Ajouter une intrigue dans votre langueTom (Speedman) and Dan's (Marsden) one-night stand turns into an intense power-play between captor and captive.Tom (Speedman) and Dan's (Marsden) one-night stand turns into an intense power-play between captor and captive.Tom (Speedman) and Dan's (Marsden) one-night stand turns into an intense power-play between captor and captive.
- Isabella
- (as Sofia Vergara)
- Officer #1
- (as Charlie Corrado)
- Officer #2
- (as Jarvis George)
- Studio Executive
- (uncredited)
- Simon
- (uncredited)
- Bartender
- (uncredited)
- Waitress
- (uncredited)
Avis en vedette
--2 hunky guys (one married / one not---in both "24th" and "TA").
--A night of lovemaking (remembered+talked about in "24th" / actually in bed in "TA").
--AIDS as a factor (does he have it / does he not---in both films).
--A night of philosophizing (what if this / what if not this---in both films).
Apparently 1991's "Together Alone" garnered even lesser acclaim than has "24th" (but Castellaneta did go on 7 years later to make a somewhat more successful 'little number' you've probably heard of titled, "Relax......It's Just Sex"). Actually, "TA" has never made it to DVD's ranks from its original VHS video release.
Scott Speedman? While still somewhat newer and 'a-learning' as an actor, it takes only moments to see the shock waves of guilt, sorrow, and anger this man throws off in his role as Tom. Wow!
James Marsden? Dear gods, don't be jealous........for this man is so beautiful. (Just an aside: at times I find it almost difficult to look at him. While everyone's perception of beauty differs, to me this man is just plain arresting---watching him here and in "Heights" is almost too much). Nonetheless, his physical attributes are far surpassed by a freshness and depth of feeling, rare in such a young performer, which he brings to his dramatic roles, that of Dan being no exception.
Since I can add nothing more concerning performances and plot points than is contained in the several 7- to 10-Star reviews already here, I will mention only one character detail: Tom is, at his most basic and essential, a good and honest human being. That is never lost sight of in this film, and, I think, is meant to clue us in on the real way in which the film is intended to end.
****
A independent film adaptation from a play by Tony Piccirillo and directed by same, is a tour de force with very good acting by Scott Speedman and James Marsden. Although straight forward and attentively simple, one is easily engrossed by the story. The dialog carries well, and the ending very human.
It's not often I enjoy simplified concept pieces but this was vital and endurable for the criticssm.
A flawless, and beautifully moving film. A important work for our time.
Piccirillo stays focused on these two characters. His writing is brilliant. The characters are well-defined. The dialogues are amusing, thought-provoking, philosophical and there are some interesting references to pop-culture, sports and politics. The twists and layers are superb. He also succeeds in creating a tense atmosphere and keeping the viewer engaged.
The editing is good. At first the flashback sequences are mildly confusing but that parallels well with Dan's confusion. Of course, it all adds up in the end. Efficient use is made of the props and sets as to not distract from the characters.
James Marsden and Scott Speedman are in top form. Chambre pieces require great acting and both actors make fine ingredients. Speedman is restrained while Marsden delivers an authentic performance. Unfortunately, Sofía Vergara is wasted.
This would obviously make a great theatre piece and I'm very curious about the play. I would like to catch a show if it's happening nearby. As for the film, it is well worth the watch.
The movie will be out on video and DVD on August 31, 2004.
One can argue it's a homophobic piece or one can argue entirely the opposite, but one can't argue that it's a well scripted, well paced and well acted movie that is worthy of 90 minutes of anyone's time in the world of Hollywood formulaic drama that dominates the mainstream. There isn't, truth be told, a lot of plot here, but what little there is turns out to be surprisingly gripping, thanks to the superb job of both the actors who are never less than totally believable in their roles.
I was amazed to read one 'review' here that just appeared to be a spiteful attack on the perceived commercial success of James Marden's acting career - just because he's easy on the eye is no excuse for slating a performance that most actors would be envious of as a career best. Well worth a viewing!
Le saviez-vous
- AnecdotesBegan as a play in Los Angeles with original cast members Noah Wyle and Peter Berg. A year later the play was revamped in Atlanta with Chad Darnell and Quint Von Canon.
- GaffesTom refers to the Iowa State Hawkeyes. The Hawkeye is actually the mascot of the University of Iowa; Iowa State's sport teams are known as the Cyclones.
- Citations
Dan: Putting people in fucking boxes - you're straight or you're gay - it's nonsense. Human beings are too complex. Being with a man or wanting to be with a man doesn't make you gay. It's totally messed up. If a girl goes to her boyfriend and says she wants to fuck around with another girl, you think he's going to be weirded out by that? Fuck no. He's gonna want to watch, maybe even join in. But if a guy asks his girlfriend the same question, she's fucking flip her lid. It's totally messed up for guys who prefer women and have a slight curiosity about men. They're forced into repressing it. And even if they do act on those urges, they're made to feel like there's something wrong with them - when it isn't the act that's wrong. In fact, that's what's natural. What's wrong is how society makes you feel about it because nobody can admit that people aren't completely gay or completely straight. It's nonsense.
- ConnexionsReferences Les nerfs à vif (1962)
- Bandes originalesSweetie
Written by Ryan Christopher Webb and Doug Lancio
Performed by Matthew Ryan
Courtesy of Hybrid Recordings
Meilleurs choix
- How long is The 24th Day?Propulsé par Alexa
Détails
Box-office
- Budget
- 1 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 14 460 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 001 $ US
- 16 mai 2004
- Brut – à l'échelle mondiale
- 14 460 $ US
- Durée
- 1h 32m(92 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1