La reine des neiges

This 3-hour made-for-TV miniseries came home with us from Blockbuster's this weekend. The production company clearly spent a lot of money on sets, costuming (Bridget Fonda, especially), and special effects (including a great Jim Henson talking polar bear & reindeer). They should have spent a bit more money getting a coherent script. The story line was so loose that it really never came together. One can overlook Irish-accented Germans, but not herky-jerky storytelling. With senseless loose ends which included a special guest appearance by the Devil, this one is certainly not destined to be a Christmas Classic. A shame that they wasted good performances by the two female leads.

I bought this film thinking it was a foreign import that I had seen many years ago, but nonesuch was the case. The film I was looking for was "The Polar Bear King", a Norwegian production dealing with a very similar story about a young princess searching for her abducted prince.

"Snow Queen" however, is not set in the middle ages, but circa 1900 in the cold reaches of a Nordic landscape (even though everyone speaks English). We're presented with a sprawling magical epic of young love challenged by the callous heart of a queen who herself seeks to conquer what she already had, but failed to see.

There's a lot of subtext and other themes going on here. We see the Snow Queen, and witness her cold manifest itself on both physical, emotional and even spiritual levels. She goes forth and sees that another wants, and covets another's possession. She exercises her power, and so our tale begins. Is she really evil and cold, or is there something missing from her life? Perhaps there's even more to her that we as yet fail to discover? Again, the story reveals all.

During the unfolding of the tale our young protagonist ventures forth into a realm that lies "straight on til morning", to borrow from Disney's "Peter Pan". There she meets eccentric antagonists and other characters, mostly female, and mostly with an agenda. Our young heroine must brave, challenge and escape those who pose a roadblock to her ultimate objective.

The production values are the usual top notch from Halmark. They don't spare expense when it comes to filming their intimate epics, nor do they waste money on extravagance that will not be used nor seen. We see a town that's in transition from becoming a small intimate affair where everyone knows everyone else, to becoming more of almost a small city ready to latently embrace the industrial revolution that's occurred in the outside world. We see vast wastes of snow capped mountains, and lush green forests and gardens. We see bandits and soldiers and a whole feast of visuals as our gallant heroine moves from one episode of her adventure to another.

The cinematography is basic, but unlike a lot of other made for TV movies, is not bland for the sake of expediency. The camera angles are a bit more dynamic and inspired, but not quite the caliber of theatrical release. A combination of good camera usage and quality art direction gives the audience a very sumptuous TV film production.

My critique is that it's not the film I wanted, but I enjoyed it for what it was. It's an American film made for American audiences based on some Scandinavian folklore, in regards to a tale that has some role reversal from the familiar tale of Gilgamesh.

Everything aside, it is worth a night's viewing if you have nothing better to do.

Enjoy.

Hallmark wowed me with Gulliver's Travels back in the day. Even the remake of Snow White, while kind of freakish, but beautiful with Kristin Kreuk in it was a helluva lot better than this lumbering hulk of garbage.

That said, please understand that I am a loyalist, and The Snow Queen and The Little Mermaid were my two favorite fairy tales of all time (you could say that Hans Christen Anderson was my first favorite author- I even liked Danny Kaye as Hans in the movie). I disliked the fact that Gerda and Kay(Kai) were so much older, and their little flirtation with romance, it felt heavy handed and false. There's no way that just after a couple of months and one kiss Gerda would chase off after Kay. Even with his silly Help Me note.

That said, I think that the bits with Kay and the Snow Queen could have been considerably edited down, and more time spent with Gerda on her travels. I am not sure about the poster who said that there was no robber girl, but there was. I do know that the travelling thru the seasons was added because of the whole "the mirror is the devils creation and he gave it to the seasons..." bs storyline. Which, of course, is utter tripe.

As far as being beautifully shot; sure, if you like white. Everything frm the frozen land looked as if it had been sprayed with canned snow, nothing really looked good. I didn't really like what they did to the snow queen; all in all, it was a complete disappointment to me. ESP the fact that I rented it and didn't think to remember that since it was hallmark it was probably a freaking miniseries or at least a two part movie. Christ I have been sitting in front of the tv for close to four hours!

Two thumbs down, and a very bad rating. The acting is horrible, and the only thing I truly liked was the clothes.

In the late 1800s the daughter (Chelsea Hobbs) of a hotel owner in a town in the Great Northwest becomes enamored with the bellboy, Kai (Jeremy Guilbaut). When an icy-but-beautiful woman known as the Snow Queen (Bridget Fonda) whisks him away, Gerda (Hobbs) seeks to find him & free him after she amazingly enters the parallel realm of the Snow Queen. But, first, she has to struggle through Spring, Summer and Autumn and the challenges thereof.

"Snow Queen" (2002) is a Hallmark production that runs 12 minutes shy of 3 hours and was based on the original fairy tale written by Danish author Hans Christian Andersen, which was first published in two parts in 1844-1845. Elements from another folktale about the four seasons were mixed into the brew.

This is an Americanized version of the fairy tale with the events taking place somewhere out West in the USA or Canada, both of which are (North) America. The film was shot in British Columbia and takes place there or anywhere in the Great Northwest in the late 1800s (or early 1900s). It definitely doesn't take place in Denmark since (1) there are snowcapped mountains in the background and (2) everyone speaks English. I suppose someone could argue that it takes place in either Norway or Sweden, but that doesn't resolve the English-speaking issue (unless you simply imagine the characters speaking a Scandinavian language).

The long movie's worth catching just to see Bridget in her last role before marrying notable composer Danny Elfman and starting a family. Hobbs doesn't personally trip my trigger, but she's a'right. Guilbaut is bland, but serviceable. The movie comes alive whenever Fonda is present.

Most of the first half is rooted in reality and is quite good for a TV production, but the mid-section focuses on Gerda's misadventures journeying through Spring, Summer and Autumn while Kai is captive in the Snow Queen's stronghold on top of a mountain guarded by a talking polar bear. The entire middle of the picture cuts back-and-forth between these two stories with a few sequences in reality thrown in for good measure, the latter involving the father at the hotel (Robert Wisden) and his cook, Minna (Wanda Cannon).

In Gerda's quest the characters come-and-go like a rollercoaster ride. It's reminiscent of the Neverland sequences in "Hook" (1991). If you like fairy tales like "Snow White and the Huntsman" (2012) or episodic fantasies like "The Odyssey" (1997), "Ulysses" (1954) and "The Lords of the Rings" trilogy (2001-2003) give this a look; just remember it was made on a TV budget and there's not a lot of swashbuckling, as with those other productions.

The film runs 2 hour, 48 minutes and was shot entirely in British Columbia (Cranbrook, Fort Steele & Vancouver).

GRADE: C+/B-

So this review is probably a year away from its start date but I just saw it on video and feel compelled to say something.

The story was awesome, the movie definitely dragged. Bridget Fonda did look good as the snow queen but her acting is off a bit, someone may want to remind her this is a hallmark movie she's in.

Gerda and Kai were cute. The made a cute couple.

Visually, everything was beautiful. The landscape, the snow, the snow queen - everything.

Now I have to read the book again....