Hendrix

who ever reviewed this should first know something about the subject. Could I Imagine Jimi saying dig it? are you insane have you ever recordings of the man. The interview sequence was almost verbatim to the actual interview.

Wood Harris did an excellent job as Jimi he was so believable I forgot he wasn't him. Thats called acting.

He must have spent weeks studying the moves mannerisms and speech of jimi.

And as far as the strumming being off. He is actually playing the right parts on Hey Joe and some other lead guitar jams. The only thing that was not copied exact is the Monterey guitar was the wrong color I feel this was due to licensing thing with Fender guitars as the headstock's also did not have a Fender Logo.

The performance of Wild Thing and the Star spangled Banner were spot on right down to the exact movements and stage clothes.

Whoever did the vocals did an excellent job also

The script may have been weak but for Hendrix fans it was magical to watch Wood Harris recreate the most revered guitar player of all time who was actually as much visual as he was musical.

My son and I played the actual Monterey performance right behind the Wood Harris performance and they are almost identical.

More movies should pay attention to detail and continuity.

I own the DVD and watch it a couple of times a year.

This is a movie that attempts to do nothing except exploit the Hendrix legend to make some money. It is a Walt Disney version of his life that tries to say as little as possible and offend as few as possible.

Jimi Hendrix was a very complex man who was a brilliant musician. I had the pleasure of seeing him perform in 1967. He was the only person I ever saw who could play lead guitar while singing simultaneously. Having said that, this movie I think is geared for people who were too young to remember him during his life. If you are old enough to remember Jimi Hendrix then this movie will have little appeal. A lot of ground is covered, but so very little time is spent on events that they become blurred and almost irrelevant. During the recording of "Electric Ladyland", one of the greatest rock albums ever by the way, the bassist becomes frustrated as accuses Jimi of treating him and the drummer as if they were groupies. Perhaps there was truth in that, but there was nothing in the film leading up to that scene that would have given evidence that this was so. This is but one example of the rush to cover too much ground.

All in all, this film is a cheap exploitation of Hendrix that might be useful as a history lesson for people under 40. But is is a fake history, so buyer beware.

everyone, hendrix's copywriters won't let the rights to any of his songs go to the movie makers, that is why the only songs you hear throughout the movie are covers (famous and excellent as they are). they CAN'T use his orig's, thats why they don't. this is also why the rumors of all these renditions of hendrix's biography (ie quentin Tarantino directing, andre 3000 or will smith acting) will probably not happen anytime soon. as you have been saying, his music is what was missing and that is part of what makes this movie under-par in some ways. Jimi was music, and his music was him. No music, and his biography is simply incomplete in a huge way.

I have been a huge Hendrix fan for many moons and I was prepared to hate this movie. And I did hate it. It glosses over many key points of his life and blows other avenues out of proportion (ie why emphasize the relationship with Fayne Pridgeon and not even touch on Devon Wilson?). This was like a "cliff notes" movie about a beautiful creative genius and it just reminds us of what the original managers did to Jimi when they insisted that he cut his songs down to under three minutes. And no offense to Wood Harris, but couldn't a better looking guy have been found?

As the joke goes...

Q. How many guitarists does it take to change a light bulb?

A. Five. One to screw it in, and 4 to say, "You suck."

Now as anyone could predict, when someone dares to portray the deservedly deified Jimi Hendrix, you're going to get the equivalent of the light bulb joke multiplied by thousands.

I'm not a guitarist, I'm a keyboard player. And while I have been known to hurl candelabras at TV screens when the actors don't play the piano right (like Ed Harris in "Copying Beethoven" yelling "B-flat! B-flat!" as he hits an F), I've mostly come to realize what most movie fans already know: actors are actors & musicians are musicians. Each should be respected for his or her particular craft being showcased.

Wood Harris does a fantastic job of staying true to the personality, quirks & mannerisms of the eccentric genius Jimi Hendrix. Jimi's gentle tone of voice, his boyish shyness in social situations, his signature laugh (a baritone "huh!") and even a lot of his stage moves, like the rapid fire over-the-neck pick slide, were recreated with an authenticity that tells me Wood must've studied as many old Hendrix clips as I have.

The story itself? Of course no one can encapsulate Hendrix in 90 minutes. What this biopic does is it avoids trying to be a narrative, and instead it gives us vignettes of who Hendrix was as a human being. In other words, you don't get a typical linear biography but rather, a series of short, almost disorienting scenes of Jimi giving an interview, interspersed with scenes of his life. With this presentation, we don't always get the whole picture of--for example, Jimi opening for the Monkees and getting drowned out by 16-year-old girls shouting "We want Davy!" and subsequently quitting the tour while, as a joke, a newspaper reporter floated the rumor that he was banned by the Daughters of the American Revolution for being too erotic--that's not in there. Instead we just catch a glimpse of his frustration at being marketed so poorly for the sake of a buck. And that's what the meat of this film is about: Jimi's constant struggle with managers & big money who kept undermining his growth as an artist.

If you watch this film, realize that that's the biggest conflict that Jimi had, and perhaps that's what ate him up. A rare musical visionary, he was never truly appreciated for what he wanted to do because the pop powers kept telling him to play shows and write 3 minute radio-friendly songs. Jimi wanted the opposite, and as the film notes, he sunk gobs of his profits into building Ladyland studios where he could indulge in 14-minute poetic masterpieces like "A Merman I should turn to be". This movie, I think, faithfully depicts that all-too-common battle between art & life. Few artists fought it as rebelliously as Mr. Hendrix.

While I enjoyed this film & the performance by Wood Harris, I have to dock it a bunch of points for a glaring oversight: it doesn't feature any of Jimi's music!! When I say "Jimi's music" I'm not talking about the great songs "Hey Joe", "All Along the Watchtower" & "Wild Thing" which are indeed in the film. But Jimi didn't write those songs. Since this movie focuses on Jimi the creative visionary, shouldn't they have featured a few of the songs he actually wrote? The only way we can hope to get into Jimi's mind is through his brooding masterpieces "The Wind Cries Mary", "Manic Depression", "Merman" ...what about "Little Wing"?

My guess is that it may have been some licensing problem, because really there's not a single songwriting credit to Jimi. So because of that, I drop this film from a solid 8 or 9 down to 7 stars. It's still very much worth watching, but it may leave you a bit unfulfilled. No worries, the best education is to listen to a Hendrix album.