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Hannibal

  • 2001
  • 18A
  • 2h 11m
ÉVALUATION IMDb
6,8/10
310 k
MA NOTE
POPULARITÉ
1 973
221
Anthony Hopkins in Hannibal (2001)
Theatrical Trailer from MGM/UA
Liretrailer2:22
2 vidéos
99+ photos
Drame psychologiqueSerial KillerSuspense psychologiqueCriminalitéDrameThriller

Vivant en exil, Hannibal Lecter tente de renouer des liens avec Clarice Starling, agent de la FBI, et se trouve une cible pour la vengeance d'une victime puissante.Vivant en exil, Hannibal Lecter tente de renouer des liens avec Clarice Starling, agent de la FBI, et se trouve une cible pour la vengeance d'une victime puissante.Vivant en exil, Hannibal Lecter tente de renouer des liens avec Clarice Starling, agent de la FBI, et se trouve une cible pour la vengeance d'une victime puissante.

  • Réalisation
    • Ridley Scott
  • Scénaristes
    • Thomas Harris
    • David Mamet
    • Steven Zaillian
  • Vedettes
    • Anthony Hopkins
    • Julianne Moore
    • Gary Oldman
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,8/10
    310 k
    MA NOTE
    POPULARITÉ
    1 973
    221
    • Réalisation
      • Ridley Scott
    • Scénaristes
      • Thomas Harris
      • David Mamet
      • Steven Zaillian
    • Vedettes
      • Anthony Hopkins
      • Julianne Moore
      • Gary Oldman
    • 1.5KCommentaires d'utilisateurs
    • 108Commentaires de critiques
    • 57Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 9 victoires et 25 nominations au total

    Vidéos2

    Hannibal
    Trailer 2:22
    Hannibal
    Hannibal: Hannibal Lecter And Inspector Pazzi At The Opera
    Clip 1:39
    Hannibal: Hannibal Lecter And Inspector Pazzi At The Opera
    Hannibal: Hannibal Lecter And Inspector Pazzi At The Opera
    Clip 1:39
    Hannibal: Hannibal Lecter And Inspector Pazzi At The Opera

    Photos256

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    Distribution principale76

    Modifier
    Anthony Hopkins
    Anthony Hopkins
    • Hannibal Lecter
    Julianne Moore
    Julianne Moore
    • Clarice Starling
    Gary Oldman
    Gary Oldman
    • Mason Verger
    Ray Liotta
    Ray Liotta
    • Paul Krendler
    Frankie Faison
    Frankie Faison
    • Barney
    • (as Frankie R. Faison)
    Giancarlo Giannini
    Giancarlo Giannini
    • Pazzi
    Francesca Neri
    Francesca Neri
    • Allegra Pazzi
    Zeljko Ivanek
    Zeljko Ivanek
    • Dr. Cordell Doemling
    Hazelle Goodman
    Hazelle Goodman
    • Evelda Drumgo
    David Andrews
    David Andrews
    • FBI Agent Pearsall
    Francis Guinan
    Francis Guinan
    • FBI Director Noonan
    James Opher
    • DEA Agent Eldridge
    Enrico Lo Verso
    Enrico Lo Verso
    • Gnocco
    Ivano Marescotti
    Ivano Marescotti
    • Carlo
    Fabrizio Gifuni
    Fabrizio Gifuni
    • Matteo
    Alex Corrado
    Alex Corrado
    • Piero
    Marco Greco
    Marco Greco
    • Tommaso
    Robert Rietty
    Robert Rietty
    • Sogliato
    • (as Robert Rietti)
    • Réalisation
      • Ridley Scott
    • Scénaristes
      • Thomas Harris
      • David Mamet
      • Steven Zaillian
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs1.5K

    6,8310K
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    10

    Avis en vedette

    6paul_m_haakonsen

    Once a cannibal, always a cannibal...

    While not fully up to par with "Silence of the Lambs", "Hannibal" still was more interesting and more fulfilling then "Hannibal Rising". And if you enjoyed "Silence of the Lambs", then you really should do take the time to sit down and watch this movie as well.

    There is a nice cat-and-mouse feel to the movie, and director Ridley Scott have accomplished to put together an entertaining movie that does bring into the picture some disturbing mindsets and images from time to time.

    The characters are right on the money and there is some good character development and growth throughout the movie. And the cast that were in the movie were doing good jobs with their given roles. And while Julianne Moore is no Jodie Foster, she still managed to portray Clarice in a fulfilling way. Needless to say that Anthony Hopkins is, of course, fantastic once again in the role of Hannibal 'the cannibal' Lecter. I was surprised to find out that it was Gary Oldman who was playing Verger; I literally had no idea and just found out in 2014.

    There is a nice speed to the movie, in the sense that you are never left bored, and the movie does take you on a roller-coaster; sometimes it is fast and brutal, other times slow and seemingly safe (lulling the audience into a false sense of security). There were some nice enough twists and turns along the way, making the movie not overly predictable.

    "Hannibal" is an entertaining movie and a well-worthy addition to the Lecter legacy. And it is definitely worth a watch.
    bob the moo

    Disappointingly relies on a series of gory set pieces rather than consistent suspense or dramatic development

    After being held accountable for a botched drug arrest that left 6 dead and great media coverage, FBI Agent Clarice Starling is sent away to follow up on new information regarding Dr Lecter from one of his past victims – the disfigured Mason Verger. As Starling works under the demeaning supervision of Agent Krendler, Lecter begins to taunt her with letters from an unknown location. Meanwhile in Florence, Inspector Pazzi begins to suspect the identity of the new curator, while Verger places a $3million reward for anyone who will bring him information leading to Lecter.

    The sequel that everyone wanted to see and that got lots of headlines for it's gory content was not something I was very bothered about seeing. Although I think Silence was a good film I was a bit surprised by the sheer volume and degree of praise that was heaped upon it. However I decided I would give it a go when it finally came on television and I pretty much got what I expected – a gory film that trades on blood and it's title character without a great deal else of real value put in with it. The story is very condensed from the book (so I'm told anyway) and is basically boiled down to a handful of events that will deliver the shock and gore if that's all you want – but that's not all I wanted. I needed a lot more in fact and I have a better appreciation of what made the first film a much better one than this.

    For one thing the whole film lacks suspense – by which I mean real suspense and tension, not just the suspense as we await the imminent arrive of the next gory scene. The plot is a little bit daffy at points and this may be done to it's slimmed down nature – certainly I was not drawn in so much as merely standing by watching it. The film also asks a lot of us; it asks us to understand the relationship dynamic between Lecter and Starling even though it shows us very little here – almost like it is expecting us just to take it on face value and remember Silence without it carrying anything through. Also it asked us to like, even support, Lecter – an idea that I found wholly unappealing. There is nothing wrong with having a monster as your 'hero' character or of focusing on the dark side of humanity but here the film practically revels in the gore, almost forgetting all else. It has made Lecter such a comical character ('okay-dokay'?) that it doesn't really know what to do with itself when he is off screen. The fact that it doesn't do anything with this dark beast other than stare lovingly at him is a problem for me and just supported the idea that the film was out for gore.

    Even the cast seem to realize that this film is nowhere near the caliber of Silence and they all seem to have their tongue in their cheeks with their performances. Hopkins seems to relish the chance to overplay in a big payday for him (the film could happen without Foster but not without him). His character is so much more played for fun than in Silence and this damages the tension, but Hopkins seems to be enjoying himself nonetheless. Moore plays it totally straight and doesn't have much fun – she is good but she doesn't stand out even if she does replace Foster well. An unrecognisable Oldman also hams it up but keeps his character just this side of silly –Ivanek supports Oldman well but is obviously eclipsed by the latter's showy role. Giannini is good in his minor role and is lucky to escape the script's excesses; sadly Liotta is not free and his performance towards the end matches the absurdity of the plot in his regard.

    Overall this is a big fancy horror movie but it is far from the standard of Silence. It lacks real bite (sorry) in terms of tension and excitement and it replaces it with a series of increasingly gory set pieces. If all you want is superficial delivery then this is worth seeing as it is enjoyable as a gory horror but it is no more than that and fans of the mood and atmosphere of Silence Of The Lambs will feel a little cheated.
    TalosIV

    Check it out

    Well, the deal is done. Saw it. Liked it. However.....not nearly as good as Silence. Very different effect is achieved by this film. It does almost play like an elite form of slasher movie. Like Jason with class and an education. I like Jodie and I see why she really didn't want this role. There's not a hell of a lot for Starling to do. Let's just say this- I liked it for what it is. As a stand alone film. It works on some levels. I think 2 1/2 is a good rating. I can recommend it. I even liked it. It just pales in comparison. And one can't help but compare. The characters all seem a bit shallow. Even Lecter. Some parts of this film are sooo over the top, I have to accept them as dark humor. The main thing I remember about Silence is the overwhelming feeling of dread, of sadness about the events in the film. "What does he do, this man you seek?" "He kills women." "NO, that is INCIDENTAL." Now that exchange instilled horror in me. There's just nothing like that in this film.
    webgrunt

    Good, but not great

    Anthony Hopkins gave an impeccable performance. However, the material he was given to work with was not as good as Silence of the Lambs. In fairness, perhaps there was no way it could be. In SOTL, he was somehow more foreboding, more of a sort of superhuman monster; in Hannibal, he's more accessible, a guy you meet on the street. Maybe it was impossible to maintain the mystery of Lecter that we saw in SOTL because of the risk of doing a rehash. I'd give the overall Dr Lecter character a 9 of 10 in this film, vs. a 10 of 10 in the last one. Not quite as good, but still very good.

    Starling's character, on the other hand, fell flat in this film. In SOTL, Foster perfectly portrayed Starling's flat surface with a turbulent depth; in Hannibal, there was nothing under her surface. Foster's Clarice evoked feelings of sympathetic grief, Moore's Clarice evoked nothing. I do not necessarily blame Moore, this could be due to writing and/or directing. Obviously, though SOTL focused mainly on Starling's character, Hannibal focuses on, well, Hannibal. Still, that's no excuse for what was done to Starling. Her character gets a 3 of 10.

    The story was much weaker in Hannibal than in SOTL. It almost seemed like an excuse to present us with the characters, rather than a story in and of itself. Still, it had no other major flaws, so it gets a 6 of 10.

    Now, there's another category I'll call the shock factor. It's different than ordinary gore, it's... creative gore. The sick, disgusting depravity we expect to see and like to see in this type of film. I can't go into detail without spoiling it, but I'll have to say it goes even beyond what I expected. Do not watch this film if you are squeamish or dislike gore. There isn't a lot of gore in the film, but what there was, was... concentrated. Shock Factor, 10 of 10.

    Overall I give the film an 8 of 10. Very well done with a few weaknesses, well worth watching.
    6CrazyArty

    Fabulous location but plot disappoints

    Years after his escape in 'Silence of the Lambs' a wealthy surviving victim continues to hunt for Hannibal Lecter. Stars Anthony Hopkins and Julianne Moore as Clarice Starling.

    The plot builds slowly. Hopkins is excellent in this role but Moore seems a poor substitute for Jodie Foster.

    The film is very gruesome. The final scene is memorable in it's uber gruesomeness.

    The location in Florence, Italy is a great bonus but this fun ultimately disappoints after the great original film.

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    Intérêts connexes

    Jim Carrey and Kate Winslet in Du soleil plein la tête (2004)
    Drame psychologique
    Brad Pitt and Morgan Freeman in Sept (1995)
    Serial Killer
    Rosamund Pike in Les apparences (2014)
    Suspense psychologique
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Criminalité
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
    Drame
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The part of Mason Verger was originally offered to Christopher Reeve, based on his work as a wheelchair-bound police officer in Above Suspicion (1995), which was released six days before the horse riding accident that left Reeve paralyzed for real. Not having read the novel, Reeve showed initial interest in the role, but ultimately declined upon realizing that Verger was a quadriplegic, facially-disfigured child rapist. Had Reeve taken the part, it would've been his last film appearance before his death in 2004.
    • Gaffes
      When Insp. Pazzi visits Lecter in his flat, on entering he shuts the open door behind him (making it harder for him to escape if Lecter turns violent); when Lecter approaches him he keeps his hands rooted in his pockets; finally, after the Dante lecture he stands with his back to him and allows Lecter to walk up behind him; in other words, he does everything a trained police officer would not do when alone in a confined space with a man he knows to be a high-risk prolific murderer.
    • Citations

      Hannibal Lecter: People don't always tell you what they are thinking. They just see to it that you don't advance in life.

    • Générique farfelu
      After the credits, we hear Lecter say "Ta ta, H.", the closing line of the post-script in his letter to Clarice.
    • Autres versions
      The Indian theatrical version was cut by the CBFC to mute the word 'pussy' from the dialogue spoken by Krendler, the word 'fucking' spoken by Pazzi, the word 'fuck' and 'cocksucker' spoken by Mason, the visuals of blood falling on the ground, blood spurting out of the throat of a dead man, and the close visuals of a pig putting Mason's face into the mouth to achieve an 'A' (adults) rating. It remained cut since.
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Million Dollar Hotel/The Invisible Circus/Head Over Heels (2001)
    • Bandes originales
      Vide Cor Meum
      Written by Patrick Cassidy

      Libretto Taken from Dante Alighieri (as Dante)'s "La Vita Nuova"

      Produced by Patrick Cassidy and Hans Zimmer

      Performed by Danielle de Niese and Bruno Lazzaretti

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    FAQ33

    • How long is Hannibal?Propulsé par Alexa
    • Why wasn't the ending of the novel used for the ending of the movie?
    • Is "Hannibal" based on a book?
    • Who from "The Silence of the Lambs" is back in "Hannibal"?

    Détails

    Modifier
    • Date de sortie
      • 9 février 2001 (Canada)
    • Pays d’origine
      • United Kingdom
      • Italy
      • United States
    • Site officiel
      • Official Facebook
    • Langues
      • English
      • Italian
      • Japanese
    • Aussi connu sous le nom de
      • The Silence of the Lambs 2
    • Lieux de tournage
      • Biltmore Estate - 1 Approach Road, Asheville, Caroline du Nord, États-Unis
    • sociétés de production
      • Metro-Goldwyn-Mayer (MGM)
      • Universal Pictures
      • Dino De Laurentiis Company
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 87 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 165 092 268 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 58 003 121 $ US
      • 11 févr. 2001
    • Brut – à l'échelle mondiale
      • 351 692 268 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 11m(131 min)
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 1.85 : 1

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