ÉVALUATION IMDb
6,0/10
43 k
MA NOTE
Arthur, 10 ans, dans le but de sauver la maison de son grand-père de la démolition, part à la recherche d'un trésor caché très légendaire au pays des Minimoys, des personnes minuscules vivan... Tout lireArthur, 10 ans, dans le but de sauver la maison de son grand-père de la démolition, part à la recherche d'un trésor caché très légendaire au pays des Minimoys, des personnes minuscules vivant en harmonie avec la nature.Arthur, 10 ans, dans le but de sauver la maison de son grand-père de la démolition, part à la recherche d'un trésor caché très légendaire au pays des Minimoys, des personnes minuscules vivant en harmonie avec la nature.
- Prix
- 1 victoire et 4 nominations au total
Madonna
- Princess Selenia
- (English version)
- (voice)
Ron Crawford
- Archibald
- (English version)
- (voice)
Lee Delong
- Saleslady
- (as Lee de Long)
Jerry Di Giacomo
- Repairman
- (voice)
Avis en vedette
If you're seeing this with your kids, my opinion is to ignore this review. However, watching as an adult, I found this movie annoying. The character and plot development at the beginning of the movie is first-rate. It's only after Arthur descends into the world of the Minimoys that the movie also descends in quality. At that point, the plot gives the characters only 36 hours to complete their mission. For whatever reason, director Besson goes into speed-reading mode with the plot. Mentally, I kept saying to myself "what just happened?" as scenes come and go like you're flipping through a magazine. Correspondingly, the character relationships lack depth - most importantly for me, how does the Princess go from barely tolerating Arthur to my-god-he's-my-soul-mate? Personally, I also found the celebrity voices intruded upon the characters - I kept picturing Madonna and Bowie talking to each other rather than the story's actors. As with previous Besson movies, the scenery is not just eye candy but integral to his story-telling style so he does not disappoint there. This is a good movie to see with children and I have no complaints there.
Every now and then it's nice to be reminded of the power of the imagination; of what it was like as children to escape to other worlds and embark on remarkable adventures. Luc Besson's Arthur and the Invisibles does just that and does it brilliantly with a mix of stunningly shot live action and wonderfully crafted, sometimes breath-taking CGI animation. It's a story which echoes, and affectionately pays homage to, many of the very best Children's stories. Stories such as The Sword in the Stone, Alice in Wonderland and The Borrowers.
The tale's young hero, Arthur, is battling to save his grandparents' home from the clutches of real estate developers. His grandfather is missing, but handily he's left the boy a series of clues to a hidden treasure trove which, if it's found, could be used to pay off the money- grubbing developers. But this is no straight-forward, stroll in the park search. In trying to find the haul Arthur must unlock the passageway to an underground world populated by curious, minute creatures. The home of these "invisibles" is also in peril: in their case, because of a malevolent wizard. So, joining forces with an almost improbably beautiful princess, Arthur sets off on his perilous mission.
The cast list reads like a Hollywood Who's Who. Robert de Niro, Harvey Keitel, Madonna and Mia Farrow all feature. But it's the young lead who really takes centre stage. Freddie Highmore was Charlie in Tim Burton's Charlie and the Chocolate Factory. It was a role he played well but I fully expected him, as with a plethora of child actors, to then disappear into fresh air. But Highmore comes alive in this movie; both when we see him in the flesh, and when he's voicing his animated incarnation. Besides Highmore, Mia Farrow, as Arthur's scatty grandmother, is utterly charming and David Bowie makes for a very creepy, yet nicely understated, evil wizard Maltazard. The look of Maltazard's henchmen exemplify the darker side of Luc Besson's previous work but their idiocy prevents them being too terrifying for smaller children.
The film isn't flawless. Jimmy Fallon's Betameche, while surely popular with the film's younger viewers, at times borders on the unbearably annoying; while the casting of forty- eight year old Madonna as Princess Selenia seems a little odd. Her performance is perfectly adequate, but in effect she spends most of the time flirting with a schoolchild. Strange.
But the gems in Arthur and the Invisibles far outshine any minor negatives. Mixing live action with CGI could quite easily look messy and unconvincing but, quite simply, it works and while there's always a danger of such a tale descending into saccharine sludge, thankfully that doesn't happen. Arthur's quest is a joy to follow; it deserves to be anything but invisible.
The tale's young hero, Arthur, is battling to save his grandparents' home from the clutches of real estate developers. His grandfather is missing, but handily he's left the boy a series of clues to a hidden treasure trove which, if it's found, could be used to pay off the money- grubbing developers. But this is no straight-forward, stroll in the park search. In trying to find the haul Arthur must unlock the passageway to an underground world populated by curious, minute creatures. The home of these "invisibles" is also in peril: in their case, because of a malevolent wizard. So, joining forces with an almost improbably beautiful princess, Arthur sets off on his perilous mission.
The cast list reads like a Hollywood Who's Who. Robert de Niro, Harvey Keitel, Madonna and Mia Farrow all feature. But it's the young lead who really takes centre stage. Freddie Highmore was Charlie in Tim Burton's Charlie and the Chocolate Factory. It was a role he played well but I fully expected him, as with a plethora of child actors, to then disappear into fresh air. But Highmore comes alive in this movie; both when we see him in the flesh, and when he's voicing his animated incarnation. Besides Highmore, Mia Farrow, as Arthur's scatty grandmother, is utterly charming and David Bowie makes for a very creepy, yet nicely understated, evil wizard Maltazard. The look of Maltazard's henchmen exemplify the darker side of Luc Besson's previous work but their idiocy prevents them being too terrifying for smaller children.
The film isn't flawless. Jimmy Fallon's Betameche, while surely popular with the film's younger viewers, at times borders on the unbearably annoying; while the casting of forty- eight year old Madonna as Princess Selenia seems a little odd. Her performance is perfectly adequate, but in effect she spends most of the time flirting with a schoolchild. Strange.
But the gems in Arthur and the Invisibles far outshine any minor negatives. Mixing live action with CGI could quite easily look messy and unconvincing but, quite simply, it works and while there's always a danger of such a tale descending into saccharine sludge, thankfully that doesn't happen. Arthur's quest is a joy to follow; it deserves to be anything but invisible.
The movie in the theater was wonderful...however now we have watched the DVD and the children are quite disappointed as many of the funny scenes have been cut out...this is the first time I have seen this happen. For example the two kisses between Arthur and Selinia...the dance with Max...when the parents are digging for the treasure...the part where the buyer tries to steal the treasure....the part where the coconut breaks and Arthur asks Selinia for the string on her top for him to climb...when they were almost kissing and Selinia's brother said she had to wait for the next ten years....when they are sleeping in the flower and Selinia wakes Arthur has his arm around her...these are just a few of the scenes the children have noticed on our first viewing.
That is personal opinion of course. There are things to admire about Arthur and the Invisibles but the flaws that are brought up by those who didn't like the film are valid. The best thing is the animation, which is great, with lots of beautiful colours(bright and colourful as well as dark and foreboding) and detail. The music fits very well too, the fantasy elements sparkle and the adventure ones rouse while it is also in a style accessible to the target audience(family). The action sequences are reasonably fun, exciting and well and inventively animated, if a few too many, the film's lessons and messages are good and don't feel preachy, and there are a few amusing and sweet moments, the grandfather's journal was a beautiful touch. Most of the voice acting/acting is commendable, faring best are a very likable Freddie Highmore and a sinister yet suave David Bowie. Chazz Palminteri and Jason Bateman shine in bit roles, and Snoop Dog is hilarious. In the live action parts Mia Farrow is appropriately kindly and compassionate. Robert De Niro is quite good also though deserving of more to do. Not all the acting is entirely successful, Jimmy Fallon is annoying and Madonna trying to sound younger than she actually is takes some getting used to. Harvey Keitel is pretty wasted in an underwritten role that does nothing for his talents. The live action parts are rather awkwardly written and staged, and the narration feels out of place and not really that unnecessary. David Suchet though does do a nice job admittedly. The dialogue has its moments, but can feel trite and under baked, while the story can have a tendency to move too fast. With more room to breathe it could have been developed more and elaborated more on some its ideas, which were good ones that were at times somewhat of a convoluted muddle. The characters are likable but not much more. Overall, Arthur and the Invisibles' good points were great but with a stronger story and writing it could have been more. 5/10 Bethany Cox
I went to see this movie because of my wife. She read the books some time ago and really wanted to see the movie. I am not too fond of animations.
I was pleasantly surprised. I liked the story a lot. It was really nice to see something new for a change. There are not too many clichés in it, and the little acting that is in the movie is quite good.
I was a bit disappointed by the animations. I think they could have been a bit better. But then again, as I said I am not the biggest animation fan.
Parting comments: It's a movie for the family. There should be something in it for every age.
I was pleasantly surprised. I liked the story a lot. It was really nice to see something new for a change. There are not too many clichés in it, and the little acting that is in the movie is quite good.
I was a bit disappointed by the animations. I think they could have been a bit better. But then again, as I said I am not the biggest animation fan.
Parting comments: It's a movie for the family. There should be something in it for every age.
Le saviez-vous
- AnecdotesHumans turned into Minimoys have five fingers, real Minimoys have four (as all other speaking species seen), and the King's mount, only three.
- Gaffes(at around 1h 20 mins) While driving in the tunnel Arthur says he hopes that there are no speed cameras down there, but speed cameras weren't introduced until at least the late 1960s.
- Générique farfeluAt the beginning of the end credits, the main actors, actresses, and director come out on screen to take their final bows. If they did a voice in the film, they are presented as the character they voiced in the film. If their role was strictly live action, they are presented as a Minimoy version of their character.
- Autres versionsWeinstein's 94 minute USA/UK version is renamed "Arthur and the Invisibles" and is heavily cut and rearranged from the original 103 minute French/English language version named "Arthur et les Minimoys":
- The romance, kiss and marriage between Arthur and Selenia is cut.
- All sexual innuendo is cut.
- Davido's attempt to steal the rubies is cut.
- Some live shots are cut, some other added.
- Has more verbose speech.
- Narrator voice added (in addition to Archibald).
- ConnexionsEdited into Arthur 3: La Guerre des deux mondes (2010)
- Bandes originalesQuest for Love
by Jewel
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Arthur and the Invisibles
- Lieux de tournage
- La Trinité-des-Laitiers, Orne, France(live-action scenes)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 86 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 15 132 763 $ US
- Brut – à l'échelle mondiale
- 108 605 609 $ US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What is the Japanese language plot outline for Arthur et les Minimoys (2006)?
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