Arthur et ses deux enfants héritent du manoir de leur oncle Cyrus. Lorsque la famille, accompagnée de la nounou et d'un médium, entre dans la maison elle se retrouve piégée dans une machine ... Tout lireArthur et ses deux enfants héritent du manoir de leur oncle Cyrus. Lorsque la famille, accompagnée de la nounou et d'un médium, entre dans la maison elle se retrouve piégée dans une machine diabolique.Arthur et ses deux enfants héritent du manoir de leur oncle Cyrus. Lorsque la famille, accompagnée de la nounou et d'un médium, entre dans la maison elle se retrouve piégée dans une machine diabolique.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 1 victoire et 4 nominations au total
5,699.6K
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Avis en vedette
A family inherits what proves to be a haunted house, but a special pair of goggles allows them to see their ghostly tormentors
This is a chiller remake with grisly horror, genuine chills and shocks . When Cyrus Kriticos (F. Murray Abraham) , a very rich collector of unique things dies, he leaves it all to his nephew and his family. All including his house, his fortune, and his malicious collection of ghosts. As reclusive Dr. Zorba has died and left his eerie mansion to his penniless nephew Cyrus Zorba (Tony Shaloub) and his sons (Shannon Elizabeth , Alec Roberts) . Along with the house, the Zorba family has also inherited the occultist's collection of 12 ghosts (Laura Mennell as The Bound Woman , Kathryn Anderson as The Withered Lover , Craig Olejnik as The Torn Prince , Shawna Loyer as The Angry Princess , Xantha Radley as The Pilgrimess , Ernst Harth as The Great Child , Laurie Soper as The Dire Mother , Herbert Duncanson as The Hammer), who can only be seen through Zorba's special goggles.The house suddenly closes itself and they encounter trapped inside and soon supernatural creepiness begin frightening the hosts . Then they'll spend a ghastly night in the spooky house with killings-laden history . The family members, their lives at risk upon the discovery a strange book that lies hidden somewhere in the house , they receive aid from unexpected woman (Embeth Davidtz) as the threat to their lives is revealed .
This eerie story contains bit good fun with grisly killing , relentless horror and lots of blood and gore. The chiller version packs genuine chills and terrifying deaths such as a horrible quartering . It's silly but amusing fun and with an excessive use of computer generator FX and special make-up in charge of Robert Kurtzman , Howard Berger and Greg Nicotero . The monstrous ghosts are the real stars of this production , being rightly realized by means of an excellent make-up and magnificent special effects . Some scenes are clumsily shot but the movie has some good moments here and there , the illogical parts in the argument are more than compensated for the excitement provided by the creepy ghosts . The film was lavishly produced by Dark Castle , production specialized on terror genre and in charge of Joel Silver , Robert Zemeckis and Gilbert Adler ; both of them have produced successful terror movies dealing with eerie tales about horror , grisly killings and lots of blood and gore such as ¨House of haunted hill¨, ¨Return to house of haunted hill¨ , ¨Gothika¨, ¨Ghost ship¨, ¨House of wax¨ , Whiteout¨ , ¨Splice¨ , ¨The reaping¨ , ¨Orphan¨ , among others . The motion picture was professionally directed though without originality by Steven Beck who subsequently filmed ¨Ghost ship¨.
The film resulted to be an acceptable but inferior remake from superior ¨13 ghosts¨ by William Castle . It was plenty of gimmicks, leaps from the screen and surprises descending on cinema-goers such as hidden wires and others . Of course the biggest film about this astonishing story is this vintage 1960 classic version rendition by William Castle that was starred by Charles Herbert as Buck Zorba , Jo Morrow as Medea Zorba , Martin Milner as Benjamen Rush , Rosemary DeCamp as Hilda Zorba and Donald Woods as Cyrus Zorba .
This eerie story contains bit good fun with grisly killing , relentless horror and lots of blood and gore. The chiller version packs genuine chills and terrifying deaths such as a horrible quartering . It's silly but amusing fun and with an excessive use of computer generator FX and special make-up in charge of Robert Kurtzman , Howard Berger and Greg Nicotero . The monstrous ghosts are the real stars of this production , being rightly realized by means of an excellent make-up and magnificent special effects . Some scenes are clumsily shot but the movie has some good moments here and there , the illogical parts in the argument are more than compensated for the excitement provided by the creepy ghosts . The film was lavishly produced by Dark Castle , production specialized on terror genre and in charge of Joel Silver , Robert Zemeckis and Gilbert Adler ; both of them have produced successful terror movies dealing with eerie tales about horror , grisly killings and lots of blood and gore such as ¨House of haunted hill¨, ¨Return to house of haunted hill¨ , ¨Gothika¨, ¨Ghost ship¨, ¨House of wax¨ , Whiteout¨ , ¨Splice¨ , ¨The reaping¨ , ¨Orphan¨ , among others . The motion picture was professionally directed though without originality by Steven Beck who subsequently filmed ¨Ghost ship¨.
The film resulted to be an acceptable but inferior remake from superior ¨13 ghosts¨ by William Castle . It was plenty of gimmicks, leaps from the screen and surprises descending on cinema-goers such as hidden wires and others . Of course the biggest film about this astonishing story is this vintage 1960 classic version rendition by William Castle that was starred by Charles Herbert as Buck Zorba , Jo Morrow as Medea Zorba , Martin Milner as Benjamen Rush , Rosemary DeCamp as Hilda Zorba and Donald Woods as Cyrus Zorba .
Please lighten up, folks!
As I've said so many times before...people, this is just a movie. It is not intended to make deep social comment; it is not meant to reflect reality; the characters are not obligated to exercise good judgment; the fact that this movie is supposed to be "based on" the earlier version is not really relevant; and it ought to be possible to be entertained by a movie without necessarily feeling genuinely scared.
I find this to be a very entertaining movie. Good special effects, decent acting, lots of action, neat props and mechanicals, and some unique ghosts make this a lot of fun. Was I scared? No. I was startled sometimes, but not scared.
So what IS wrong with this movie? Well, I'm back to my usual gripe about action movies. There's a point in the film where one character says to three other characters, "Stay right here until I get back. Don't touch anything." Without going into detail, let me simply state the obvious: the other characters don't obey him and the results are not good. This is always a big turn-off to me, because the people who disobey almost always end up getting out safely, while other people die for their mistakes. In another film, for example, a family in the Federal witness protection program is told not to contact their old friends. The daughter, however, can't live without calling her boyfriend at least once. The bad guys intercept the phone call, show up at the "safe house," and end up killing several US Marshals. Of course, the daughter is oblivious to the damage she has caused and goes on to live happily ever after. Just once I'd like to see the survivors turn to the person who was reckless and say, "That was all your fault!" and blow the person away in a hail of lead.
Now, back to THIS film. I recommend it if you enjoy over-the-top horror/action films, but not if you are looking for some sort of psychological thriller or a moody mystery. If you liked "Dog Soldiers" and "An American Werewolf in London," then you should like this movie.
*** out of ****
I find this to be a very entertaining movie. Good special effects, decent acting, lots of action, neat props and mechanicals, and some unique ghosts make this a lot of fun. Was I scared? No. I was startled sometimes, but not scared.
So what IS wrong with this movie? Well, I'm back to my usual gripe about action movies. There's a point in the film where one character says to three other characters, "Stay right here until I get back. Don't touch anything." Without going into detail, let me simply state the obvious: the other characters don't obey him and the results are not good. This is always a big turn-off to me, because the people who disobey almost always end up getting out safely, while other people die for their mistakes. In another film, for example, a family in the Federal witness protection program is told not to contact their old friends. The daughter, however, can't live without calling her boyfriend at least once. The bad guys intercept the phone call, show up at the "safe house," and end up killing several US Marshals. Of course, the daughter is oblivious to the damage she has caused and goes on to live happily ever after. Just once I'd like to see the survivors turn to the person who was reckless and say, "That was all your fault!" and blow the person away in a hail of lead.
Now, back to THIS film. I recommend it if you enjoy over-the-top horror/action films, but not if you are looking for some sort of psychological thriller or a moody mystery. If you liked "Dog Soldiers" and "An American Werewolf in London," then you should like this movie.
*** out of ****
Good movie
What I most like is the idea and the kinda occult theme it has. Plot could have been better, but it offers good jumpscares and interesting ghosts, and it keeps you entertained.
OK, i'm sticking my neck out for this movie
The only problem i found about "Thirteen Ghosts" is that it is not scary. It has the elements to be a horror movie, the ghosts, the gore, but it is not frightening at all.
So this film can be a real party pooper if you're watching it with the lights off at your girlfriend's house waiting for her to grab your arm through the hard scenes, or expect to enjoy having some nightmares about it. But, omitting that--yeah, i know it's hard to omit that a movie labeled as "horror" is not scary--, i judge it as a very interesting film. The production design is great; the glass house is a state of the art, away from your typical haunted house, looking both luxurious and somehow creepy at the same time. That innovation, carried out with such a splendid result, is worth my applause. So is the decision to make the ghosts be real actors in the set, not digital freaks. Human monsters, even if having to go through 4+ hours of make-up sessions, even if having to use a double amputee actor to play a particular ghost, are the film's best trump card. There are good ideas in this film, and they're very well developed. It doesn't deserve a bad score.
So this film can be a real party pooper if you're watching it with the lights off at your girlfriend's house waiting for her to grab your arm through the hard scenes, or expect to enjoy having some nightmares about it. But, omitting that--yeah, i know it's hard to omit that a movie labeled as "horror" is not scary--, i judge it as a very interesting film. The production design is great; the glass house is a state of the art, away from your typical haunted house, looking both luxurious and somehow creepy at the same time. That innovation, carried out with such a splendid result, is worth my applause. So is the decision to make the ghosts be real actors in the set, not digital freaks. Human monsters, even if having to go through 4+ hours of make-up sessions, even if having to use a double amputee actor to play a particular ghost, are the film's best trump card. There are good ideas in this film, and they're very well developed. It doesn't deserve a bad score.
Where "ghost" thou?
"Thir13en Ghosts" does have a certain charm, if only for its silliness. Maybe there's nothing particularly special about a visual effects-laden movie in which a family inherits a haunted house, but the movie definitely has its moments, namely when the lawyer "splits". Tony Shalhoub, Embeth Davidtz, Matthew Lillard, Shannon Elizabeth, Alec Roberts, Rah Digga and F. Murray Abraham are all able to turn in neat performances, even if the whole movie is pretty outlandish. I would recommend the original version more, but this one isn't bad. Perhaps its little more than a way to pass time, but a cool one at that. Acceptable for what it is.
Le saviez-vous
- AnecdotesHerbert Duncanson, who plays The Hammer, was not originally hired as an actor for the film but as a stand-in for reference and test shots. When the original actor cast for the role never showed up, he was given the role of that ghost as a last minute replacement, as there was no time to hold auditions for a recast.
- Gaffes(at around 1h 3 mins) After Arthur punches Rafkin and they fall to the floor you can see the reflection of a crew member behind Arthur on the desk.
- Générique farfeluThe film's title logo is visibly shown at the very end of the end credits.
- Autres versionsOriginally cut for theatrical release in the Canadian province of Ontario in order to receive a more commercial 'Adult Accompaniment' (under 14 must be accompanied by an adult) rating. The cuts were restored for the video release with the rating raised to 'Restricted' (No one under 18).
- Bandes originalesExcess
Written by Tricky
Performed by Tricky
Backing Vocals by Alanis Morissette (uncredited)
Courtesy of Hollywood Records/Anti Inc. A Division of Epitaph Records
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tre13e fantômes
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 42 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 41 867 960 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 15 165 355 $ US
- 28 oct. 2001
- Brut – à l'échelle mondiale
- 68 467 960 $ US
- Durée
- 1h 31m(91 min)
- Couleur
- Mixage
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