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Homicide: L'ultime enquête

Titre original : Homicide: The Movie
  • Téléfilm
  • 2000
  • PG-13
  • 1h 28m
ÉVALUATION IMDb
7,7/10
2,3 k
MA NOTE
Yaphet Kotto, Kyle Secor, Michael Michele, Andre Braugher, Reed Diamond, Clark Johnson, Jon Seda, and Callie Thorne in Homicide: L'ultime enquête (2000)
CrimeDrama

Ajouter une intrigue dans votre langueAl Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.Al Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.Al Giardello is shot and the detectives of the Baltimore Homicide Unit return to work to solve the case, including Howard, Munch, Bayliss, Meldrick, Bolander and Kellerman.

  • Director
    • Jean de Segonzac
  • Writers
    • Tom Fontana
    • Eric Ellis Overmyer
    • James Yoshimura
  • Stars
    • Daniel Baldwin
    • Ned Beatty
    • Richard Belzer
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,7/10
    2,3 k
    MA NOTE
    • Director
      • Jean de Segonzac
    • Writers
      • Tom Fontana
      • Eric Ellis Overmyer
      • James Yoshimura
    • Stars
      • Daniel Baldwin
      • Ned Beatty
      • Richard Belzer
    • 35Commentaires d'utilisateurs
    • 1Commentaire de critique
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 1 prix Primetime Emmy
      • 1 nomination au total

    Photos33

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    Rôles principaux60

    Modifier
    Daniel Baldwin
    Daniel Baldwin
    • Beau Felton
    Ned Beatty
    Ned Beatty
    • Stanley Bolander
    Richard Belzer
    Richard Belzer
    • Detective John Munch
    Andre Braugher
    Andre Braugher
    • Frank Pembleton
    Reed Diamond
    Reed Diamond
    • Mike Kellerman
    Giancarlo Esposito
    Giancarlo Esposito
    • Mike Giardello
    Michelle Forbes
    Michelle Forbes
    • Dr. Julianna Cox
    Peter Gerety
    Peter Gerety
    • Stuart Gharty
    Isabella Hofmann
    Isabella Hofmann
    • Megan Russert
    Zeljko Ivanek
    Zeljko Ivanek
    • ASA Ed Danvers
    Clark Johnson
    Clark Johnson
    • Meldrick Lewis
    Yaphet Kotto
    Yaphet Kotto
    • Al Giardello
    Melissa Leo
    Melissa Leo
    • Kay Howard
    Toni Lewis
    Toni Lewis
    • Terri Stivers
    Michael Michele
    Michael Michele
    • Rene Sheppard
    Max Perlich
    Max Perlich
    • J.H. Brodie
    Jon Polito
    Jon Polito
    • Steve Crosetti
    Kyle Secor
    Kyle Secor
    • Tim Bayliss
    • Director
      • Jean de Segonzac
    • Writers
      • Tom Fontana
      • Eric Ellis Overmyer
      • James Yoshimura
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs35

    7,72.2K
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    Avis en vedette

    6=G=

    The final farewell

    "Homicide: The Movie" is a TV flick which continues the defunct TV series and, given its less than sterling reviews, probably concludes it as well. The film, which tells of the investigation of a shooting of a Baltimore mayoral candidate who also heads the homicide squad (Kotto), pulls together most of the cast of the successful 1993-1999 TV series with reprises from many including cameos from the dead characters. "Homicide: The Movie" requires such a familiarity with the TV series for a complete understanding of the characters' background and history that familiarity with the series is almost a prerequisite for the film. Furthermore, as a stand alone piece, the film just isn't that good. "Homicide:The Movie" will play best as a farewell to loyal viewers of "Homicide:Life in the Streets". (B-)
    8Squrpleboy

    The Fond Farewell

    In all truth, this really isn't a "movie" so much as an extended final episode; by this I mean that, had you NOT followed the TV series (Homicide: Life On The Street) I suspect that you would have a hard time following this made-for-tv movie. Having said that, "Homicide: The Movie" is still a great watch. I think it says a lot about a television production that EVERY single cast member would return, many after years of absence, to once again portray their characters and bring closure to an incredible program. The movie brings out that sense of "family", not only amongst the characters, but amongst the actors, as well. It's all very bitter-sweet knowing that this will be the LAST time we will see them all together again under the title of HOMICIDE. Story-wise, I found this film somewhat lacking. Giardello's mayoral candidacy seems particularly contrived, and I felt his shooting could've been dealt with within the parameters of his regular position, as Leiutenant. Also, Det. Bayliss's extreme plot twist, which was left hanging at series end, is finally resolved, but I, for one, NEVER felt that it needed to be; I enjoyed being left with a mystery (let us recall that the very first episode's first case also went unsolved for the entire series run!). As a DEVOTED fan of the TV series I can love this movie, and the fact that it even got made after H:LOTS had been canceled, but I would not recommend it to anyone who hasn't had the slightest exposure to the series. Now, if they'd just release it on DVD...
    Antihero21

    A somewhat satisfying conclusion to a brilliant drama

    Homicide:The Movie reunites the principal leads of the original show eight years after the events of the last episode occurred. The story revolves around former Homicide Captain Al "G" Giardello, who is running for mayor, and who is shot at a political rally. The next two hours involves the search for the assailant and it has some interesting moments, such as a brilliant scene between Bayliss and Pembleton, along with great acting and directing. The only real flaw here is the script, which brings back all these characters, but hardly gives most of them anything to do. The show's more interesting characters, such as Munch and Lewis, are given minimal screen time, while the supporting characters are given even less. However, if you enjoyed this show when it aired, you might want to take a look at Homicide:The Movie.
    8owen-watts

    "Last One Out Is a Rotten Egg"

    This fittingly idiosyncratic ending to the Homicide saga is the most densely interwoven fusion of continuity and narrative I've ever seen. Deeply rewarding for fans of the series and a solid final point for hours of gritty 90's storytelling mixed with strange contemporary alt rock songs (and whacky dated music video editing to match). Giancarlo Esposito features in the two best sequences ever put to screen: a manic dream sequence with a gleefully cartoonish Yaphet Kotto and a screeching guitar montage where he puts the boot into various people for no reason whilst Reed Diamond indifferently scoffs pizza. All series should end this way.
    bob the moo

    Enjoyable film but tries to squeeze too much in artificially

    Out on the campaign trail for Mayor, Giardello gets shot twice and taken to hospital. His shooting could be enemies from his previous post or could be drug related as he pledged to legalise drugs to take it off the streets. The shooting brings the homicide detectives out in force – both present and past to try and piece together the clues and find out who it was and why.

    Thanks to the UK's Channel 4's policy of not knowing a good thing when they've bought the rights to it, I have not seen the last series of H:LOTS, simply because they decided that it wasn't getting enough viewers and dropped it. So I don't know how directly this follows on from the TV series in terms of time but I know that it does tie in quite well and close some open questions. The plot is quite simple and lacks the class of the tv series but still works well for what it has to do. Some of the plot is a jump too far but it still works on the whole. The side issues are as interesting as the main plot and the close of the film is actually a lot more moving than I expected it to be.

    The main problem the film has is that `every detective is back'. The result of this is that fans get to see characters they haven't seen for years, but the downside is that they are mostly just clutter – wheeled in to say a few lines and then disappear. The film is at it's strongest when it focuses on good subplots with the strongest characters – hence it is at it's best when Pembleton and Bayliss are the focus. It is still good to see all the faces but at times you wonder why they bothered and why they didn't sacrifice some characters to make for a tighter narrative.

    The cast all do well, with Braugher and Secor standing out due to the amount of time and material the film allows them to have. The cameos (although a lot of the cast could be called cameos) are mixed. Priestley and Begley Jnr are a bit of a waste of space but Oz's Walker gives a delicate performance and shows his skill in this media yet again.

    Overall I had no great hopes for this film as it is basically a TVM, but I did enjoy it more than I thought. The revolving door of old characters does drag a little at times but the film works and the focus on a group of main characters (Pembleton and Bayliss in particular) works to it's strength and produces a film that, while not comparable to the series in terms of quality, will satisfy many of it's fans.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      According to Tom Fontana, Ed Begley Jr. is indeed playing his character Dr. Victor Ehrlich character from Fontana's previous show St. Elsewhere (1982). He is not mentioned by name to avoid having to get legal clearances.
    • Gaffes
      Mike Giardello is working as a uniformed officer with the Baltimore City Police after leaving the FBI, when he runs into Lewis and Falsone he says he is working on getting his detective shield. However someone that had over a decade of experience as a special agent with the FBI more than qualifies to be a detective, Mike wouldn't be required to work as a patrol officer first.
    • Citations

      Tim Bayliss: So, you... you'll take me in.

      Frank Pembleton: 'I'm gonna take you in' - are you wild?

      Tim Bayliss: No - you'll take me in, Frank.

      Frank Pembleton: [Shakes his head] No.

      Tim Bayliss: Did I take... a bullet for you? Huh?

      Frank Pembleton: No, no, cut it out...

      [Tim lunges at Frank]

      Tim Bayliss: Did I take a bullet for you or not, huh?

      Frank Pembleton: I am NOT taking you in...

      Tim Bayliss: DID I TAKE A BULLET FOR YOU? I take a bullet for you, and you take a bullet for me - now THAT is square business, Frank!

      Frank Pembleton: This is not taking a bullet for you, this is you wanting me to toss your ass in the jackpot! You're confessing to a murder, Tim, do you understand that?

      Tim Bayliss: So you want someone else should take me in? Someone else should bust me...

      Frank Pembleton: No. No, no...

      Tim Bayliss: Is that what you want? Then it HAS to be you!

      Frank Pembleton: NO, NO, no! No...

      Tim Bayliss: [Grabs Frank] Frank, listen to me! Listen. I've thought about eating my gun, and I'm gonna EAT that gun RIGHT NOW if you don't do the right thing for me, Frank, for right here!

      [Gestures to his head]

      Tim Bayliss: I have no other... no other option, Frank. Please...

      Frank Pembleton: [sighs] So you thought about putting a gun to yourself?

      Tim Bayliss: Yeah. Yeah, you'd be saving my life, I dunno for how long, but for now... at least you would.

      Frank Pembleton: [Takes a deep breath] I believe that you did not mean to do this killing.

      Tim Bayliss: ...yeah, you believe what you want to believe. That's okay.

      Frank Pembleton: So we're gonna turn around, right now, and we're gonna go back inside. Okay?

      Tim Bayliss: [Anguished, he takes out his badge] Never put off the inevitable, Frank. It's gotta be what it's gotta be.

      [Presses the badge into Frank's hand]

      Frank Pembleton: [Crying] Son of a bitch...

    • Connexions
      Edited from Homicide: Life on the Street: Forgive Us Our Trespasses (1999)
    • Bandes originales
      Pick Myself Up
      Written and Performed by Peter Tosh

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    Détails

    Modifier
    • Date de sortie
      • 13 février 2000 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Homicide: Life Everlasting
    • Lieux de tournage
      • Baltimore, Maryland, États-Unis
    • sociétés de production
      • Baltimore Pictures
      • Fatima Productions
      • NBC Studios
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 28 minutes
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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    Yaphet Kotto, Kyle Secor, Michael Michele, Andre Braugher, Reed Diamond, Clark Johnson, Jon Seda, and Callie Thorne in Homicide: L'ultime enquête (2000)
    Lacune principale
    By what name was Homicide: L'ultime enquête (2000) officially released in Canada in English?
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