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The title sets up the one-joke punchline in this porn filler, notable only for the casting of mini-legend Carol Connors. Something Weird has kept it active on Vol. 52 of its Dragon Art Theatre series.
Busy porn thesp Marc Brock stars (uncredited) as Mark (spelling inferred), visiting Chicago with 2 pals, who has a phone number for Mary (Connors) and invites her to bring 2 friends over in an hour. When they arrive the next hour is the 6 performers having sex, with no preamble and even minimal small talk. It's that kind of 1-day wonder picture.
Surprisingly, the filmmaker signed this junk (Emilio Portici is his porn handle). I saw one of his films theatrically, the better-than-average THE EIGHTEEN CARAT VIRGIN, but MFH is strictly storefront filler.
Connors, looking prettier here than in her breakthrough film DEEP THROAT, is paired with a tattooed muscular guy, who I presume must be her husband Jack Birch. I watched her looking for a resemblance to duo's famous offspring Thora Birch, and fans of American BEAUTY will recognize a vague, staring-into-the-void manner of gaze that she might have inherited from her untalented parents. It's a druggy look, but I'm positing genetics instead.
This is another example of how selective memory elevates the early/mid-1970s to a so-called Golden Age amongst porn addicts. In fact there were hundreds of all-sex time-wasters like this film then, just as there are millions of all-sex videos produced in a more lucrative/porn-friendly current environment. The convenient cherry-picking of famous titles from the era and disregarding the 99.9% chaff surrounding them is akin to young mainstream film buffs who think the 21st Century is an exciting time for filmmaking, focusing on a handful of films by Nolan, Aronofsky, Fincher and the like amongst many thousands of unwatchable junkers, especially in the "indie" movement.
Latin/jazz score is effective backing the very monotonous sex visuals, and includes a nice rendition, heavy on the bass, of "Comin' Home Baby", written by jazz bassist Ben Tucker.
Busy porn thesp Marc Brock stars (uncredited) as Mark (spelling inferred), visiting Chicago with 2 pals, who has a phone number for Mary (Connors) and invites her to bring 2 friends over in an hour. When they arrive the next hour is the 6 performers having sex, with no preamble and even minimal small talk. It's that kind of 1-day wonder picture.
Surprisingly, the filmmaker signed this junk (Emilio Portici is his porn handle). I saw one of his films theatrically, the better-than-average THE EIGHTEEN CARAT VIRGIN, but MFH is strictly storefront filler.
Connors, looking prettier here than in her breakthrough film DEEP THROAT, is paired with a tattooed muscular guy, who I presume must be her husband Jack Birch. I watched her looking for a resemblance to duo's famous offspring Thora Birch, and fans of American BEAUTY will recognize a vague, staring-into-the-void manner of gaze that she might have inherited from her untalented parents. It's a druggy look, but I'm positing genetics instead.
This is another example of how selective memory elevates the early/mid-1970s to a so-called Golden Age amongst porn addicts. In fact there were hundreds of all-sex time-wasters like this film then, just as there are millions of all-sex videos produced in a more lucrative/porn-friendly current environment. The convenient cherry-picking of famous titles from the era and disregarding the 99.9% chaff surrounding them is akin to young mainstream film buffs who think the 21st Century is an exciting time for filmmaking, focusing on a handful of films by Nolan, Aronofsky, Fincher and the like amongst many thousands of unwatchable junkers, especially in the "indie" movement.
Latin/jazz score is effective backing the very monotonous sex visuals, and includes a nice rendition, heavy on the bass, of "Comin' Home Baby", written by jazz bassist Ben Tucker.
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