The Company

If you're a devoted fan of ballet or modern dance, you'll enjoy "The Company." Neve Campbell is Ry, a young ballerina and the focal point of the movie, which is an almost documentary-like portrayal of a professional ballet company preparing for and delivering spectacular dance performances in Chicago. Campbell is a former professional dancer, so she brings authenticity to her performance. However, despite the casting of Malcolm McDowell as an authoritarian, acid-tongued company director to provide a potential source of dramatic conflict with Campbell's character, there's very little story or dialogue in the whole film. Some of the dialogue is so quiet and natural that you can't really make it out. Directed by the great Robert Altman, "The Company" focuses mostly on dance performances and grueling practices, with a few cliches thrown in (the dancers' struggles to win roles, please the choreographer and make ends meet financially). It all looks very realistic and beautiful, and the drama is only in the dance. There's a sweet, slight love story for Ry and her equally hard-working chef beau, played by James Franco. So enjoy "The Company" on a quiet evening, glass of wine in hand, if you love to watch good dance performances, but not if you want dialogue or plot. Still, kudos to Neve Campbell for getting such a tasteful, lovely, non-commercial movie made.

I'm no dance critic, but. . . I was very disappointed with the choice of "The Blue Snake" as the ultimate and climactic "number" in "The Company". To me, it really stood out as the least interesting and most cliched of all the dances in the film. Those outrageous costumes! That "Ice Capades" choreography! Altman & Co. really ought to have chosen a piece that would have shown the Joffrey's more adventuresome side.

I went into this film knowing that it was a "dance movie" with minimal storyline, and I was still disappointed. It's not a good sign when I start looking at my watch halfway through a film. It doesn't bother me that a "dance film" eschews the Melodrama of "The Turning Point" or "A Chorus Line." But "The Company" also eschews Interest! There was basically nothing to "hang onto" outside the dance sequences. Only Ry (Neve Campbell's character) was given any appreciable screentime, and aside from a few quiet moments, she wasn't given very much to do.

Okay, I admit that I liked one dramatic scene a lot: a flirtatious moment between Ry and Josh - the chef who looks like a male model - which takes place in a dive bar. There should have been more scenes like that.

I rate the film a 6 - dramatically disappointing, while the quality of the dance sequences varies from sublime to ridiculous.

I love movies about dancers, but usually my favorites are a bit more sugarcoated than The Company. This one was a very refreshing change as it portrays dancers in a ballet company so realistically it feels like a documentary. Most of the actors are real dancers, and they don't act like there's a camera following them around. There are long scenes of rehearsals with bickering, silences followed by interrupted dialogue, mumbling, and dead time while we watch men and women stretching or putting on their shoes. If that sounds boring to you, stick with the Step Up franchise.

I really enjoyed The Company because of the realism. I knew Neve Campbell came from a ballet background, and I was very excited to see her showing off her hidden talents. James Franco does not, unfortunately, strap on a pair of flats and join in on the fun; instead he's Neve's boyfriend in the few scenes that show her enjoying her down time. Malcom MacDowell is the company director, and he's very believable as a passionate, demanding choreographer.

There's a scene that has stayed with me through the years: while rehearsing on stage as the performance grows nearer, a dreadful snap is heard, and one of the dancers collapses and cradles her leg. It's not drawn out dramatically or showcased in a closeup, and because of the lack of special attention, it feels so much more real and accidental. If you like ballet documentaries, or you really appreciate realism to the point of boredom, you might want to check out this movie.

Some of the dances are tiny religious experiences. The film doesn't look nearly as good as some of Altman's others, but there are flashes of awesome beauty: a topless male dancer alone in a room with golden beams of light, and Neve Campbell in her bath. The movie looks at the queeny pretensions of the boys (and their fathers), the dancers' sex lives (who are more '60s than their instructor knows), and the company leader, played by Malcolm McDowell, whose occasional flakiness is caught by one black dancer. I couldn't help but think of McDowell as an Altman self-criticism: an elderly director working with small budgets, prone to artiness, who champions art as being organic, who rounds up a large crew of performers and calls them "babies." The day-in-the-life shapelessness of the movie didn't at all bother me, though one character, who asks to stay in a dancer's apartment, is dropped pretty quickly. And James Franco is in it. 9/10

George, what I think you meant to say was that you are actually a thick-headed mocho-man who has NO appreciation for the arts whatsoever. If you did, you'd understand that the ballet dancing in this movie was beautiful, and entitled a lot of hard work on the dancers' part. I've danced since I was three, and have met many male dancers along the way, and, to inform you, NOT ONE OF THEM WAS GAY! I'm a STRAIGHT female who has dated a male dancer before. Assumptions like that are completely childish. THe acting, dancing, setting, and costumes in this movie were wonderful. If you can't even appreciate fine movie-making, then you are surely at a loss. Even if you would rather be watching sports, which I completely understand, most men would, that's fine: however, it doesn't give you the right to judge an a form of art that you abviously don't understand.