ÉVALUATION IMDb
6,0/10
51 k
MA NOTE
Un homme connu sous le nom de Diablo émerge à la tête d'un cartel de la drogue après l'emprisonnement du dirigeant précédent.Un homme connu sous le nom de Diablo émerge à la tête d'un cartel de la drogue après l'emprisonnement du dirigeant précédent.Un homme connu sous le nom de Diablo émerge à la tête d'un cartel de la drogue après l'emprisonnement du dirigeant précédent.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 1 nomination au total
Marco Rodríguez
- Hondo
- (as Marco Rodriguez)
Ben Hernandez Bray
- Assassin
- (as Ben Bray)
6,050.8K
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Avis en vedette
A Man Apart doesn't set itself apart from other vigilante movies
When I rate a movie or give my opinion of a movie, I try my best to compare it to other movies like it. For example, if it is a drama about family, I use other dramas about families as a benchmark. "A Man Apart" is definitely a vigilante film. Sean Vetter's (Vin Diesel) wife was murdered and he is out to find the killer. If you want a reference for a vigilante film, see just about any Charles Bronson movie, or some of the movies with Sylvester Stallone, Arnold Schwazzenegger, or Steven Segal. One of my personal favorite vigilante movies is the Denzel Washington starred "Man on Fire".
Comparatively, "A Man Apart" doesn't quite match up. Whether it was how the movie was done, or it was Vin Diesel, I didn't quite feel the pain of Sean when he lost his wife. This type of movie is dependent upon the drive of the main character and getting the audience to understand or feel that same drive. Sure, most of us would understand a man seeking revenge or justice for the wrongful death of his wife, but the character still has to have some type of charisma or believability. Vin Diesel is too one dimensional to show a wide range of emotions, and there weren't enough scenes showing the bond between Sean and his wife for me to be too upset when she was killed. In the end, the movie was about a vigilante seeking justice who I wanted to succeed, but I was still indifferent about.
Comparatively, "A Man Apart" doesn't quite match up. Whether it was how the movie was done, or it was Vin Diesel, I didn't quite feel the pain of Sean when he lost his wife. This type of movie is dependent upon the drive of the main character and getting the audience to understand or feel that same drive. Sure, most of us would understand a man seeking revenge or justice for the wrongful death of his wife, but the character still has to have some type of charisma or believability. Vin Diesel is too one dimensional to show a wide range of emotions, and there weren't enough scenes showing the bond between Sean and his wife for me to be too upset when she was killed. In the end, the movie was about a vigilante seeking justice who I wanted to succeed, but I was still indifferent about.
It's Narc meets XXX
This movie is alright for a gritty action film because it reminds me of the grittiness of Narc with the action sequences of XXX. The acting of Vin Diesel as a DEA agent is going out for revenge after his wife was murdered is good and alright and the acting Larenz Tate as his partner is alright as well.
Overall, I find this movie a good gritty action flick to entertain yourself any time.
Overall, I find this movie a good gritty action flick to entertain yourself any time.
Decent action film
Lately, i do not watch too many old-fashioned' action films like this. This has mostly to do with the fact that action films are somehow always the same. The only things that can make an action film decent are not too many corny scenes and some comedic elements. Take for instance Cradle 2 the Grave, which I saw a couple of weeks back. Now the action was pretty OK, there were some funny elements, but there were some stupid things as well (such as a corny ending). Or Bulletproof Monk, which was a bit corny overall. While A Man Apart is certainly not a good film, it is one of the better old school' action films I've seen lately. The acting is decent, there are no corny elements and there is a good mix of emotion / softness and action. The film might not be suited for the big screen, but it does well as a rental (BTW: the film was shot between 2000 and 2001 and got shelved at first). The film certainly has some interesting elements and is better than most of Seagal's or Van Damme's new films. I was not disappointed to have rented it.
6,75 out of 10
6,75 out of 10
Not spectacular, but pretty good
One of those films which I don't think the current IMDb score (5.4) actually captures.
It's a bit formulaic - ex-bad-boy super-DEA agent gets the bad guy, pays with the life of his nearest & dearest, and goes out for revenge. Even I saw the reveal at the end coming way-off (I rarely do), but I still really enjoyed this film.
I thought it was very well plotted and paced; Vin Diesel played it gruff, but mostly low-key (no huge sobbing moments, or tearful walks on the beach, which was refreshing). His character, along with that of his friend, were fleshed out into more-rounded human beings than the usual action hero & sidekick. The enemies were straight out of 'the Big Book Of Drug Dealers and Cartel lackeys', but Timothy Oliphant was amusing and well played, as ever (also a great turn in The Good Girl).
And I found the violence viscerally satisfying & gritty, without being seriously glorified, or venturing (too far) into Bad Boys style Hollywood explosions, helicopter gunships, LA car chases etc.
Most surprising of all (to me) is that Vin agreed to grow his hair out a little - as you would in an extended hospital stay - and roughen up his otherwise clean shaven / macho male model looks. Wandering around with the goatee, he reminded me more of the guy out of Cypress Hill.
Kudos also goes to the ending. It could have finished two scenes earlier than it did, but the tying up of loose ends wasn't done in an overly sentimental or triumphant way, which was similarly refreshing.
Good screenplay, good acting (in a pretty standard film like this), and mostly avoiding the really obvious clichés of plot & character. I really enjoyed it. On the scale of revenge movies - it's not as good as Mel Gibson's remake of Payback, or The Rock in the remake of Walking Tall. But it would hold its own alongside them in a collector's box set.
It's a bit formulaic - ex-bad-boy super-DEA agent gets the bad guy, pays with the life of his nearest & dearest, and goes out for revenge. Even I saw the reveal at the end coming way-off (I rarely do), but I still really enjoyed this film.
I thought it was very well plotted and paced; Vin Diesel played it gruff, but mostly low-key (no huge sobbing moments, or tearful walks on the beach, which was refreshing). His character, along with that of his friend, were fleshed out into more-rounded human beings than the usual action hero & sidekick. The enemies were straight out of 'the Big Book Of Drug Dealers and Cartel lackeys', but Timothy Oliphant was amusing and well played, as ever (also a great turn in The Good Girl).
And I found the violence viscerally satisfying & gritty, without being seriously glorified, or venturing (too far) into Bad Boys style Hollywood explosions, helicopter gunships, LA car chases etc.
Most surprising of all (to me) is that Vin agreed to grow his hair out a little - as you would in an extended hospital stay - and roughen up his otherwise clean shaven / macho male model looks. Wandering around with the goatee, he reminded me more of the guy out of Cypress Hill.
Kudos also goes to the ending. It could have finished two scenes earlier than it did, but the tying up of loose ends wasn't done in an overly sentimental or triumphant way, which was similarly refreshing.
Good screenplay, good acting (in a pretty standard film like this), and mostly avoiding the really obvious clichés of plot & character. I really enjoyed it. On the scale of revenge movies - it's not as good as Mel Gibson's remake of Payback, or The Rock in the remake of Walking Tall. But it would hold its own alongside them in a collector's box set.
Solid Action
I feel like this is a bit of an overlooked gem.
It doesn't try too hard and sticks to the game plan.
Fast paced action with a decent cast.
This movie isn't boring at all and has a good pace throughout. Middle of the road and somewhat forgettable, however holds strong even on multiple rewatches.
Toretto himself, as hard as always. Does his job perfectly and delivers his standard of acting, that doesn't exceed expectations.
This is a good time killer for a rainy day.
A good old shelf filler from the DVD glory days.
6 is a fair rating but it still packs a heavy punch.
Give it a chance......
It doesn't try too hard and sticks to the game plan.
Fast paced action with a decent cast.
This movie isn't boring at all and has a good pace throughout. Middle of the road and somewhat forgettable, however holds strong even on multiple rewatches.
Toretto himself, as hard as always. Does his job perfectly and delivers his standard of acting, that doesn't exceed expectations.
This is a good time killer for a rainy day.
A good old shelf filler from the DVD glory days.
6 is a fair rating but it still packs a heavy punch.
Give it a chance......
Le saviez-vous
- AnecdotesThe scene where Sean beats the dealer to death, was cut by seven seconds. The original scene featured the dealer spitting out teeth and bloody pieces from his cheek. The scene was cut, in order to get an R rating and not an NC-17.
- GaffesShadow of Camera is visible on Memo Lucero's taxi towards the beginning of the film.
- Citations
Sean Vetter: They call us down here. They take away our weapons? They expect us to go into a building full of drunken cartel gunmen unarmed? I mean, that isn't fun.
Ty Frost: You're not gettin' paid to have fun. Good luck, gentlemen.
- Bandes originalesJust Do It
Written by Ft, Richard Frierson and Keith Harris (as Keith Harris)
Performed by Ft (as FT)
Produced by YoungLord for YoungLord Music
Courtesy of Tru Criminal Records / New Line Productions, Inc. / Goliath Artists
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Détails
Box-office
- Budget
- 36 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 26 736 098 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 200 000 $ US
- 6 avr. 2003
- Brut – à l'échelle mondiale
- 44 350 926 $ US
- Durée
- 1h 49m(109 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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