Let No Man Put Asunder

1912

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King Baggot, William Robert Daly, Edith Haldeman, Violet Horner, and Joe Moore in Let No Man Put Asunder (1912)

Ajouter une intrigue dans votre langueDrink is fastening its arms around Frank Downing. He has broken promise after promise made to his wife to reform and she in despair appeals to a friend, who endeavors to persuade her to leav... Tout lireDrink is fastening its arms around Frank Downing. He has broken promise after promise made to his wife to reform and she in despair appeals to a friend, who endeavors to persuade her to leave and accept a position as teacher in the village school in a distant part of the state. O... Tout lireDrink is fastening its arms around Frank Downing. He has broken promise after promise made to his wife to reform and she in despair appeals to a friend, who endeavors to persuade her to leave and accept a position as teacher in the village school in a distant part of the state. One night Downing comes home helpless, having spent his week's wages on drink, and there is... Tout lire

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1Commentaire d'utilisateur

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Photos1

Rôles principaux5

Modifier

King Baggot

John Stevens - The Good Man

William Robert Daly

Frank Downing - The Reformed Worker
(as William R. Daly)

Violet Horner

Edna - Frank's Wife

Joe Moore

Tommy Downing - Their Son
(as Joseph Moore)

Edith Haldeman

Doris Stevens - John's Daughter
(as Edith Halderman)

Commentaires des utilisateurs1

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deickemeyer

No love story with divorce playing so prominent a part could be at all romantic

A story of married life in which the husband and father is a drunken sot. The wife leaves him and gets a divorce. In the meantime, the man who has fallen in love with her meets and helps her former husband to reform, but doesn't know who he is. She finds him a decent man when she comes back, and, because of the child, they are re-united in spite of everything. It isn't a very emotional picture; no love story with divorce playing so prominent a part could be at all romantic. It is romance that gives power to stories of love. Divorce stories might be powerful as psychological studies and, as such, this is very interesting, although it is so written that the interest lies almost wholly in the plot. The acting and the players are very praiseworthy; the scenes are very good, and they are well photographed. - The Moving Picture World, June 22, 1912