Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.
- Réalisation
- Scénaristes
- Vedettes
- Nommé pour 4 oscars
- 76 victoires et 50 nominations au total
Leandro Firmino
- Zé Pequeno
- (as Leandro Firmino da Hora)
Michel Gomes
- Bené Criança
- (as Michel De Souza Gomes)
Kiko Marques
- Cabeção
- (as Maurício Marques)
8,6857.8K
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Sommaire
Reviewers say 'City of God' is lauded for its gritty realism, powerful storytelling, and innovative cinematography, often drawing comparisons to 'Goodfellas' and 'Pulp Fiction'. The film is celebrated for its complex characters, compelling narrative, and raw depiction of Rio de Janeiro's favelas. However, some find the violence excessive and the script lacking depth. The use of non-professional actors and unflinching portrayal of poverty and crime are both praised and criticized. Pacing and length are also points of contention.
Avis en vedette
City of God was Incredible
I knew nothing of this film before I saw it by chance in a rare Pub open screening, but boy was I glad I got the chance to take a look. I was riveted all night - I completely ignored my friends! I thought it was an awesome re-enactment of a true story - powerful, moving, raw, real - and even funny in parts. I walked away afterwards, beaming. It's rare a great film like this is made, especially these days. I gave it ten out of ten. Please see it if you can.
Raw and cult film
I agree with the other positive reviews here. I just saw this again after 15 years - still far exceeds anything made today when it comes to struggles of troubled youth in urban slums plagued by drugs and violence. So raw. So shocking to the system. Highly recommended!
The Godfather of Rio
Li'l Zé and his gang is having fun chasing a runaway chicken in a Rio favela called the Cidade de Deus "City of God". The chicken comes to Rocket with his camera. Then flashbacks to the 60s tell the story of Rocket who becomes the photographer of his friends. Li'l Zé and his best friend Benny grow up to be the crime boss of the city. There's Carrot who is a criminal leader tolerated by Benny and there's Knockout Ned who turned away from crime.
It is truly a new Godfather. It is the harsh brutality of the slums. It's the randomness of the world. It beats with a human heart. It's a little messy. It's visceral. The kids are played by kids. The criminals are remorseless. The amateur actors are authentic. The cinematography is terrific. The location can't get more real. It is a new crime masterpiece.
It is truly a new Godfather. It is the harsh brutality of the slums. It's the randomness of the world. It beats with a human heart. It's a little messy. It's visceral. The kids are played by kids. The criminals are remorseless. The amateur actors are authentic. The cinematography is terrific. The location can't get more real. It is a new crime masterpiece.
One of the best unseen foreign films
I have seen this movie only recently (2005) and it's easily one of the better foreign films I have seen. Actually, it's probably just about one of the best films I had ever seen.
The characters really make this movie come alive with each of their compelling personalities shining though in the backdrop of oppressive conditions and constant violence. One thing which clearly comes to mind is "Lil' Dice's" ear to ear smile - so vivid and yet so ironic since he personifies pure evil.
The City of God is a world you don't want to visit, it won't be featured on a post card, and it's said to be the city ignored by god himself. This movie makes you feel uncomfortable, puts you on the edge of your seat -- you are right into the middle of the City and you too are caught up in it's violent temptation. More importantly, it's about the triumph of the human spirit against all odds.
This movie in effect is fast paced and hard to follow (with the added stress of subtitles over Portuguese), but it's worth it; and in fact really adds to the impetuous and impulsive undertones of the movie. In addition, the quintessential Brazilian music blending into the film like a well made Caprahina makes it feel authentic like the Italian music in the God Father.
You see the flaws of these men played out in an almost fatalistic nature -- hated, greed, futility; and in it all we see ourselves, our own flaws, and our own condition.
The characters really make this movie come alive with each of their compelling personalities shining though in the backdrop of oppressive conditions and constant violence. One thing which clearly comes to mind is "Lil' Dice's" ear to ear smile - so vivid and yet so ironic since he personifies pure evil.
The City of God is a world you don't want to visit, it won't be featured on a post card, and it's said to be the city ignored by god himself. This movie makes you feel uncomfortable, puts you on the edge of your seat -- you are right into the middle of the City and you too are caught up in it's violent temptation. More importantly, it's about the triumph of the human spirit against all odds.
This movie in effect is fast paced and hard to follow (with the added stress of subtitles over Portuguese), but it's worth it; and in fact really adds to the impetuous and impulsive undertones of the movie. In addition, the quintessential Brazilian music blending into the film like a well made Caprahina makes it feel authentic like the Italian music in the God Father.
You see the flaws of these men played out in an almost fatalistic nature -- hated, greed, futility; and in it all we see ourselves, our own flaws, and our own condition.
One of my top 10
I have made an effort to watch all the movies in IMDb's top 100 rated list. As of now, I'm looking for a place where the DVD for Sunset Blvd. is (currently at #30). But this movie is one of the movies I've seen that's on the list. And I find it an amazing film (currently #5 on my top 10 list). What I enjoy about this film is the visual look of the film, but also the way the director puts you in the story. At the end of the film you have become friends with just about everyone in the film, even though some of the characters are very despicable people. The violence hits you in the chest like a load of bricks sometimes, especially when you recognize that many of the kids involved in the violence are right around 10 or 11, but you also realize that this reflects the culture of the slum these kids live in.
Gangster films always seem to make for good dramas (e.g. the Godfather, Goodfellas), where the culture of evil almost always triumphs as the dominant character. This film is no different, but it shows the life of children in places where bribery and corruption reigns supreme. It also shows the bravery of many of these people when even the government won't stick up for them.
If you're thinking of starting to watch some foreign language films, this is a good place to start. It is a classic IMO among films made in languages besides English. I did find that the subtitles in this film were done rather poorly (they displayed on my DVD player at the wrong times and it took a few plays to figure out who was saying what.) But I think the film itself is a truly great film.
Gangster films always seem to make for good dramas (e.g. the Godfather, Goodfellas), where the culture of evil almost always triumphs as the dominant character. This film is no different, but it shows the life of children in places where bribery and corruption reigns supreme. It also shows the bravery of many of these people when even the government won't stick up for them.
If you're thinking of starting to watch some foreign language films, this is a good place to start. It is a classic IMO among films made in languages besides English. I did find that the subtitles in this film were done rather poorly (they displayed on my DVD player at the wrong times and it took a few plays to figure out who was saying what.) But I think the film itself is a truly great film.
Le saviez-vous
- AnecdotesWhen we hear Buscapé (Alexandre Rodrigues) talking to Marina (Graziella Moretto) about how "he never took a hot bath", that was not scripted. Actually, that was Rodrigues and Moretto talking off camera, during a pause in the shooting, when the boy (who lived on the slums) was telling her about his life.
- GaffesZé Pequeno is taken into custody by the police, Buscapé runs after the police truck. The Police truck passes by a late - model Chevrolet S10, black, circa 2001. The movie is set in the seventies.
- Générique farfeluThe closing credits shows pictures of the main actors, their name, their character's name and pictures of the real life characters (for the ones based on existing people).
- Autres versionsThe Indian Censor Board nonsensically deleted the visuals of frontal nudity in the motel scene and the dialogue of a woman talking about her sexual experiences for an 'A' (adults) rating.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- Bandes originalesAlvorada
Written by Cartola / Carlos Cachaça / Hermínio Bello de Carvalho (as Hermínio B. Carvalho)
Performed by Cartola
Peer Music do Brasil Edições Musicais Ltda
Licensed by EMI Music Ltda
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- City of God
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 300 000 R$ (estimation)
- Brut – États-Unis et Canada
- 7 564 459 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 88 292 $ US
- 19 janv. 2003
- Brut – à l'échelle mondiale
- 30 685 656 $ US
- Durée
- 2h 10m(130 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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