enjoying the full effect of a movie that captures the Broadway atmosphere.
All who value a good musical with fantastic orchestration are gonna like this movie!
This spectacular new version of Annie is something nobody should miss. Songs like "Maybe" "Tomorrow" and "NYC" are just too good. This is what you call Movie Magic. Because I can't believe how amazing this movie is. It's even better then the orginal and half of that goes to little Alicia Morton who plays Annie in this irresistible remake of the all time classic!
first i must say that i grew up with the 1982 annie. i never knew anything else. yet, i just realized that the version i always saw was edited for TV, which totally cut out easy street. i didn't know what to expect, and besides...tim curry scarred me for life as rooster when he chased annie up that bridge..to a little girl, that's scary! so, i watched the 1999 annie on abc, wondering if i was going to be scarred again. just the opposite. i 'm not a big fan of cuteness, but this movie was endearingly sweet. kathy bates was awesome with her interpretation of miss hannigan, and kristin chenoweth is just wonderful as the ditsy lily. the only thing i wasn't into was how warbucks did a complete 180 in his affections for annie. but when alan cumming came on the screen as rooster...this was the first time i'd really paid attention to a role of his (besides circle of friends). i'd watched him on talk shows all week- i just had a strange feeling. when he broke out into the first line of easy street...oh man. i was smitten right then and there. their interpretation of that song is to die for!! i had a loop of him singing one line in my head for 36 hrs...no joke. i had to go get the cd...he wouldn't leave my mind!! and he's so much less scary than tim curry. don't get me wrong, tim is a fabulous actor, but i rented the full version of the 1982 annie and... uh uh. no way. it had a nicer political feel and not such a tied up ending, but the 1999 version has heart and FABULOUS performances. i will forever be grateful for rob marshall (director) begging alan to do it...
Le saviez-vous
- AnecdotesAndrea McArdle, who plays the "Star-to-Be" in the "NYC" Broadway musical number, played Annie in the original Broadway stage production of "Annie". That production opened at the Alvin Theatre in April 1977, played for 2,377 performances, and won the 1977 Tony Awards for Best Musical and Best Book of a Musical.
- GaffesThe location of McGillicutty's Tavern moves. As the truck drives away with Annie in the laundry, it shows the tavern as being down the road to the right of the orphanage, whereas at the end of "Easy Street" when Rooster, Miss Hannigan, and Lily dance down the road and into the tavern, it is to the left of the orphanage.
- Citations
Lily: Oliver Warbucks... the millionaire?
Miss Hannigan: No, the billionaire, you dumb hotel.
- Générique farfeluWhile Ernie Sabella and Vic Polizos are both in the opening titles of the film, they are NOT in the end credits.
- ConnexionsFeatured in The 52nd Annual Primetime Emmy Awards (2000)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Энни
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant