The Phantom of the Opera

When I got this version from my local library, I had no clue what it was. When I got it and watched it,I was a bit confused. I now got it for a second time and realized it was good for what it is. Just know that it is a musical but it's as though someone brought a camera into a show and taped it. David Staller portrays a very pathetic Phantom and Elizabeth a very conflicted Christine. Staller's voice is very passionate,even though sometimes he over acts the part,he is still a very wonderful Phantom. And even though the beginning of this is a bit odd because they only dance and you hear voices though the performers lips never move,it is still a very good version.

It should be noted that this is NOT the infamous musical of Andrew Lloyd Webber.

All in all it was a bit "campy"- filmed live in a Florida theater, I believe. The score is not very impressive, but the actors voices are good quality. The storyline follows truer to the novel of Gaston Lerouxwith a few liberties here and there. The character of the Daroga is in this version, much to the delight of Leroux fans! If you see this movie, you will probably not that some song titles- like "Spirit of Music"- are similar to ALW, but keep in mind that there aren't too many synonyms for phrase "angel of music."

Rent it or buy if you you consider yourself a die-hard "Phan" or if you want a little change from the ordinary.

I hated it. I think Ms. Walsh has a lovely voice and a decent face/figure. My advice to her is keep at it. Oh, and do not put this on your resume. Mr. Staller was a cool voice as well. As to his looks, well, he was covered in stage make-up and a mask so i have no idea. His voice was good and anyone who can slowly lower himself from a standing position on a piano bench in time to the music must have wicked leg muscles! The song Perfect Music, Perfect Love was pretty good. He was fairly sexy and creepy all at once.

I hated it. I own it simply because I'm a Phantom Phanatic and must own everything Phantom related. However, it was a waste of money and an insult to audiences everywhere.

I have always been a collector – stamps, books, chess sets, music, and so on, 60-years of it. Current craze is of course DVDs. Collectors generally compulsively hang on to something once they've acquired it – even if it turns out to be a piece of drek. You will therefore understand that – while it was a wrench – I've 86d this little item from my collection. And I'm about to tell you why.

The Phantom of the Opera is, like Dracula or Frankenstein (the monster's correct name since he would have the name of his father), an iconic figure from the lushly Romantic (as opposed to romantic) horror literature of the 19th Century. The Phantom exists in a number of celluloid versions, although inexplicably not so many as the endlessly dreary zombie films. At least, thank the gods, there are no zombie musicals.

The story line of this production pretty much follows (if sketchily) that of the Gaston Leroux novel on which the whole "Phantom" phenomenon is based. There is no need to rehearse this, since those who don't already know it … well, what can I say? The music for this production is, at best, kitschy and banal, more or less on a par with the alleged music Disney provides for their teeny-bopper programming. There is only one even remotely good musical number – and that is a very bad arrangement of Camille St.Saëns' "Danse Macabre". This accompanies the scène-ballet which follows the Phantom's unmasking. Missing from the production entirely is any hint of the music to the Phantom's grande-oeuvre, "Don Juan Triumphant".

The acting is no better. Indeed, it isn't acting at all; it's mere declamation. I've heard better delivery from used-car commercials.

This is of course a cut-rate production, complete with barely OK sets and obviously plastic prosthetics. Indeed, the Phantom's mask is far more realistic than his alleged disfigurements. We did get a falling chandelier – not badly done, actually.

I've seen this billed on some sites as a "musical comedy". It isn't – it's a serious if inept performance. We could perhaps regard it as a non-comedic parody. It is certainly a travesty.

I've seen some positive, even enthusiastic reviews for this performance. Well, everybody deserves to be loved by somebody. However, my advice is that you rent this before you even consider buying it.

This movie is a filmed version of a stage play. The music is fairly good, and the chemistry between the Phantom and Christine is evident. With the goofy managers bickering and Carlotta's constant whining it is also quite funny. If you like musicals this will be a good one for you. It is not the Leroux telling of the story, but it is an entertaining story none-the-less.