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Rhapsodie américaine

Titre original : An American Rhapsody
  • 2001
  • PG
  • 1h 46m
ÉVALUATION IMDb
6,8/10
4,8 k
MA NOTE
Rhapsodie américaine (2001)
Theatrical Trailer from Paramount Classics
Liretrailer2:23
1 vidéo
34 photos
Drame

Une jeune Hongroise peine à faire sa place dans le monde lorsqu'elle retrouve ses parents aux États-Unis, longtemps après qu'ils ont été contraints de l'abandonner en fuyant leur patrie comm... Tout lireUne jeune Hongroise peine à faire sa place dans le monde lorsqu'elle retrouve ses parents aux États-Unis, longtemps après qu'ils ont été contraints de l'abandonner en fuyant leur patrie communiste dans les années 50.Une jeune Hongroise peine à faire sa place dans le monde lorsqu'elle retrouve ses parents aux États-Unis, longtemps après qu'ils ont été contraints de l'abandonner en fuyant leur patrie communiste dans les années 50.

  • Réalisation
    • Éva Gárdos
  • Scénariste
    • Éva Gárdos
  • Vedettes
    • Nastassja Kinski
    • Scarlett Johansson
    • Raffaella Bánsági
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,8/10
    4,8 k
    MA NOTE
    • Réalisation
      • Éva Gárdos
    • Scénariste
      • Éva Gárdos
    • Vedettes
      • Nastassja Kinski
      • Scarlett Johansson
      • Raffaella Bánsági
    • 54Commentaires d'utilisateurs
    • 24Commentaires de critiques
    • 51Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 5 victoires et 5 nominations au total

    Vidéos1

    An American Rhapsody
    Trailer 2:23
    An American Rhapsody

    Photos34

    Voir l’affiche
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    + 26
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    Distribution principale40

    Modifier
    Nastassja Kinski
    Nastassja Kinski
    • Margit
    Scarlett Johansson
    Scarlett Johansson
    • Suzanne - at 15
    Raffaella Bánsági
    • Suzanne - Infant
    Tony Goldwyn
    Tony Goldwyn
    • Peter
    Ágnes Bánfalvy
    • Helen
    • (as Ági Bánfalvy)
    Zoltán Seress
    • George
    Klaudia Szabó
    • Maria - at 4
    Zsolt Zágoni
    Zsolt Zágoni
    • Russian Soldier
    András Szöke
    • Istvan
    Erzsi Pásztor
    Erzsi Pásztor
    • Ilus
    Carlos Laszlo
    Carlos Laszlo
    • Boy on Train
    Bori Kereszturi
    • Suzanne - at 3
    • (as Boru Keresztúri)
    Péter Kálloy Molnár
    Péter Kálloy Molnár
    • AVO Officer
    • (as Péter Kállóy Molnár)
    Zsuzsa Czinkóczi
    • Teri
    Balázs Galkó
    • Jeno
    Kata Dobó
    Kata Dobó
    • Claire
    Éva Szörényi
    • Eva
    • (as Éva Soreny)
    Don Pugsley
    Don Pugsley
    • Cafe Supervisor
    • Réalisation
      • Éva Gárdos
    • Scénariste
      • Éva Gárdos
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs54

    6,84.7K
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    10

    Avis en vedette

    7bruner123

    Nice, sentimental drama, true to life

    I lived for five years in Budapest, from 1990-95, and I married a Hungarian woman, so I have a natural interest in Hungarian-themed films. I enjoyed this thoroughly. True, the ending was a bit abrupt and sappy, but I thought it was a nicely made film all in all. Well acted, especially by Scarlett Johansson and Kelly Endresz-Banlaki, who both played the central character of Suzanne/Zsuzsana at ages 15 and 6 respectively.

    Natashia Kinski played well, too, and has aged gracefully, playing a woman in her into her late 30s or early 40s I suppose. I was particularly impressed by her, Johansson's and Tony Goldwyn's apparent mastery of Hungarian, no easy language, I can assure you. Much of the film is set in Hungary with Hungarian subtitles (and alternately in America in English). I speak it only moderately well, so perhaps a real Hungarian would criticize the accent, but to me to whole blending of cultures and settings was surprisingly authentic and compelling. It really captured the time and places for me.
    7Weredegu

    A film, lost in translation, that made me see 'Lost in Translation'

    Experienced Hollywood editor of Hungarian origin Eva Gardos threw this movie together more or less about her own life for her first feature film direction. One unfortunately has to be suspicious about any such first film a director puts together about his or her own life. Few could pull that off to produce a masterpiece. The tale, surely a moving, intriguing, even fascinating one, is not told too well. Still I will recommend this film for two BIG reasons. If you're not interested in what I deem to be problems with the film, move on to the last para.

    The language problem, the constant dilemmas the film-makers had to face about when to use dubbing, when not (also depending on which market you want to sell on), when a character should be speaking in American English, in English with a Hungarian accent, in Hungarian with an English accent or Hungarian, obviously must have posed a great difficulty in handling the task of story-telling, and would have made suspending disbelief a bit more difficult for the audience anyway. But English with a Slavic accent as English with a Hungarian accent really doesn't work well when you hear it. OK, for an American with no Hungarian connection it can be alright. But there were problems if you put yourself beyond this, too. Beside errors in telling the story, the Hungary showed in the movie is just not real. It's interesting that among the comments so far I have only seen a guy from Kent (the UK) point that out, even contrary to some others who found the atmosphere of the Hungarian scenes authentic. I have felt neither the political situation get across to the viewer, nor local culture being authentically presented. Altogether, the mood of the era is not captured at all, not translated to the mainly American audience that may still, of course, feel as though it would be.

    So why would I still recommend the film? On the one hand Eva Gardos doesn't do justice to herself, for the story is really damn interesting. Not just because of the role history plays in it, but because you have women in the focus here and so you're guaranteed to see strong female characters. Or not exactly guaranteed, for I have seen films with women in the focus end up differently, but in 'American Rhapsody' this is something that actually works well. It's primarily one person's responsibility I believe. She is the other reason you have to check this movie out. After the film I looked up her name on IMDb, thinking it was time for some talent-spotting. 'Scarlett Johansson' – OK, I decided to remember the name. Next week one TV channel played 'Lost in Translation'. She was in it, so I decided to watch it. Just guess if I started disliking her after that… :-). I'll help you out. Whenever I walk across the Széchenyi Chain Bridge here in Budapest I think with amazement of her having walked across there in 'American Rhapsody'.
    9boots-15

    All people under the age of 60 should watch this movie

    We in the United States do not realize how spoiled we are with material things. I am 70 yrs old and remember the lst 10 years of my life, raised by poor farmer grandparents in the depression, having nothing.

    Kids do not want to hear nor believe how spoiled they are. They want every new electronic gadget that comes unto the market whether they can afford it or not.They can't afford to fix their car, pay their bills, but they must buy a cell phone, a DVD, cable TV, go to the latest movie at the theater, go out to eat etc

    This is a sad movie, but a great one. It shows the comparison between life in Hungary in the mid part of the 20th century compared to the same couple getting to the United States. I won't go into the plot. The little 5 yr old actress who starred in this movie was sensational.

    We do not appreciate what we have in the U.S. either. We do not realize how material gadgets do not bring the happiness we thought they would. Please rent this movie...
    10TimmyMaplewood

    Must-see movie about family, place ...

    I saw "American Rhapsody," last night; it's the first film by a 50-ish Hungarian-born female filmmaker. It's features an amazing, personal, story of the early Cold War-era immigration to America of a Hungarian family, and it was really incredibly done. We love Scarlett Johansson ("Ghost World"), who plays the 15-year-old, but the girl who plays the lead character at age 6 is one of the most loveable child actresses ever, Nastassia Kinski as the mother is great, Tony Goldwyn, as the dad, is good, the pair who play the Hungarian rural couple (especially the man) are fantastic. Hungary and Budapest too play a key role. The movie will sicken you, somewhat, about the America-in-the-early-60s mentality (sicken you because you know how much a part of all of us it is). As one reviewer said, this is no State Department-backed immigration story. And it will make you fall in love with the Hungarian countryside. It's a terrific movie-going experience. I cried several times throughout.

    Because of how little marketing and buzz the movie has generated, I fear it will come and go in a flash; that's why I issue this appeal.

    By the way, don't go expecting great filmmaking techniques and perfect direction; it's her first movie and mistakes were made. But the experience, if you go in the right frame of mind, is great. It's in English.
    7cherylread

    Entertaining---great recreation of the 1950s

    The film was entertaining and touching, but what I liked most about it was its faithful recreation of the 1950s. Having grown up in that period, I don't think I've ever seen such a faithful recreation of that era on screen. I kept looking at the screen and sayin, "Oh my God, I remember that."

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    Intérêts connexes

    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Éva Gárdos met actress Colleen Camp on the set of C'est l'apocalypse (1979), when she was a casting director for the film. During shooting breaks, Éva told Colleen her true story of her childhood as a Hungarian émigré and Colleen encouraged her to turn it into a film. Colleen Camp would ultimately help produce the film, and played a small role in it as a neighborhood housewife.
    • Gaffes
      Suzanne first arrives in Los Angeles in 1955, one house has an eighteen-inch television satellite dish strapped to the chimney.
    • Citations

      Margit: Do you know what your father and I had to go through...

      Suzanne - at 15: Yeah, I know, you- you walked 20 kilometers and you- you climbed under barbed wire, right? Yeah, I know.

      Margit: You don't know anything.

    • Générique farfelu
      Film has the following dedication before the credits: For my Mother and Father
    • Connexions
      Featured in Siskel & Ebert & the Movies: O/Summer Catch/Happy Accidents/Jay and Silent Bob Strike Back/An American Rhapsody (2001)
    • Bandes originales
      Sino Moi
      Traditional

      Arranged by Nikola Parov / Márta Sebestyén

      Performed by Márta Sebestyén

      Courtesy of Hannibal Records, a Rycodisc label

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    FAQ18

    • How long is An American Rhapsody?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 28 février 2002 (Hungary)
    • Pays d’origine
      • United States
      • Hungary
    • Site officiel
      • Paramount (United States)
    • Langues
      • English
      • Hungarian
    • Aussi connu sous le nom de
      • An American Rhapsody
    • Lieux de tournage
      • Budapest, Hongrie
    • sociétés de production
      • Fireworks Pictures
      • Seven Arts Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 850 255 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 40 200 $ US
      • 12 août 2001
    • Brut – à l'échelle mondiale
      • 970 676 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 46m(106 min)
    • Couleur
      • Black and White
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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