Paradise Lost 2: Revelations

The first film was so successful at causing doubt that a lot of restrictions were placed on this second film. Now only one parent of the murdered boys is willing to take part, no footage is allowed to be recorded in court, and the attorneys of two of the accused will not be interviewed. As such, this film has to struggle to find more things to detail, and also has less scope than the original. This film is mostly about saying that it could have been somebody else. They find reported teeth marks on one of bodies, which some experts argue aren't teeth marks and some say that they are. All this means is that how can we trust "experts" when they argue with each other. A lot of focus is placed on John Mark Byers. Here is a man that comes off as mentally unstable, has a violent and drug filled past, lies (or is at least very confused) about aspects of his life. How can you tell three different stories about how you lost your teeth? I mean really different stories. It's aggravating that somebody with such a poor grasp on reality cannot even consider the boys' innocence (I've read that now he does). His wife dies due to undetermined causes and still he is less of a subject than the three boys. Again, this film isn't about who did it, only that it may not have been these boys, and there is no real evidence to suggest that it was. I'm glad these guys are now out of jail, and hope Berlinger and others will continue their investigations to find the real killers, even if that just means finding proof that it was these boys.

Okay. Mark Byers is a wing-nut. So what. Documentary #1: Documents a witch hunt. No question. I'm totally on board. New trial - let's go. Documentary #2: Perpetrates a witch hunt. Drips with unintentional irony. That people can be put away for life and lethal injection based on no physical evidence or common sense even is chilling. That a documentary (and the convicted themselves) can then come along and blithely point fingers, also with no evidence, is no less chilling. And who ARE these Internet activist people? Do they have jobs or what? They are as asinine and loopy as Byers. The filmmakers should have just left it at film #1 and been done with it. But the awards and following went to their heads and they decided to crusade. Ugh.

After the storm kicked up by the first film, film-makers Joe Berlinger and Bruce Sinofsky returned to West Memphis four years later. Whereas the first film seemed to simply document the case in as much detail as possible and allowed you to make your own mind up, with Revelations, they seem to have their own agenda. New 'evidence' has been discovered, and perhaps the real killer still walks the streets, and it's clear who Berlinger and Sinofsky believes it to be. That crazy bastard John Mark Byers, who took so much pleasure in giving Biblical rants to camera, hardly covers himself in glory, and he's back here to build fake graves for Damien Echols, Jason Baldwin and Jessie Misskelley at the crime scene, only to set them on fire amidst his demented monologues.

It's sad that Berlinger and Sinofsky decided to take such a manipulative approach to the sequel, as although Byers is clearly an unhinged and simple-minded hick, there is no evidence against him killing the three boys (Michael Moore, Stevie Branch, and his stepson Christopher Byers) aside from the fact that he comes across as scary and strange. The first film was an intense study of mob mentality and the dangers of pre- judgement by appearance, and how the West Memphis Three managed to get themselves convicted simply for being black-wearing outcasts. So Revelations comes across is hypocritical.

When new evidence is presented, suggesting teeth marks on the head of one of the victims, tests prove that none of the WM3's teeth match. When Byers is confronted, he reveals that he had his teeth removed but keeps changing his story as to when this took place. He is repeatedly confronted by a support group that help fund and promote the case against the WM3, but they come across as equally strange as Byers, following Echols like groupies as if he was some kind of prophet, and they berate Byers into handing in his dental records voluntarily to prove himself innocent. Byers refuses, stating that there is no case against him, and this is shown in the film as if an admittance of guilt. The film-makers never take any time to explain the reasoning behind Byers' behaviour, clearly convinced of his guilt.

In the end, it's a case of there being too little here to warrant a two hour-plus movie. The new evidence is flimsy to say the least, and as revealed in West of Memphis (2012), is probably completely wrong. Yet when the film gets back down to cold facts, it becomes as riveting as the first film, unveiling a justice system that seems unwilling to open the doors to the possibility that they simply got it wrong. It's just a shame that too much time is spent on a personal witch-hunt, and even when Byers passes a voluntary lie-detector test, the film suggests that Byers was on so much prescription medication that the results of this cannot really stand up, yet fails to ask to conductor of the test of his views regarding this. It's certainly a confused film, and one that works best when it stays on topic and documents the facts rather than revelling in propagandistic speculation.

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But not for the right reasons.

The snickering, smug arrogance of the filmmakers, who seem to have more screen time than anyone actually involved in the case, made me see this documentary as just a vanity project. I couldnt even buy the patronizing solicitude they showed towards one defendant (undoubtedly because he is the most photogenic of the three convicted of the crime).

There is a definite travesty of justice here, but getting to the truth seems to have become secondary to the childish delight with which the filmmakers show how much smarter they are than anyone else.

Their hearts may indeed be in the right place, and they truly want to see justice served, but this kind of flagrant self-aggrandizment does not do justice to anyone.

The film offers no real evidence as to the identity of the "real" killer, beyond the filmmakers' own speculation and innuendo - which is precisely what convicted the three boys they are trying to "save" in the first place.

You can absolutely skip part 2 of paradise lost and just watch part 1 and 3.

They made a faux paus here where they focused their attention on a crazy guy that they tought was guilty and gave him way too much screen time. After watching part 3 this film feels inconsequential and a waste of time.

All of this is pretty funny considering the hypocracy of acusing someone of something with no evidence just because they are different, like the police and prosecuters did with Damien.

I gave parte 1 and 3 both 9/10, they were great and the Metallica music fits perfectly with the themes of these documentaries and it's connection to the kids.