ÉVALUATION IMDb
5,7/10
8,3 k
MA NOTE
Ajouter une intrigue dans votre langueLiberty, the wife of a gun manufacturer, is held hostage at a hot dog stand by a sniper seeking revenge.Liberty, the wife of a gun manufacturer, is held hostage at a hot dog stand by a sniper seeking revenge.Liberty, the wife of a gun manufacturer, is held hostage at a hot dog stand by a sniper seeking revenge.
Gregory Calpakis
- Vince
- (as Greg Calpakis)
Roger Cross
- Officer Miller
- (as Roger R. Cross)
David James Lewis
- Businessman
- (as David Lewis)
Avis en vedette
"Liberty Stands Still" was the original phone-booth-style movie, actually coming out over a year before the much more popular film, "Phone Booth," did. "Liberty" premiered at the Palm Springs International Film Festival on January 18, 2002 and was released very soon thereafter. "Phone Booth," on the other hand, premiered at the Toronto Film Festival on September 10, 2002; got it's first US showing at the South By Southwest Film Fest on March 11, 2003; and and wasn't officially released to the US public until April 4th, 2003--well over a year after "Liberty Stands Still" played in theaters.
Who copied who? I don't know. All I know is that the idea for this type of 'phone booth' thriller movie first appeared to the public with "Liberty Stands Still" in early January, 2002 (maybe even a little before). Who knows when or with whom the idea originated? Maybe Joel Schumacher was sitting on the "Phone Booth" story for a decade before he started trying to get it made. But, as far as I can see, his film is likely to have copied "Liberty Stands Still," not the other way around.
If anyone knows otherwise or has evidence one way or the other, please post who first had the idea and your evidence for why you believe so. This is just a likely assumption. I don't know for sure.
Who copied who? I don't know. All I know is that the idea for this type of 'phone booth' thriller movie first appeared to the public with "Liberty Stands Still" in early January, 2002 (maybe even a little before). Who knows when or with whom the idea originated? Maybe Joel Schumacher was sitting on the "Phone Booth" story for a decade before he started trying to get it made. But, as far as I can see, his film is likely to have copied "Liberty Stands Still," not the other way around.
If anyone knows otherwise or has evidence one way or the other, please post who first had the idea and your evidence for why you believe so. This is just a likely assumption. I don't know for sure.
Linda Fiorentino (Liberty Wallace) an international arms dealer who sells to anyone...no questions asked. While out to meet her lover, she receives a phone-call; the sniper (Welsey Snipes) who she is talking to has her in his sights, and if she fails to do as she told, she will die; and if her phone goes dead she will detonate a bomb that will destroy a city block.
The idea is good, and a strong sense of tension is built up by the performances of Fiorentino and Snipes, but after a clever and intriguing build up the film does eventually fall flat. By the end you may feel that the film makers missed a good opportunity to both make a statement and make a cracking film.
6/10 If you like the concept - try phonebooth, it is better executed.
The idea is good, and a strong sense of tension is built up by the performances of Fiorentino and Snipes, but after a clever and intriguing build up the film does eventually fall flat. By the end you may feel that the film makers missed a good opportunity to both make a statement and make a cracking film.
6/10 If you like the concept - try phonebooth, it is better executed.
Kari Skogland's "Liberty Stands Still" kept reminding us of a similar film, Joel Schumacher's "Phone Booth". The clue for understanding what the director's message seems to be, is seen in the opening credits. We are shown part of the US Constitution. Ms. Skogland is preparing us for what will follow.
The only thing that doesn't make the film as suspenseful, as it could be, is the fact we know from the start who is behind the power rifle in a building overlooking the square where much of the action will take place. We don't believe, for one second, that Joe, could have prepared this caper that has placed two exploding devices in the theater, as well as in the hot dog stand. Wesley Snipes is only seen in closeups.
The other thing that doesn't make sense is to watch a cool Liberty Wallace, a woman who can die at any moment if Joe decides to put a bullet right smack in the red spot over her heart. The way Ms. Fiorentino plays this woman doesn't seem to add anything to the tense situation Ms. Skogland has prepared for us to see.
It's clear to see why this film went to video without showing in theaters, or if it did, it might have lasted a week, the most. As a video, or in cable, one is willing to take the chance. The film is not horrible, by any means, it shows a director who will do better in the future.
The only thing that doesn't make the film as suspenseful, as it could be, is the fact we know from the start who is behind the power rifle in a building overlooking the square where much of the action will take place. We don't believe, for one second, that Joe, could have prepared this caper that has placed two exploding devices in the theater, as well as in the hot dog stand. Wesley Snipes is only seen in closeups.
The other thing that doesn't make sense is to watch a cool Liberty Wallace, a woman who can die at any moment if Joe decides to put a bullet right smack in the red spot over her heart. The way Ms. Fiorentino plays this woman doesn't seem to add anything to the tense situation Ms. Skogland has prepared for us to see.
It's clear to see why this film went to video without showing in theaters, or if it did, it might have lasted a week, the most. As a video, or in cable, one is willing to take the chance. The film is not horrible, by any means, it shows a director who will do better in the future.
While this movie was mildly entertaining, there is a reason it went straight to video. Like phonebooth (but without the Colin Farrel nametag), it really lacked a strong plot. Depending on which way you saw each character, the movie could be pro or anti gun control - if you really look deep. You have a woman who runs a gun company and a psycho with a gun (obtained illegally as he has a criminal record) further gun control would not keep him from obtaining a gun.
The movie, while running the same "plot line" as Phonebooth, was not a ripoff of the movie, considering both came out the same year and, in fact, the production of Liberty started before Phonebooth was even cast.
The movie, while running the same "plot line" as Phonebooth, was not a ripoff of the movie, considering both came out the same year and, in fact, the production of Liberty started before Phonebooth was even cast.
This is it... The beginning of the end of Wesley Snipes. He has gone straight to video. He hadn't crossed into Seagal territory yet - at this stage of his career. But he did later. Trust me. The plot is about Liberty (Fiorentino) who is the wife of a gun manufacturer (Platt). She is held hostage outside, in a Los Angeles park, by Joe (Snipes) who is blaming his daughter's death on her.
How heavy-handed could this movie get? This is "subtlety" at it's worst. In a nutshell: "don't blame the person who pulled the trigger, blame the manufacturer." Besides that, the performances are strong. Snipes is always good. Fiorentino puts some energy into her role, but it still looks like she's sleepwalking. Overall, it's for Snipes fans only.
For more insanity, please visit: comeuppancereviews.com
How heavy-handed could this movie get? This is "subtlety" at it's worst. In a nutshell: "don't blame the person who pulled the trigger, blame the manufacturer." Besides that, the performances are strong. Snipes is always good. Fiorentino puts some energy into her role, but it still looks like she's sleepwalking. Overall, it's for Snipes fans only.
For more insanity, please visit: comeuppancereviews.com
Le saviez-vous
- AnecdotesOften compared to La cabine (2002). Although released in the same year this was actually previewed to the public a full 8 months before Phone Booth was.
- GaffesJoe's computer occasionally displays images of Liberty taken by a camera he has set up somewhere, presumably in his sniper's nest. But almost every shot from this camera is panning or tracking, and most are also obviously from a much lower angle than Joe's position. Some are actually looking up at Liberty from below.
- ConnexionsReferenced in Bad Movie Beatdown: Blade Trinity (2012)
- Bandes originalesCreatures
Performed by Carmen Rizzo
Written by Carmen Rizzo, Christina Calero, Ashley Slater and Joel Shearer
Published by Povi-Lu Music
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Liberty Stands Still
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 595 214 $ US
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