Une femme en fuite de la mafia est acceptée à contrecoeur dans une petite ville du Colorado. En échange, elle accepte de travailler pour eux. En fouillant la ville, elle découvre que leur so... Tout lireUne femme en fuite de la mafia est acceptée à contrecoeur dans une petite ville du Colorado. En échange, elle accepte de travailler pour eux. En fouillant la ville, elle découvre que leur soutien a un prix. Pourtant, son dangereux secret n'est jamais bien loin.Une femme en fuite de la mafia est acceptée à contrecoeur dans une petite ville du Colorado. En échange, elle accepte de travailler pour eux. En fouillant la ville, elle découvre que leur soutien a un prix. Pourtant, son dangereux secret n'est jamais bien loin.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 21 victoires et 33 nominations au total
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Avis en vedette
A Brilliant Movie Setting Concept with Skillfull Lead Actress
Dogville maybe the only one movie using unique setting and cinematography concept. With no walls, no boundary, the viewers could see so many social environment at one time, provoking every wild perspective. Some scenes taken with presice set piece of camera works. Because in this kind of cinematography concept, camera positioning is a key, but it successfully made it.
The lead actress is really flawless. Potraiting cold, calm, and mysterious character. The acting is really charming. Provoking human emotion such as sadness, lovable, lust, toughess, and anger. She has very broad skill of characterization of many human emotion.
Overall, Dogville is a unique and well-made movie with flawless performance of it's lead actress.
The lead actress is really flawless. Potraiting cold, calm, and mysterious character. The acting is really charming. Provoking human emotion such as sadness, lovable, lust, toughess, and anger. She has very broad skill of characterization of many human emotion.
Overall, Dogville is a unique and well-made movie with flawless performance of it's lead actress.
10so4
Incredible!!!
When I started the movie and realized that it isn't really a movie, that it is more like a play and that there is really a lack of props and scenery I thought to myself, My God, what the heck did I buy???? I'm a huge fan of Nicole Kidman and she is the reason I bought it in the first place. The movie (or play), whatever u might wanna call it, drew me in and I couldn't stop watching. The end is so powerful, I was speechless. That's one of the best movies I have seen in a long, long, long, long time. I don't agree with the Anti-American comments I read here in some of the comments. Human emotions are all the same all over the world and this movie could have played in any country. Anyway, go watch this movie it's soooo worth it.
Homo hominis lupus
I am no great fan of Lars von Trier's work but I like Melancholia and Dogville a lot. Dogville is a hard and deep look on human society and human behaviour, on moral and ethics.
Like the book Blindness by José Saramago, and the movie based on that book, it is not an easy watch, but a close, intense and realistic look on the shadow side of mankind.
On top, the method of stage acting like in a theatre adds some sense of advantgarde and extravaganza to Dogville, and makes this movie, with the theme, an exceptional piece of art.
On top, the method of stage acting like in a theatre adds some sense of advantgarde and extravaganza to Dogville, and makes this movie, with the theme, an exceptional piece of art.
Hard to digest, but great.
Tough. Once again Lars von Trier tortures the audience (as he did previously on Dancer in the Dark) by upraising the darkest side of the human being. From the beginning you know that things can only get worse, but I doubt that one can figure out neither what's to come nor the powerful conclusion. Nicole Kidman's interpretation is perfect - intense, poignant, passionate, you name it. She is fantastic and so is the small cast locked inside Dogville's scenario (a wonderful creation - I wonder how something so simple can bring such a strong effect). Again, the entire cast is fantastic and for that goes an extra credit for Lars von Trier. His capability of pushing actors to the limit and extracting painful emotions from them creates a heavy atmosphere, full of tension and, at the same time, so familiar. It is not that Dogville represents the essence of our communities, but it exposes some aspects of our lives that we prefer to hide under the carpet.
Are you shivering after seeing Dogville? I am.
This is probably the most shocking movie experience I've ever had, not only because of the emotional impact, but because this is truly a moral-horror movie that slapped me in the face.
The film is probably one of the best moral tales ever told, in which Nicole Kidman and all the supporting cast shined. Why did the makers try to make it look incomplete? Why haven't they used more sophisticated production set rather than some made-believe structures directly exposing the film studio's interior environment to you? I didn't get it at first, thinking this might just be another pretending piece of crap that tried to be "artistic".
However as the story proceeded, the whole thing started to make senses. Featuring some of the best character study I've ever seen, the story involved you into the adventure of Grace, the main protagonist who's supposed to be despised by us logically and naturally. Then, the audiences were forced into a game that the filmmakers keep you guessing what would happen the next, until the very end.
The ending, in my opinion, is the most shocking and frightening ending ever seen in a film. Dogville is by no means marketed as a horror movie, but if one believes himself/herself to have the moral high ground, he or she should stand the test the movie has given us. For me, I chose to live with all the miseries happened to Grace and play along just like every other character in the story, "sh!t happens" as they say. This, has not only put me in shame but also freaked me out at the end. Considering the potential spoilers I would caused, I'd suggest you go see it for yourself.
With superb acting, very well plotted story and a shocking message for senseless societies, Dogville is easily a masterpiece.
The film is probably one of the best moral tales ever told, in which Nicole Kidman and all the supporting cast shined. Why did the makers try to make it look incomplete? Why haven't they used more sophisticated production set rather than some made-believe structures directly exposing the film studio's interior environment to you? I didn't get it at first, thinking this might just be another pretending piece of crap that tried to be "artistic".
However as the story proceeded, the whole thing started to make senses. Featuring some of the best character study I've ever seen, the story involved you into the adventure of Grace, the main protagonist who's supposed to be despised by us logically and naturally. Then, the audiences were forced into a game that the filmmakers keep you guessing what would happen the next, until the very end.
The ending, in my opinion, is the most shocking and frightening ending ever seen in a film. Dogville is by no means marketed as a horror movie, but if one believes himself/herself to have the moral high ground, he or she should stand the test the movie has given us. For me, I chose to live with all the miseries happened to Grace and play along just like every other character in the story, "sh!t happens" as they say. This, has not only put me in shame but also freaked me out at the end. Considering the potential spoilers I would caused, I'd suggest you go see it for yourself.
With superb acting, very well plotted story and a shocking message for senseless societies, Dogville is easily a masterpiece.
Le saviez-vous
- AnecdotesPaul Bettany, who only took the part of Tom Edison after being convinced by friend Stellan Skarsgård, later called the making of this movie "hideous" and "a peculiarly unsatisfying experience, because Lars von Trier has no interest in you being any part of the cerebral process with him. You're absolutely his puppet." Despite still being a fan of von Trier's movies in general, Bettany has never watched this movie, and has no intention of ever doing so.
- GaffesJack refers to the steeple casting a shadow which touches the O of the store's open sign at exactly 5 PM each day. This would actually only occur on a few days each year, as the lengths and positions of shadows are constantly changing through the seasons.
- Générique farfeluClosing credits play over photographs depicting crime and poverty in the United States.
- Autres versionsThere are at least four distinct versions of the film in widespread distribution. Their lengths are: 1) 2h 58m. Known as the Theatrical, or Director's Cut, this is the primary version, the one in widest distribution and the one most viewers would be familiar with; 2) 2h 51m. This is the cut available on Mubi *(as of September 2025) and some DVD issues; 3) 2h 18m (Australia); This length may actually be the same as the "Italian" cut, with differences in PAL and NTSC frame rates accounting for the slightly different stated runtime; 4) 2h 15m. This is the specially prepared cut for distribution in Italy and some other countries and approved by director director Lars von Trier. It is often called The Assistant Director's Cut, since is was created by assistant director Anders Refn. In addition to these differing runtimes, the image on the screen itself varies, from Lions Gate's DVD (matted to 2.34:1), to Nordisk's, slightly wider at 2.36:1, and Concorde's (the most accurate) at 2.39:1).
- ConnexionsFeatured in Trier, Kidman og Cannes (2003)
- Bandes originalesYoung Americans
Written and Performed by David Bowie
Courtesy of RZO Music, Inc.
Published by Chrysalis Music Limited / EMI Music Publishing Limited / RZO Music Limited
[Played over end credits]
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Film 'Dogville' as Told in Nine Chapters and a Prologue
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 1 535 286 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 88 855 $ US
- 28 mars 2004
- Brut – à l'échelle mondiale
- 16 690 617 $ US
- Durée
- 2h 51m(171 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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