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6,7/10
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Ajouter une intrigue dans votre langueA little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.A little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.A little orphan girl catches the attention of a kind man named Mr. Warbucks, who wants to adopt her, but the cruel, strict orphanage owner has a scheme to keep Annie - and her reward money.
- Director
- Writers
- Stars
- A remporté 2 prix Primetime Emmy
- 9 victoires et 24 nominations au total
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This adaption of "Annie" is an excellent piece of film making. The casting,
direction, writing, choreography all come together in perfect balance to entertain people of all ages.
My only wish is that budget and time constraints would have allowed for the
entire original story and score to remain in tact. The Hooverville / "We'd Like to Thank You Mr. Hoover" sequence in the original stage musical was perfect in
showing the effects of the depression, as well as giving us the introduction to Sandy. I only hope that future TV musicals allow the time for the full production, much like the 1993 version of "Gypsy" starring Bette Midler.
I've noticed that some people have commented about the multi-racial casting
and how secretary Grace would never have been a black woman. Historically,
this is most likely correct, but again let's keep in mind that this is musical theatre and for people to just start singing with invisible musicians isn't very realistic either. I'm glad to see that Audra MacDonald was cast because she has the
perfect acting skills, personality and voice to play Grace. Even though many of these stories are traditionally "white", the ability to cast multi-ethnic roles only enriches the piece and is completely appropriate in our modern society.
direction, writing, choreography all come together in perfect balance to entertain people of all ages.
My only wish is that budget and time constraints would have allowed for the
entire original story and score to remain in tact. The Hooverville / "We'd Like to Thank You Mr. Hoover" sequence in the original stage musical was perfect in
showing the effects of the depression, as well as giving us the introduction to Sandy. I only hope that future TV musicals allow the time for the full production, much like the 1993 version of "Gypsy" starring Bette Midler.
I've noticed that some people have commented about the multi-racial casting
and how secretary Grace would never have been a black woman. Historically,
this is most likely correct, but again let's keep in mind that this is musical theatre and for people to just start singing with invisible musicians isn't very realistic either. I'm glad to see that Audra MacDonald was cast because she has the
perfect acting skills, personality and voice to play Grace. Even though many of these stories are traditionally "white", the ability to cast multi-ethnic roles only enriches the piece and is completely appropriate in our modern society.
This one is a tough one to call when comparing to the 1982 version, however it is still very good in it's own right and is probably the *closest* transition from stage to screen this show will ever receive.
When comparing this to the 1982 theatrical version, it's easy to be a little disappointed. Kathy Bates puts in a good bid as Miss Hannigan, but it's impossible to tell whether the character is nicer or meaner than Carol Burnett's version. While Bates version seems nicer all around, she does not turn over a new leaf at the end nor does she oppose the murder of poor Annie.
Some notable omissions from this version include no Punjab or Asp, Rooster's "Cock-a-doodle-doo", the Hannigan-Warbucks "Sign" number, Annie's curls, and the emphasis on "Tomorrow".
Overall, it is an enjoyable watch, however if you are looking to see the very best version, I'd recommend the 1982 classic.
When comparing this to the 1982 theatrical version, it's easy to be a little disappointed. Kathy Bates puts in a good bid as Miss Hannigan, but it's impossible to tell whether the character is nicer or meaner than Carol Burnett's version. While Bates version seems nicer all around, she does not turn over a new leaf at the end nor does she oppose the murder of poor Annie.
Some notable omissions from this version include no Punjab or Asp, Rooster's "Cock-a-doodle-doo", the Hannigan-Warbucks "Sign" number, Annie's curls, and the emphasis on "Tomorrow".
Overall, it is an enjoyable watch, however if you are looking to see the very best version, I'd recommend the 1982 classic.
I have to say, I am an avid Annie fan. I first saw the 1982 version, like most people and I loved it. I then saw the stage musical twice and loved that too. There were a lot of differences in the stories on the stage and on the film. Then I saw the 1999 version and I thought that it was great, about as great as the 1982 one but with better actors. I now have both film versions on video and I have seen both many times and I can honestly say that in my opinion the 1999 one is far better. The 1982 one is bigger, with more action and generally a larger production, but that is to be expected as the 1999 one was only a TV movie and with a much smaller budget. I like Alicia Morton a lot more as I think she is perfect for the part. Aileen Quinn was good for the spunky, tough side of Annie but she wasn't really very sweet and was not at all good vocally. One thing that has stood out for me with the 1999 version is the music and orchestration - I have never really noticed the quality of the music (not the vocals, the orchestra) in anything before this. Basically I love the 1999 version as I think it captures the story wonderfully. The 1982 version as also very good but they tailed off the original story too much and made too Hollywood-y for me, so I recommend the 1999 version overall.
first i must say that i grew up with the 1982 annie. i never knew anything else. yet, i just realized that the version i always saw was edited for TV, which totally cut out easy street. i didn't know what to expect, and besides...tim curry scarred me for life as rooster when he chased annie up that bridge..to a little girl, that's scary! so, i watched the 1999 annie on abc, wondering if i was going to be scarred again. just the opposite. i 'm not a big fan of cuteness, but this movie was endearingly sweet. kathy bates was awesome with her interpretation of miss hannigan, and kristin chenoweth is just wonderful as the ditsy lily. the only thing i wasn't into was how warbucks did a complete 180 in his affections for annie. but when alan cumming came on the screen as rooster...this was the first time i'd really paid attention to a role of his (besides circle of friends). i'd watched him on talk shows all week- i just had a strange feeling. when he broke out into the first line of easy street...oh man. i was smitten right then and there. their interpretation of that song is to die for!! i had a loop of him singing one line in my head for 36 hrs...no joke. i had to go get the cd...he wouldn't leave my mind!! and he's so much less scary than tim curry. don't get me wrong, tim is a fabulous actor, but i rented the full version of the 1982 annie and... uh uh. no way. it had a nicer political feel and not such a tied up ending, but the 1999 version has heart and FABULOUS performances. i will forever be grateful for rob marshall (director) begging alan to do it...
This movie was excellent!! I can't believe how some people can actually claim the 1982 version was better. This version followed the REAL plot closely. I would like to point out to the ignorant type that the 1982 version is NOT the original Annie. Annie was a Broadway play and the 1982 version absolutely ruined the heart of the play. This version wasn't perfect, but definately much better.
Beginning with Alicia Morton: She is a sensational Annie. A beautiful voice and she's way more toned down than Aileen Quinn was. She seemed to have a much better grasp on the character. Victor Garbor was also an amazing Oliver Warbucks. Albert Finney had his moments, but he had no heart or feeling until Annie did something about it. That's ridiculous. Mrs. Hannigan is not a drunk or whore or whatever Carol Burnette decided to do. Kathy Bates seemed like a human. She wasn't violent with the kids and it seemed at some points as if she even cared about them somewhat. Audra MacDonald was terrific as Grace. She had a georgeous voice and wasn't a complete loser like the Grace in the movie.
I noticed how in the 1982 version, Annie never sings "Tomorrow" in the actual movie until she's in the whitehouse. That's the biggest song she sings!! How can you take it out? Also, they add in the stupid "Dumb Dog" song along with "We Got Annie" and "Let's Go To The Movies" and that song Mrs. Hannigan sings with Oliver Warbucks. The recent version added in the ORIGINAL song "NYC", which is a favorite of mine. They did however take out "You Won't Be An Orphan For Long", "We'd Like To Thank You Herbert Hoover", "Annie", and "We're Getting a New Deal for Christmas." Nonetheless, I was very happy to see "Something was Missing" back in. I thought Oliver should sing a song to Annie always.
The ending of the recent version was a bit different however. I was glad that they toned down the big old party at the end, though. What's up with the horses and fireworks and stuff? And then Mrs. Hannigan turns nice? Yeah, right... she woulda been arrested anyway. I did not really like how Lily St. Regis didn't participate in the scam. That to me seemed a bit odd. But, it wasn't terrible. Also, in the original stage version, there is almost no romance between Warbucks and Grace. That's where "Annie Warbucks", the stage sequel, comes into play. So both films were at fault there.
Either way, I think those who think the recent version wasn't as good as the original know absolutely nothing about the stage version. Also, I'll repeat, the 1982 version is NOT the original.
Beginning with Alicia Morton: She is a sensational Annie. A beautiful voice and she's way more toned down than Aileen Quinn was. She seemed to have a much better grasp on the character. Victor Garbor was also an amazing Oliver Warbucks. Albert Finney had his moments, but he had no heart or feeling until Annie did something about it. That's ridiculous. Mrs. Hannigan is not a drunk or whore or whatever Carol Burnette decided to do. Kathy Bates seemed like a human. She wasn't violent with the kids and it seemed at some points as if she even cared about them somewhat. Audra MacDonald was terrific as Grace. She had a georgeous voice and wasn't a complete loser like the Grace in the movie.
I noticed how in the 1982 version, Annie never sings "Tomorrow" in the actual movie until she's in the whitehouse. That's the biggest song she sings!! How can you take it out? Also, they add in the stupid "Dumb Dog" song along with "We Got Annie" and "Let's Go To The Movies" and that song Mrs. Hannigan sings with Oliver Warbucks. The recent version added in the ORIGINAL song "NYC", which is a favorite of mine. They did however take out "You Won't Be An Orphan For Long", "We'd Like To Thank You Herbert Hoover", "Annie", and "We're Getting a New Deal for Christmas." Nonetheless, I was very happy to see "Something was Missing" back in. I thought Oliver should sing a song to Annie always.
The ending of the recent version was a bit different however. I was glad that they toned down the big old party at the end, though. What's up with the horses and fireworks and stuff? And then Mrs. Hannigan turns nice? Yeah, right... she woulda been arrested anyway. I did not really like how Lily St. Regis didn't participate in the scam. That to me seemed a bit odd. But, it wasn't terrible. Also, in the original stage version, there is almost no romance between Warbucks and Grace. That's where "Annie Warbucks", the stage sequel, comes into play. So both films were at fault there.
Either way, I think those who think the recent version wasn't as good as the original know absolutely nothing about the stage version. Also, I'll repeat, the 1982 version is NOT the original.
Le saviez-vous
- AnecdotesAndrea McArdle, who plays the "Star-to-Be" in the "NYC" Broadway musical number, played Annie in the original Broadway stage production of "Annie". That production opened at the Alvin Theatre in April 1977, played for 2,377 performances, and won the 1977 Tony Awards for Best Musical and Best Book of a Musical.
- GaffesThe location of McGillicutty's Tavern moves. As the truck drives away with Annie in the laundry, it shows the tavern as being down the road to the right of the orphanage, whereas at the end of "Easy Street" when Rooster, Miss Hannigan, and Lily dance down the road and into the tavern, it is to the left of the orphanage.
- Citations
Lily: Oliver Warbucks... the millionaire?
Miss Hannigan: No, the billionaire, you dumb hotel.
- Générique farfeluWhile Ernie Sabella and Vic Polizos are both in the opening titles of the film, they are NOT in the end credits.
- ConnexionsFeatured in The 52nd Annual Primetime Emmy Awards (2000)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Энни
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 30m(90 min)
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
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