Meurtre en équation

This is exactly what Hollywood does badly. Very Badly. Typically awful who-dunnit featuring more bluffs and double bluffs than you could shake a stick at. This movie is up there with horrendous plotless rambles like Copycat, Along Came A Spider and even Kiss the Girls. Horrendous in that it is possible to work out just about every plot detail in the first 25 minutes. The constant "twists" and "surprises" are tedious to say the least.

Don't get me wrong I like Sandra Bullock but when is she going to get a role that truly makes her shine. She seems to manage to choose the wrong movies time after time. I think she should maybe look to more comedy roles as I feel some of her best parts have been in films like Demolision Man and even last years Miss Congeniality wasn't too bad (ok it was was that bad but not as bad as Murder By Numbers).

Michael Pitt on the other hand is awesome. I saw him in Bully not so long ago in which he was fantastic and also last years Hedwig and the Angry Inch. He does evil particularly well. I think he could be destined for very great things.

And what the hell is Chris Penn doing in this tripe?! Nice guy Eddie is far better than this!

It was worth going to see this movie just for the guys walking around in the Slipknot costumes whenever they were going to murder someone.

On the whole this film was very poor, it scores only a ** out of ***** on the Meejoir-meter. But if Sandra Bullock is reading this, I still love you!

It's a swell thriller: a reasonably sophisticated plot, with some neat twists and turns, good camera work, and a kind of satisfactory ending. But just as with the murder story in question, the flaws become apparent at closer examination.

Most important, the characters are not sufficiently presented and explained. The deadly duet shows a very close relation, but not what keeps it so close. It would be easy enough to understand, if they were lovers. Then their quarrel over a girl also makes sense. Since they are not - as far as the movie shows us - their relation remains a mystery.

The same, to a lesser extent, is true about the detective duet. Bullock is not really able to convince with her tough exterior to hide inner wounds, although that should be easy for an actor of her experience, and her male colleague gets no room in the film to show us why he stands her, after what she puts him through the very first days they work together.

Although it's mainly a thriller, I guess this movie would have needed some additional efforts on the drama of it, the emotional processes included in it. Maybe it's all too logical - like numbers.

I definitely liked this movie, despite several flaws. The premise is fairly original (although Hitchcock's "Rope" inmediately comes to mind), the pace is fine, and the acting is overall great, with a 22-year old Ryan Gosling standing out in his multi-layered portrayal of the self-assured, manipulative, spoilt rich kid Richard. And in my opinion Sandra Bullock did a pretty convincing job (while watching her is by the way always a treat). I even liked the cliché shoot-out ending, it gave this otherwise low-on-action movie an exciting finale.

What did annoy me however, was the way Bullock's character detective Cassie Mayweather was written. Why this elaborate traumatic background?! It did not serve any purpose for the central story of the movie (the ordeal in her past being totally different from the crime that she now had to investigate) but did take lots of screentime. I guess it had to explain her cranky behavior, and maybe her apparent casual attitude to sex. But she was also pictured as a brilliant professional detective. So why this totally inappropriate sexual harrassment of her newbie partner? Or the innuendos of a sensual attraction towards her major crime-suspect?

It's a strange convention in so many crime-movies, that detectives on duty have to have some troublesome past or an addiction or a conflicting bad divorce or whatever, I always yawn when yet another one of these traumatized police-officers comes along. Either make it essential to the story, or leave it, I would say.

Anyway, as an interesting psychological portrayal of two young wannabe killers, and as an extended well-acted CSI episode, it made for an entertaining but slightly overlong two hours.

Richard Haywood (Ryan Gosling) is a wealthy and popular high school kid who befriends nerdy introvert Justin Pendleton (Michael Pitt). They plan out murders adding false forensics to baffle the police. They kill a woman to set up Richard's drug dealer janitor Ray Feathers (Chris Penn). Police detective Cassie Mayweather (Sandra Bullock) and her new partner Sam Kennedy (Ben Chaplin) investigate. They have a romantic relationship but it's not working out. She's the only one who suspects Richard and Justin, but nobody believes her. They then stage the janitor's suicide, and everybody wants to close the case. Justin is infatuated with fellow student Lisa Mills (Agnes Bruckner), but Richard sleeps with her. This and the fact that Cassie is closing in cause a rift in the partnership.

Director Barbet Schroeder isn't able to instill the proper amount of tension. There are just a few too many side stories. He needs to concentrate on the three leads. The romantic entangle with Ben Chaplin's character is a distraction. It just makes her look weak. I think she could be damaged, but not necessarily weak. Ryan Gosling puts in a good creepy performance. Michael Pitt is likewise creepy but in a different way. Ben Chaplin's character is the most normal and the most expendable. The movie generally could use more excitement or scary thrills.

I predicted too many things in this movie and the only thing that kept my interest were the two young actors playing teenagers. They seemed to have the stronger and by far, more interesting scenes. They definitely seemed to have more to do than our star, Sandra Bullock.

Bullock always plays this independent character that lives alone and has predictable "back story" issues. I would like to see her do something a little more challenging.

Not bad, just not great. 6/10