Bangkok Dangerous

Bangkok Dangerous I felt was a very stylish, well acted film with themes and, to an extent, a plot that ran along the same lines as alternative assassin flick Leon. Bangkok dangerous forms its protagionist with character interactions but mostly by delving into how he became the cold killer he is through a series of flashbacks which are not integral to the plot or even shown fluently but integral to our understanding of this troubled soul. The camera work in this film is its pro and con, at certain points style, fluidity and technique are all concentrated together to make some memorable scenes whereas occasionally certain shots has failed to impress and look slightly amateurish. The relationships in this film could also have had more focus on them because instead what we have is a series of different characters stories when we should have one large companionship struck by fate, betrayal and love. Warning for anybody watching this soon, the music ranges from OK to terrible and frequently fails to match the action.

In conclusion: Pretty good, if actions you're thing then this is you're thing but you'll probably cry you're guts out anyway. Its still quite moving. Plot - 5 Plot Development - 7 Acting - 8 Style - 7 Music - 3 Action - 10 Average - 6.66 Stars

I thought it was actually a pretty superior 'hitman' film.

If you want full-on action in a style of early John Woo, then no, it is probably not perfect for you, but the directing is excellent, the character development is good, and the idea as original as any other.

I liked it, and liked the style particularly. It does borrow a lot from early Woo i guess, but it is borrowing and not stealing. There is enough originality of idea and of direction. The acting is pretty uniformly good as well. The critics in Toronto liked it too. (see awards and nominations)

Bangkok Dangerous is the story of a lonely mute who becomes a hit-man, partly to avenge himself upon the world that has alienated him. Only when he finds happiness does he realize the full horror of his life.

The film boasts some great performances, particularly by Pawalit Mongkolpisit as Kong, the main protagonist. His face is beautiful yet impassive, and his large eyes convey all the strangled emotions of a person unable to communicate with those around him.

There are many excellent moments to savour in this film, but the contrived way in which Kong's partner is forced out of retirement is ridiculous. However, despite the generic plot - which at times has a square-peg-round-hole forced feel to it - and the thoroughly predictable narrative progression, the film is actually pretty rewarding. It has a tender humanism at the centre, which gives the film real depth, and there are many moments worth savouring.

Score 7/10 (6 is too low, but 7's maybe a little too high)

This movie is like "Ghost Dog: The Way of the Samurai", in that they are both films where the anti-heroes are vicious professional killers, molded by the circumstances of their youth, both awakened to the possibility of love. But I liked Bangkok Dangerous much more, in that the grit seemed less contrived.

The reference to Charlie Chaplin is significant. In Thailand, Chaplin is revered even more than the French worship Jerry Lewis. To the Thai people, "The Little Tramp's" struggle against the domineering authority figures of his world is something that the average Thai relates to deeply. In Bangkok Dangerous, Kong, the killer, is a little guy buffetted by forces he doesn't fully understand -- but ultimately ones he fights back against.

Don't be too critical when watching this. Just settle back and enjoy it; and you will indeed.

I picked up this DVD because I've been to Bangkok couple of times, and wanted to see how the filmmakers Oxide and Danny Pang manage to capture the more sleazy side of the city, and combine it with gangster noir to come up with Bangkok Dangerous. I've heard about the movie, and was surprised that our National Library actually had this DVD in its collection.

Bangkok Dangerous tells the story of a deaf mute assassin Kong (Pawalit Mongkolpisit). His is a life of mission after mission, a cold and professional, though small time, killer. Growing up being bullied because of his disability, he finds work at a gun range as a cleaner, until he chances upon Joe (Pisek Intrakanchit) and his girlfriend Aom (Patharawarin Timkul). Kong learns his skills from Joe (in an excellent montage), and together, form a tag-team partnership.

During the course of work, Kong chances upon the beautiful Fon (Premsinee Ratanasopha) who works at a drugstore, and in between missions, he romances Fon, who doesn't shun him in spite of being a deaf mute. The killer has finally known what it is to develop feelings and to love.

However, if you live by the gun, chances are there will be those who are after you. Things change for the worse when Aom offends one of the gang's ranked member, and gets raped. Joe goes for revenge, but ultimately gets literally betrayed by the hand that feeds. Kong has to decide - to finish what had started and avenge his friends, or to try and begin life anew with the woman he loves, even after she has started to avoid him, knowing what he does for a living.

In a cosmopolitan city like Bangkok, this film manages to capture a kaleidoscope of colours, mood, and use various camera angles to its advantage. It contrasts the shady underworld and strip bars, and its pulsating music, with the silent, kind world of love that Kong for the first time experiences when he's with Fon.

It's a story of finding one's own morality when living in the midst of violence and sleaze, and the seeking of redemption from a life of sin.

Code 3 DVD extras: Filmography of filmmakers and inspiration for the film.