La tache

I honestly can not think of a single thing wrong with this movie. The actors are top rate actors that consistently turn in exceptional performances. This movie is no exception.

The plot is intriguing. The pasts of the main protagonists unfold, making their characters exceptionally deep. We get to see these characters evolve in interesting and compelling ways. There are shades-of-grey in these characters. We don't have the perfect hero. We have gentle people with kind hearts who make mistakes.

The direction is perfectly understated. There is a lot of nuance in the way the scenes are filmed and the way in which the actors are framed. Instead of the love scenes being the all-to-familiar humping and groaning, these scenes are filmed without graphic nudity. Note the way in which Anthony Hopkins places his hands on Nicole Kidman's back. It is so loving and tender and intimate.

Even the editing is right on. The length of the film, at 106 minutes, is the perfect length. There are no wasted scenes.

Some of the material is hard to watch. Note the posture and the facial expression on Anthony Hopkins in the kitchen scene in which Nicole Kidman is giving him a hard time. It is subtle and painful to watch.

If you are into light-hearted escapist film, this isn't for you. The subject matter is deep and difficult. I like these kinds of movies and this one is one of the best in class.

Kudos to all involved with this film.

I found this an excellent film.Hopkins and Kidman were superb in their character portrayal especially Kidman.My only qualm is that some of the story could be expanded such as when Kidman meets Hopkins and hit it off. Hopkins had been in her shop earlier and there didn't seem to any spark of love interest at that point............even in the car there seemed to be no real chemistry.I think their initial meeting should have been more intense as for the rest of the story to follow on. I also thought the part of the ex husband could have been beefed up to reflect his often violent tendencies to his ex wife. Overall i was mesmerised by the acting of both Kidman and Hopkins and the superb way the story line was gently weaved out as th film progressed.

Based on the superior book by Philip Roth, Anthony Hopkins gives an emotionally strong and convincing performance as the professor accused of a racist comment. The overwhelming consequence of this results in the death of his wife. Alone and embittered, he meets dowdy and troubled Nicole Kidman many years his junior and an unlikely unity is forged. What is grossly underwritten by this adaptation is Kidman's ex played by Ed Harris. Here he appears as nothing more than a sub-plot, when by the end he is anything but and therefore dissolves all tension and drama. Good performances throughout and the direction effortlessly combines the all-revealing flashbacks of the past to reveal the futility of the future.

This movie is based around the life of a classics professor (Coleman), who is currently living in a small New England town. He has harboured a dark secret for 50 years which slowly starts coming out and causes his life to unravel painfully. When he loses his job after being wrongfully charged of racism, his wife dies leaving this man who is near retirement, with nothing. He embarks on an affair with a young cleaning lady from the college which quickly turns into a relationship as they reveal intimate secrets to each other and finally find the release and trust they've each been searching for. I quite enjoyed this movie – there was some excellent acting from some top actors, and the sense of intrigue and suspense was maintained throughout. The characters were well-written and the complexities which lingered within their personalities original yet believable. There were moments where I held my breath waiting for the tension to subside and others where I found myself wishing that everything could work out nicely for the people in this story, and remove the arguments and misunderstandings which threatened to ruin what good things they had. It is a truly great movie which can inspire this level of emotion in its audience. The main downside was the fact that it did not seem to flow very well between flashback sequences and the present. Of course I could clearly make out which scenes were of a younger Coleman and memories of the past, however at times failed to recognise their significance at that particular point. It may have been a better idea to insert several shorter flashback clips instead of the lengthy scenes used so that the connection with the present was not lost. There were also sections where the story lagged slightly and I questioned the need for these scenes. In some parts the use of visual without dialogue was extremely effective, but in other parts I felt that the scenes existed solely for the sake of art. In particular, scenes such as the lingering shot of Coleman cradling his wife as she died, froze time and really made me feel the incredible and very sudden loss he suffered. But in comparison, a sequence where the professor's young lady is dancing erotically for him seemed clumsily done as I felt it existed purely for the sake of displaying a sex scene. It did not have the effect of deepening our understanding of the emotions the two main characters felt, which I think it should have done. I was amazed at the end when the terrible secret was revealed through the investigations of a writer who the professor had befriended. To me it would seem wrong to live such a deception your entire life but the movie helped me to understand the character's motives and how he felt that he had no other choice. I was left feeling saddened that someone would have to deny their heritage to such an extent in order to achieve their goals. While it takes a bit of patience to get through the movie (which could have been 20mins shorter), I would highly recommend this movie to anyone. With any luck the more people who watch this movie, the more open-minded society will become and hopefully this type of prejudice will disappear.

I wished for more from Nicole Kidman after her good performance in Moulin Rouge, but she is stuck in a rut. It is incomprehensible that she won an Oscar for her performance in The Hours, as all she did was smoke cigarettes and brood while wearing a false nose. In The Human Stain, she again smokes cigarettes and broods, this time with dirty fingernails.

Anthony Hopkins did a good job of playing a man riddled by angst, but his misery seemed to stem from his being in the movie, rather than from being in character. Gary Senise, an enjoyable actor, was stiff and terrified-looking. Ed Harris was typically brilliant.

The interesting part of the movie is the story of a young black man growing up in the 1940's and "passing" for white. The actors playing his family were wonderful, and the insights offered were moving and human. It is a shame that part of the story was not lifted out and made into a movie of its own. It would have been better for us all.