Lorsqu'une jeune femme peu sûre d'elle est maudite par une sorcière malveillante, sa seule chance de conjurer le sort est un jeune sorcier égoïste manquant d'assurance, et ses compagnons dan... Tout lireLorsqu'une jeune femme peu sûre d'elle est maudite par une sorcière malveillante, sa seule chance de conjurer le sort est un jeune sorcier égoïste manquant d'assurance, et ses compagnons dans leur château ambulant.Lorsqu'une jeune femme peu sûre d'elle est maudite par une sorcière malveillante, sa seule chance de conjurer le sort est un jeune sorcier égoïste manquant d'assurance, et ses compagnons dans leur château ambulant.
- Director
- Writers
- Stars
- Nommé pour 1 oscar
- 14 victoires et 20 nominations au total
Chieko Baishô
- Sophie
- (voice)
Takuya Kimura
- Howl
- (voice)
Tatsuya Gashûin
- Calcifer
- (voice)
Ryûnosuke Kamiki
- Markl
- (voice)
Mitsunori Isaki
- Page
- (voice)
Yô Ôizumi
- Turnip Head
- (voice)
- …
Akio Ôtsuka
- King
- (voice)
Daijirô Harada
- Heen
- (voice)
- …
Haruko Katô
- Suliman
- (voice)
Jean Simmons
- Grandma Sophie
- (English version)
- (voice)
Christian Bale
- Howl
- (English version)
- (voice)
Lauren Bacall
- Witch of the Waste
- (English version)
- (voice)
Blythe Danner
- Madame Suliman
- (English version)
- (voice)
Emily Mortimer
- Young Sophie
- (English version)
- (voice)
Josh Hutcherson
- Markl
- (English version)
- (voice)
Billy Crystal
- Calcifer
- (English version)
- (voice)
Jena Malone
- Lettie
- (English version)
- (voice)
Sommaire
Reviewers say 'Howl's Moving Castle' highlights Miyazaki's signature themes of magic, strong female leads, and detailed worlds. Sophie's transformative journey and self-discovery are central. The animation is lauded for its breathtaking visuals and meticulous detail. However, some find it less original, with familiar elements and a simpler plot than Miyazaki's earlier films. Nonetheless, it is appreciated for its imaginative narrative, engaging characters, and the director's unique fusion of fantasy and reality.
Avis en vedette
10surenm
I think this is possibly Miyazaki's most intriguing movie. All of his other films are very linear and even though their highly varied worlds may be visually stunning and highly creative, I feel the dreamy world of Howls Moving Castle is by far the most captivating, bizarre, and imaginative of all the worlds Miyazaki has ever envisioned.
What I love about this movie is that it's highly emotional without a great deal of logic or plot or story to get in the way. In this way the film is simple, pure, and extremely beautiful. It is as if the characters go from one emotion to the next, in a world that is as random as one's own dreams. Some people have complained about the lack of plot or story or serious character development, but even though the characters are fairly static, their emotions and the physical changes they undergo as they go through these emotions brings out a higher truth that is seldom given such artistic and natural freedom.
I think this is a very smart movie in many subtle ways and it's one that I look forward to watching again on the big screen and then on DVD. Although it flirts from theme to theme to theme with a kind of animated attention deficit disorder, the landscapes and utter unabated surrealism left me stunned and never bored.
Also, from a quizzical character design perspective, Howl is certainly one of if not the most beautiful characters that Miyazaki has ever created. Howl is an interesting departure from Miyazaki's more classical wabi-sabi anime style that most of his heroes and heroines are drawn in as Howl is definitely a very contemporary bishonen.
If you're looking for quaint settings, dynamic characters and a very involving character or plot driven story, you're not going to necessarily find them here, but you will find an equally stunning and pleasing movie if you let yourself go and enjoy this passionate, heartfelt and surreal Miyazaki dream.
What I love about this movie is that it's highly emotional without a great deal of logic or plot or story to get in the way. In this way the film is simple, pure, and extremely beautiful. It is as if the characters go from one emotion to the next, in a world that is as random as one's own dreams. Some people have complained about the lack of plot or story or serious character development, but even though the characters are fairly static, their emotions and the physical changes they undergo as they go through these emotions brings out a higher truth that is seldom given such artistic and natural freedom.
I think this is a very smart movie in many subtle ways and it's one that I look forward to watching again on the big screen and then on DVD. Although it flirts from theme to theme to theme with a kind of animated attention deficit disorder, the landscapes and utter unabated surrealism left me stunned and never bored.
Also, from a quizzical character design perspective, Howl is certainly one of if not the most beautiful characters that Miyazaki has ever created. Howl is an interesting departure from Miyazaki's more classical wabi-sabi anime style that most of his heroes and heroines are drawn in as Howl is definitely a very contemporary bishonen.
If you're looking for quaint settings, dynamic characters and a very involving character or plot driven story, you're not going to necessarily find them here, but you will find an equally stunning and pleasing movie if you let yourself go and enjoy this passionate, heartfelt and surreal Miyazaki dream.
What an amazing achievement! This is by far the best example I have ever seen of animated characterization. The expressions and the nuances and the emotion captured in this film are truly breathtaking. I love all of Miyazaki's work, but in Howl's Moving Castle he has managed to take it to a level that to me sets the standard.
It has all of the classic stunning Miyazaki panoramas, rich settings, exciting and unusual machinery, and brilliantly conceived creatures that are often humorous and fanciful. The characters are all very expertly crafted and developed, but what really enchanted me were their expressions and the subtle but powerful ways that he chose to elaborate on their connections and emotions. It is very difficult to describe, but they come to life in such a powerful way as to seem entirely real and unique.
He achieves this within the medium - not by really imitating or parroting film or live action, but by artfully exploiting the medium to enhance and capture the subtle interactions that make up relationships. He shows his audience what his characters are thinking and feeling by carefully chosen gestures and facial expressions, rather than relying always on dialog, etc. I was completely swept away by this skillful use of animation - I have never anywhere else seen anything that begins to come close to it.
The story is fantastic - I haven't read the novel, but it had all of the elements I have come to enjoy in Miyazaki's work - there is the humour, the lighthearted moments, the strong, insightful, loyal, and honourable characters, the lyrical drama and action sequences. The pace is perfect - it flows nicely and is always exciting, suspenseful - I got very caught up in the characters and their struggles and hopes. The themes were expertly handled with Miyazaki flair - and always richly meaningful and perceptive.
I can hardly wait to see what this brilliant artist creates next!
It has all of the classic stunning Miyazaki panoramas, rich settings, exciting and unusual machinery, and brilliantly conceived creatures that are often humorous and fanciful. The characters are all very expertly crafted and developed, but what really enchanted me were their expressions and the subtle but powerful ways that he chose to elaborate on their connections and emotions. It is very difficult to describe, but they come to life in such a powerful way as to seem entirely real and unique.
He achieves this within the medium - not by really imitating or parroting film or live action, but by artfully exploiting the medium to enhance and capture the subtle interactions that make up relationships. He shows his audience what his characters are thinking and feeling by carefully chosen gestures and facial expressions, rather than relying always on dialog, etc. I was completely swept away by this skillful use of animation - I have never anywhere else seen anything that begins to come close to it.
The story is fantastic - I haven't read the novel, but it had all of the elements I have come to enjoy in Miyazaki's work - there is the humour, the lighthearted moments, the strong, insightful, loyal, and honourable characters, the lyrical drama and action sequences. The pace is perfect - it flows nicely and is always exciting, suspenseful - I got very caught up in the characters and their struggles and hopes. The themes were expertly handled with Miyazaki flair - and always richly meaningful and perceptive.
I can hardly wait to see what this brilliant artist creates next!
A very cinematically beautiful film with characters you just fall in love with. I won't lie, the plot is very hard to follow. If you've read the book, you can tell that miyazaki focused less on following the plot, more on making the film beautiful to watch, and as a result we are left with a story that has huge chunks missing and frankly doesn't make a lot of sense in places. But I'm not mad, because it is very, very beautiful to watch.
I went to see this film with my anime and Diana Wynne Jones-loving teenage daughter. And while I enjoyed the film immensely due to its excellent animation, story and overall sense of fun, it was also interesting to see how much my daughter hated it! It was as if we saw two entirely different films. Why? Well, she is a huge Diana Wynne Jones fan and has read and re-read just about everything she ever wrote. And, according to her, the story was so different and so inferior to the book that she disliked the film and said some very nasty things about director Miyazaki. However, my advice is DON'T read the book and just go and see the movie. Then, after enjoying it, read the book ONLY if you are 100% sure you can do this without freaking out because they are so different!! I didn't know the difference and had a great time seeing the film!
It's hard to make any movie that follow after 'Spirited Away' So, when you watch, you have to try and keep an open mind....which is hard to do since the characters, and the whole feel of the film seems so much like his previous works.
But what fun this film is! And interestingly beautiful. I could watch most any of his movies, just to look at the beautiful scenery. I love some of the incredible imagination that goes into his works.
I could easily recommend this film. No, it's not the better than the rest, but I feel it's definitely worth your time.
I look forward to seeing the film again, maybe I will understand some things a bit better.
But what fun this film is! And interestingly beautiful. I could watch most any of his movies, just to look at the beautiful scenery. I love some of the incredible imagination that goes into his works.
I could easily recommend this film. No, it's not the better than the rest, but I feel it's definitely worth your time.
I look forward to seeing the film again, maybe I will understand some things a bit better.
Le saviez-vous
- AnecdotesUpon seeing Le voyage de Chihiro (2001), Christian Bale immediately agreed to play any role in this film. He didn't expect to get the titular role.
- GaffesSophie's top ribbon doesn't always reappear when she transforms back into her younger self.
- Citations
Howl: I feel terrible, like there's a weight on my chest.
Young Sophie: A heart's a heavy burden.
- ConnexionsEdited into Miyazaki Dreams of Flying (2017)
- Bandes originalesSekai no Yakusoku
(Promise of the World)
Lyrics by Shuntarô Tanikawa
Music by Yumi Kimura
Arranged by Joe Hisaishi
Performed by Chieko Baishô
Courtesy of Tokuma Japan Communications
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Détails
Box-office
- Budget
- 24 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 9 173 958 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 427 987 $ US
- 12 juin 2005
- Brut – à l'échelle mondiale
- 241 028 585 $ US
- Durée
- 1h 59m(119 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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