Ajouter une intrigue dans votre langueLee's family sent her from China to Los Angeles three years ago to be a waitress in a Chinatown restaurant and send money home to support her ailing grandmother. She lives with her bitter au... Tout lireLee's family sent her from China to Los Angeles three years ago to be a waitress in a Chinatown restaurant and send money home to support her ailing grandmother. She lives with her bitter aunt, and endures terrible treatment at work, but feels trapped. Steve, a well-traveled engi... Tout lireLee's family sent her from China to Los Angeles three years ago to be a waitress in a Chinatown restaurant and send money home to support her ailing grandmother. She lives with her bitter aunt, and endures terrible treatment at work, but feels trapped. Steve, a well-traveled engineer, enters her shabby restaurant by accident one day and is smitten by her. He works to ... Tout lire
- Prix
- 5 victoires au total
- Steve
- (as Steven Dunning)
- Mahjong Player
- (as Dana Pan)
- Chef
- (as Charles Chun)
- Empress
- (as June Kyoko Lu)
Avis en vedette
Also Recommended: my big fat greek wedding, crouching tiger hidden dragon, joy luck club, casablanca
Most people think that a film is just all about a story. I believe that NOW CHINATOWN not only achieved this, but it helped opened up alot of untapped resources, and brought opportunities to many striving minorities in the Hollywood Industry. Very few films in Hollywood, independent or not, give substantial roles to American-Minorities. I believe NOW CHINATOWN accomplished this...
I am a great fan of the film, because it is more than just flashing pictures on the screen. None-studio funded, but critically acclaimed, I think the film does more than meets the eye.
USC film/tv student (I'm an American-Minority too! :)
This movie has so many stereotypes it makes my stomach churn. And for what purpose? To tell a story so that the white guy looks good? It even makes a few outdated stereotypical references to "Empress Dowager" and "Special Fortunes (cookies)". Blech!
Production values are pretty good except for the fact there aren't any subtitles. I like the shot where instead of showing the manager's reaction, we see his hand fall by the doorknob. Musical accompaniment evokes empathic feelings for the central character Lee, especially at the end.
Back to the main point: There aren't any positive Asian imagery, particularly for Asian males. Every Chinese person in this movie is either poor (Lee, the cook, & the busboy) or an a**hole (just about everyone else).
Why can't Hollywood make a movie with positive Asian roles?
I just happened to catch your film. What a lucky break for me! My eight year old son was with me and complained at first, but in minutes, he was engrossed as well.
Instead of the typical "Boy meets girl, boy loses girl, boy gets girl"
It was "Boy meets girl, boy empowers girl, girl sets herself free". How refreshing! How beautiful. This was a brilliant and captivating story. It expressed many complex themes but it was conveyed with such entertaining simplicity that my little boy thoroughly enjoyed it. He and I talked about sociology and freedom all afternoon.
Obviously, this film was targeted for adults, but the very mature subplots went right over my son's head and I was there with him to talk about the prevalent issues.
I thank you for the lessons you taught my son and I thank you for the reminders to me about taking my rights for granted. The messages stuck with us.
This was a real triumph on many levels. Congratulations on a superb first effort. You really know how to capture the human spirit. I will watch for your future work.
Kerrie
Le saviez-vous
- GaffesSteve bleeds profusely after cutting his right index finger on broken glass at Lee's apartment but the next day at the restaurant a close-up of his hands show no wounds or scratches.
- ConnexionsReferences Bishôjo senshi Sêrâ Mûn (1992)