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IMDbPro

Ernest ou l'importance d'être constant

Titre original : The Importance of Being Earnest
  • 2002
  • PG
  • 1h 37m
ÉVALUATION IMDb
6,8/10
26 k
MA NOTE
Colin Firth, Rupert Everett, Reese Witherspoon, Judi Dench, and Frances O'Connor in Ernest ou l'importance d'être constant (2002)
Home Video Trailer from Miramax
Liretrailer1:37
1 vidéo
99+ photos
Drame d’époqueFarceComédieDrameRomance

Dans le Londres des années 1890, deux amis utilisent le même pseudonyme, « Ernest », pour leurs activités clandestines. Il en découle des situations cocasses.Dans le Londres des années 1890, deux amis utilisent le même pseudonyme, « Ernest », pour leurs activités clandestines. Il en découle des situations cocasses.Dans le Londres des années 1890, deux amis utilisent le même pseudonyme, « Ernest », pour leurs activités clandestines. Il en découle des situations cocasses.

  • Réalisation
    • Oliver Parker
  • Scénaristes
    • Oscar Wilde
    • Oliver Parker
  • Vedettes
    • Rupert Everett
    • Colin Firth
    • Frances O'Connor
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,8/10
    26 k
    MA NOTE
    • Réalisation
      • Oliver Parker
    • Scénaristes
      • Oscar Wilde
      • Oliver Parker
    • Vedettes
      • Rupert Everett
      • Colin Firth
      • Frances O'Connor
    • 165Commentaires d'utilisateurs
    • 92Commentaires de critiques
    • 60Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 2 victoires et 2 nominations au total

    Vidéos1

    The Importance of Being Ernest
    Trailer 1:37
    The Importance of Being Ernest

    Photos121

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    + 114
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    Distribution principale38

    Modifier
    Rupert Everett
    Rupert Everett
    • Algy
    Colin Firth
    Colin Firth
    • Jack
    Frances O'Connor
    Frances O'Connor
    • Gwendolen
    Reese Witherspoon
    Reese Witherspoon
    • Cecily
    Judi Dench
    Judi Dench
    • Lady Bracknell
    Tom Wilkinson
    Tom Wilkinson
    • Dr. Chasuble
    Anna Massey
    Anna Massey
    • Miss Prism
    Edward Fox
    Edward Fox
    • Lane
    Patrick Godfrey
    Patrick Godfrey
    • Merriman
    Charles Kay
    Charles Kay
    • Gribsby
    Cyril Shaps
    Cyril Shaps
    • Pew Opener
    Marsha Fitzalan
    Marsha Fitzalan
    • Dowager
    Finty Williams
    Finty Williams
    • Young Lady Bracknell
    Guy Bensley
    • Young Lord Bracknell
    Christina Robert
    • Duchess of Devonshire
    Kiera Chaplin
    Kiera Chaplin
    • Girl in Gambling Club
    Alexandra Kobi
    • Girl in Gambling Club
    Suzie Boyle
    • Dancer
    • Réalisation
      • Oliver Parker
    • Scénaristes
      • Oscar Wilde
      • Oliver Parker
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs165

    6,825.7K
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    Avis en vedette

    7Reb9

    A creative effort with some hits and some misses.

    The Importance of Being Earnest is one of the wittiest plays in the English language. I think I know it fairly well, having directed it once and performed in it once (Alegernon). Great plays cannot be forever preserved in Amber, never to change, always mounted in the same ways and subject to the same old readings. In this film the director has attempted to bring Wilde's wicked wit to a contemporary audience, many of whom have not been taught how to think. Did he go too far at time? By all means. I agree that even a free thinking Gwendolyn would never get a tattoo, particularly on her back side. Nor would Jack nee Earnest. Suggesting that Lady Bracknell had been plucked from the world of the music hall was totally wrong. Most of the other changes served Wilde very well however. Like Shakespeare, Oscar Wilde's writing can survive tinkering by the gifted as well as by hacks. This version is not the work of a hack. Go for it!!
    windspray

    A treat indeed!

    It is a rare treat when you go to the movies expecting not very much but walking away with so much more! After reading the reviews here as well as some professional reviews, I almost decided to pass this one by and what a pity it would have been. Sounds like my unfamiliarity with Wilde's play and the previous version of this movie was to my advantage. After all I could view this movie based on its own merits without any other comparisons getting in the way. What a glorious summer treat and a wonderfully fun vehicle to discover Oscar Wilde's hilarious play and for that matter Wilde in general. Couldn't have asked for a better audience to watch this with here in the South. They were enthusiastic, obviously familiar with Wilde, remained for the credits, and clapped at the end. Can't remember the last time that happened,can you? Again, what a lovely surprise this movie was with absolutely marvelous chemistry between Mr. Firth and Mr. Everett, a sweet supporting cast, not to mention the beautiful production values. After seeing the movie, I almost immediately hunted for the text of the play and read it straight through.
    8Cohi

    Great fun...

    I watched this with low expectations, but I was very pleasantly surprised! The whole film has an air of absurdity, but without quite crossing the line of impossibility. Everett and Firth are perfect and extremely watchable as Jack and Algie, while Reese Witherspoon is delightful as Cecily. I love the surreal sense as her daydreams pop up unexpectedly throughout the scenes. And of course Judi Dench is spot on and absolutely brilliant as Lady Bracknell.

    The film does vary somewhat from the original play (as seems to be what many people are complaining about) but I love the changes. The main differences seem to be quite simply the fact that in the film the conversations take place in different settings to the play, however this is because it is far easier to do this on screen than on stage, and it makes for far more interesting viewing in my opinion. As for the script it is, for the most part, almost word for word the same as the original.

    This is a wonderful, fun film that I would recommend anyone to watch for some light hearted amusement, just don't try to take it too seriously and you'll love it!
    misctidsandbits

    1952 version

    I agree that the '52 version captures the essence, and I think the delight, of the play. Add to the cast mentioned in the previous review Joan Greenwood, and you have even more delights occasioned by the unique players of the "original." And Margaret Rutherford.

    As long as I can see the former, I seldom prefer the latter. Some things should be left alone - definitely not re-invented.

    Any success in remakes seems to come from sticking to the original, just "fresh" players. If the old stuff works, why mess with it? Do something different along similar lines, but rename it. Don't change it all about and call it the same thing.

    When people like former versions (evidenced by initial AND enduring interest), they generally enjoy new (but TRUE) versions, if done half well.

    Personally, I enjoy newer versions that stay with what I liked in the first place, but deplore "updates," "modernizations" and "reinventions" which basically depart from what formerly delighted. It's just annoying.

    Do whatever you like, but don't call it by the same name. Create or refresh; don't despoil.

    One person's opinion.
    6ArizWldcat

    Witty and fun

    Films like this need to be more widely available. It was showing at one theater 45 miles from my house, but it was worth the drive to go and see it. The script was witty, and seemed to be fairly true to the Oscar Wilde play (at least a lot of the funniest lines were retained). What a great cast! Colin Firth and Rupert Evert were both wonderful as rogues. I loved the "fight" scene!! As did most of the others in the theater, as there was lots of laughter all around. Reese Witherspoon did a good job with her British accent, and she and Frances O'Connor were both a lot of fun to watch. Judi Dench was marvelous, as usual. I highly recommend this movie...it wasn't really deep or anything, just very funny!

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    Romance

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Finty Williams (Young Lady Bracknell) is the daughter of Dame Judi Dench (older Lady Bracknell).
    • Gaffes
      When Gwendolyn holds a match to light Cecily's cigarette, the cigarette is lit already. Also, Gwendolyn's match flame does not come close enough to the end of Cecily's cigarette to light it.
    • Citations

      Algy: Bunbury? He was quite *exploded*.

      Lady Bracknell: Exploded?

      Algy: [pretending sadness] Mm.

      Lady Bracknell: Was he the victim of some revolutionary outrage? I was not aware that Mr. Bunbury was interested in social legislation.

      Algy: My dear Aunt Augusta, I mean he was *found out*. The doctors found out that Bunbury could not live - that is what I mean - so Bunbury died.

      Lady Bracknell: He seems to have had great confidence in the opinion of his physicians.

    • Générique farfelu
      After the funeral for Bunbury, Colin Firth's Earnest is seen getting a tattoo of "Gwendolyn" on his posterior
    • Connexions
      Featured in Forever Ealing (2002)
    • Bandes originales
      Lady Come Down
      Music written by Charlie Mole

      Lyrics by Oscar Wilde

      Performed by Colin Firth and Rupert Everett

      Courtesy of Fragile Music Ltd.

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    • How long is The Importance of Being Earnest?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 juin 2002 (United States)
    • Pays d’origine
      • United Kingdom
      • United States
    • Sites officiels
      • Official Facebook
      • Official site
    • Langues
      • English
      • German
    • Aussi connu sous le nom de
      • The Importance of Being Earnest
    • Lieux de tournage
      • West Wycombe Park, West Wycombe, Buckinghamshire, Angleterre, Royaume-Uni(Jack Worthing's country estate in Hertfordshire)
    • sociétés de production
      • Miramax
      • Ealing Studios
      • UK Film Council
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 15 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 8 384 929 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 500 447 $ US
      • 27 mai 2002
    • Brut – à l'échelle mondiale
      • 18 009 625 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 37m(97 min)
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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