Échelle 49

Don't believe the negative hype being thrown around at this movie at all. It is quite simply one of the most extraordinary tributes out there without all the Hollywood-ization that you find in a lot of movies like this. This is as close to real life as you can pretty much get. While I wouldn't say this was a perfect movie nor did it revolutionize anything, I definitely liked it a lot! I thought the flashback sequence was pretty cool and that it panned out well in the end. There were some sad parts and just like in actuality they usually have to go right back to work the very next day. While John Travolta can put on some terrible performances as of late, he carried on tremendously throughout, especially during his speeches. Joaquin Phoenix is always somewhat good even if he's in a lackluster role which fortunately wasn't the case here. It was also great to see Robert Patrick in another civil service role (as it seems to be that he usually gets stuck with) as he is a vastly underrated actor. Overall a great film, I hope it gets a couple Oscar nods next year!

Final Count:

Movies: Worth the ticket price in every way!

DVD Purchase: Possibly, but it'll mean different things to different people.

Rental: Abso-positvely-lutely!

For analogy, this is your basic regular American hamburger - not a whopper with added cheese. No spice. Not peppered up. The movie "Ladder 49" is brave in itself that the straightforward script included no foul language, no cliff-hanger action sequence, sappy melodrama or moral preaching. It's telling the life of a fireman as it is through simple everyday vignettes, the rookie fireman, the camaraderie at the firehouse, the family anguish - the profession of a fireman that many of us might have taken for granted. This can very well be a simple telling of the life of a policeman or a soldier in active duty overseas. Unless something disastrous really happens and drastically affects us close to home, we can be unaware of how lucky we are, being able to go about our everyday life, 'safely and peacefully' living in America, with local law enforcement, firefighting emergency services and homeland security efforts available to us.

There are visual effects of fires a-blazing and fire fighting scenes inside and outside of buildings, but there's no dramatic build up to 'glamour' dazzle you like other Hollywood (blockbuster) movies. The initial sequence of the movie suggests a 'hanging' question: will Joaquin Phoenix's character (Jack) survive? But the diverted flashbacks keep our interest: how this rookie fireman came to be a firefighter in action, building a family, the family strife around his dream of a 'riskier' role on Engine 33 team, the loss of lives, the saving of lives. The pace may be leisurely at times and the plot may seem mild to some. We get to see Joaquin Phoenix in a 'lighter' less demanding role (vs. "Gladiator" 2000, "Buffalo Soldiers" 2001 or "Clay Pigeons" 1998). John Travolta is in a supporting role (Captain Mike), giving lightness (smiles) and dignity to the fire chief he portrays.

This is not like "Backdraft" 1991. The apparent danger and risks of the life of a fireman and family is the crux of the storyline. This is a family fare for all - a tribute to the firefighters whose bravery we are grateful of. I appreciate the fact that death is treated as part of life and that we do not go about laying blame on others or beat ourselves up (we learn, stick together and go on). Ah, the firm gentleness in his direction, Jay Russell (who directed "Tuck Everlasting" 2002, "My Dog Skip" 2000) doesn't thrust anything in our face, yet subtly provides short gem moments, and the noteworthy words coming from Travolta, we would remember, won't we?

It was thirteen years ago that Ron Howard's ode to firefighters hit theaters with 1991's Backdraft. This was before Howard went on to direct such popular fare as Apollo 13 and A Beautiful Mind. This was before Kurt Russell figured that Captain Ron might a good idea, and most importantly, this was before September 11, 2001.

To say that our impression of firefighters changed that day sounds, well, awkward. Firefighters have always been held in high regard. They run into burning buildings while everyone else is running out. They put their lives on the line to save others. It is a courage that most of us would like to think we have, but few of us are ever put into a position to test.

On September 11, we watched in awe as the buildings collapsed and 340 firefighters were taken from us prematurely. Although the loss of lives that day included thousands of innocents, we warmed to our heroes and it brought their efforts and incredible bravado back to our attention. Immediately after the tragic events, it was not uncommon to see people wave or salute firefighters in the most remote regions of our country. On CNN we began to hear stories of the personal lives of these men. Their support. Their sacrifices.

It is not surprising therefore that our newly energized interest was translated into big screen emotional powerhouses. In 2002, Anthony LaPaglia and Sigourney Weaver played a firefighter and a writer to prepare eulogies for those fallen in the attacks in The Guys. Now, in 2004, red-hot Joaquin Pheonix and John Travolta have teamed up to bring us the highly effective Ladder 49.

Ladder 49 starts with a fire in a large Baltimore factory where multiple firemen have charged to look for survivors and extinguish the posing threat.

Lead by seasoned veteran Jack Morrison (Pheonix), the firemen are able to rescue a helpless employee before the floor gives way trapping Morrison within the building inferno. As Jack lays there helpless awaiting the rescue from his peers, we are sent back in time via the Hollywood standard flashback to understand what brought Jack to his present peril. We see Jack as he enters the fire hall for the first time and meets Captain Mike Kennedy (John Travolta) who takes the new probie under his wing and over the years develops a bond that includes being there when Jack gets married, has kids and steps into the shoes of a search and rescue firefighter who perishes when a roof gives way during a routine house fire. We learn how the firemen bond, how they drink together rather heavily and regularly and how when they lose one of their own, the emotional impact on them and their families

Don't get me wrong, all the above drama plays out while buildings burn, people are rescued from skyscrapers and people are saved from what would be sheer death if not for the charging brave souls of the local Fire Department. There is enough action to keep the younger audiences looking for the quick rush occupied while enough firemen running around in tight t-shirts to keep the women equally transfixed.

But it is the story that sets this film apart from any other firefighting film in memory. We get a good glimpse into the lives of the men and portrait of a young man learning the ropes and growing within the culture and environment that can be sometimes loose and playful only to become serious and deadly at the sound of a bell. Director Jay Russell (My Dog Skip) packs an emotional punch that doesn't try and suck it out of the audience with an unexpected end. Instead, we see Jack being trapped in the opening sequence and we can pretty much see the writing on the wall before the tragic events play out before our eyes.

For all the focus played to the rising star Pheonix, it is the supporting cast that really stands out within the confines of the 105 minute running time. Travolta seems comfortable in playing a supporting role and is effective and powerful in his portrayal as the Captain of an efficiently run firehouse. Also standing above the average fare is Jacinda Barrett who plays Jacks wife. Yet another beautiful Australian actress, Barrett has the largest load in the film as the anchor that questions why her husband and father of her children would risk his lives for others ignoring his own well being. She both shows anxiety and support in her understanding of his passion and it is her strength that gives the film its heart.

To compare Ladder 49 to Backdraft would be unfair. Backdraft did little to bolster our impression of the firefighting community while Ladder 49 shows them for what they deserve to be recognized as – heroes who at the sound of an alarm will put themselves in harms way to help others.

"Ladder 49" is by no means a bad movie and as a matter of fact, it's a professionally made production, with some good actors in it, but it's just that everything in the movie is very formulaic and all the typical clichés you could expect in a movie about firefighters are present here. The movie has no real surprises in it and because of that none of the emotions come over as real. Also compared to "Backdraft", this movie is totally obsolete. It adds nothing to the firefighter movie genre (..as if that even is a genre). "Ladder 49" and "Backdraft" are two similar movies in several ways but "Backdraft" is the better one simply because it has better emotions, character building and sequences featuring fire. It however is of course not fair to compare this two movie just simply because they both are about firefighters. I understand that "Ladder 49" and "Backdraft" are two different movie made with different intentions. However "Ladder 49" is self to blame for this constant comparisons. It copies elements and scene's from "Backdraft" and obviously tries to top the movie in every way possible. Mission failed though...

The storytelling isn't done in the best way. The non-linear storytelling wasn't the best choice for this movie. If the story was told in a more 'normal' way, the emotions and the ending would perhaps had worked better for me. I wasn't exactly grabbed by the story and its character and both were lacking. Not really the actors fault, blame it on the cliché filled script instead. It's obvious that the movie makers wanted to portray the firefighters as true heroes. If the script hadn't been filled with so many clichés, they might had succeeded in this.

The fire sequences were nicely made but to be honest they weren't anything thrilling or exciting. The true essence of the movie is on the characters and the dramatic moments but since the movie isn't exactly successful in this, the movie as a whole also quite isn't.

The musical score by William Ross was better than anticipated and Joaquin Phoenix is a wonderful actor. This truly were the two best elements of the movie.

Nicely made but as a movie not original enough and because of that also quite pointless. Just watch the Ron Howard movie "Backdraft" instead.

6/10

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First, let me explain the movie title.

The firehouse featured in the movie has 2 vehicles. One of them is the more conventional fire truck you see around, the one with the water hoses. That truck is codenamed Engine 33 in this movie. Ladder 49 is its companion truck, the one with the mega-ladder. This truck comprises of the brave men in the fire department's rescue team, those who risk their lives going into burning buildings without water (unlike Engine 33's), for the sole mission of saving other people's lives.

Which raises the question everyone asks of emergency responders (police, fire dept, etc) - what makes them do what they do? In this case, also raised in the movie, what makes them rush into a burning building when everyone else is running out?

We follow the life of Joaquin Phoenix's character, Jack Morrison, whom we see from rookie firefighter (waterboy) to hero, from singlehood to fatherhood. This film, through his character, humanizes emergency responders, their lives, their camaraderie, their courage. It also explores relationships within their families, which is key, as family members struggle to understand the risks their spouses/fathers undertake everyday in their job.

Don't expect another Backdraft, which was more of an "arson-whodunnit", with spectacular beastly fires engulfing the screen. This film dwells more on characterization and drama, with well placed action set pieces between slow moments which will set you thinking, and at the end of the film, appreciating the courage of these brave men and the threats they face daily in their job.