La vie de David Gale

Directed by the legendary Sir Alan Parker, this is the story of David Gale, a University of Texas professor of philosophy against capital punishment who is accused of murdering a fellow activist and is sent to death row.

Kevin Spacey and Laura Linney deliver great performances in the flashbacks. This movie is by far one of Spacey's strongest performances, he is always very subtle and insightful portraying David Gale. Laura Linney really makes a name for herself in this motion picture, she's as consistently complex and likable here as she is in "Primal Fear" and "You Can Count on Me". Kate Winslet, however, has problems in carefully crafting her character. She's called upon to cry about four or five times in this film and each time she does so, the action unfortunately rings more and more false. Other than that, she is average. Meanwhile, Gabriel Mann, Leon Rippy and Matt Craven also provide colorful backdrops to the story at hand with their credible supporting characters.

"The Life of David Gale" is a film that had a great opportunity to create controversy about the death penalty. Unfortunately, it is excessively underrated by critics, despite being nominated for the Human Rights Award from the Political Film Society and being present at the prestigious Berlin International Film Festival.

Sad and stunning. 8/10

This film is underrated. Sure, it's a cliche and a social commentary, however it's the storytelling that grabs the viewer. The narrative is fed slowly to the viewer, giving a small piece each time by a possibly unreliable narrator. This is the part to really watch for.

Kate Winslet is the real star of this film. Her ability to take a hard character and ultimately soften her is a difficult task. I admit it's hard to watch a Kevin Spacey film knowing what we do now, especially with the subject matter.

Although the film is considered a disappointment in terms of critical reviews and box office takings, it is worth a watch.

If you're a fan of Kevin Spacey's, you will not be let down by "The Life of David Gale." Do not read reviews. Do not watch stuff about it on television. Just go see it and experience it for yourself. It's not a perfect film by any stretch (as many, MANY critics have been pointing out), but it does grab you and it does deliver.

The Life of David Gale (2003)

Whether you are pro or anti death penalty, there's not getting past the sensational, brave, and maybe insane elements of this story. Based on fact about a death row inmate who had been famous as a death row protester, the core of the movie is how a young reporter (a convincing Kate Winslet) interviews the inmate (an equally convincing Kevin Spacey) in the days before his scheduled execution. We are gradually shown the backstory through their interviews, and another story builds as the reporter chases down new leads, including missing video evidence. Laura Linney plays an important third lead that starts to throw doubts into everyone's mind, including the audience's.

All of this sounds like a great movie should have come out of it: superb casting and acting, a great story with believable but astounding twists, and a nice tight framework, day by day, with methodical flashbacks. Instead the movie both tries too hard and fumbles some of the key moments. What is clearly dramatic is sometimes made over-dramatic (Winslet running and running and running, or words like "innocent" spinning across the screen between scenes). Other sensationalist add-ons make the movie cheap (seeing a chaingang neatly working along the road just as they drive by). And simple reactions aren't believable (they way characters respond to someone following them, or to other threats). This is important stuff for a movie trying to recreate the truth.

By my guess, the director is the key suspect, though he has a raft of successful films behind him, including the closest echo, Midnight Express (1978), which is about injustice and a prisoner who is extraordinary. But in all his films (that I've seen, which is quite a few, it turns out), there is a feeling of powerful story line carrying the day (Mississippi Burning, Birdy). Parker has also made a series of films tied to contemporary music, from Evita which is fair to The Commitments which is terrific fun, as well as The Wall, which might be his best film in all, though a difficult one. All of these films have a great setting, either musically or geographically.

Here we have only the dull backdrop of conservative Texas (if that's not redundant). And a blazing, heartwrenching story. Which is fair enough as a start. The Life of David Gale is a powerful morality tale, most of all, with some great acting, and many or most people watching will be glad they saw it. All those little flaws fade further and further as you get toward the end.

And then the end, the famous big final twist. That's memorable stuff. Wow.

Don't be put off by one movie critic's assessment (morally dishonest, no stars) of this film - he just didn't "get it." This character driven murder mystery is one of the decade's best! Definitely four stars!

The layered conflicts drive the story forward like a Mack truck careening down the side of a mountain, making the movie seem much shorter than its 130 minutes. Kevin Spacey's compelling portrayal of David Gale, a brilliant, principled man with more than his share of human flaws and bad luck, is excellent and is surely Oscar material.

The story begins four days before Gale's execution in a Texas prison. Gale is finally breaking his years of silence by agreeing to tell his side of the story to news-magazine reporter, Bitsey Bloom. Skeptical that this Death Row inmate is out to convince her, and the world, of his innocence, Bitsey takes the assignment expecting it to be a typical, no-brainer.

Gale's story is told in a series of tightly choreographed flashback sequences, each building in character, motive and momentum toward an exciting and most unexpected conclusion.

The story also puts a very fine point on the debate over the death penalty and gives its audience something to talk & think about on the way home.

Not since "Presumed Innocent" have I been so deliciously unable to predict an ending! It is a pleasure to leave the theater feeling completely happy about having invested the price of my ticket in this movie! It is two hours very well spent.