Riding the Bullet

It always intrigues me when a film virtually disappears at the box office and a few months later it's premiering on television. I think to myself "can it really be that bad?" and I must watch it. Well, Riding the Bullet wasn't that bad, but it didn't deserve a theatrical release, not even a limited one. Mick Garris (The Stand) has been directed in television for so long that his big screen efforts feel like TV movies. Riding the Bullet felt like it was made for the small screen. I have a feeling that if the source material had been longer, Garris would have tried to pull a mini-series out of it. Garris has had success and failure with adapting Stephen King's work and I have to say that this falls somewhere in the middle. This is a case where the parts are better than the whole. I really enjoyed the scene where George Staub has a flashback to his own death that's done as if we're watching a film within the film. And then I hate all of the "gotcha" moments where what's happening on screen is just in the main character's head. I suppose it's an attempt to trick the audience but it happens way too much. Virtually every 7 or 8 minutes this happens and, honestly, it takes me out of the movie. I have to disagree with Tobe Hooper. This is not the best Stephen King movie. Jonathan Jackson, David Arquette, and Barbara Hershey are leading the cast, while Cliff Robertson, Nicky Katt, and Matt Frewer put in some cameos. Let's wish Mick better luck with Desperation.

Not being a big King fan, I don't think I could've asked for more. I've seen IT, I've struggled through the long run of "The Stand", but it is this film which stands out more than any of the other adaptations of Stephen King's work.

A chilling narrative of a man traveling across country in the 70s, Riding the Bullet succeeds where many other movies have failed by presenting a personal conflict, that is, one which exists within the main character's mind.

I don't think I could've asked for a much better acting job from any of the cast, either.

8/10.

I was quite impressed with this film. It obviously wasn't a big-budget or big-marketing film. On my TV, the guide rated this as one-star. But I liked the story, I'm a Stephen King nut, and I enjoy watching films that aren't very well known. Basically, I didn't expect much so I was pleasantly surprised to find a decent movie that had wonderful atmosphere, as well as a strong performance from David Arquette. The movie is a bit random, and yes, it is filled with some cheap, cliché' scares. Basically, this is an exciting horror film that also contains plenty of late 60's music and lifestyle. While it's not perfect, it offers some excellent atmosphere and deserves at least one watch. Definitely recommended for a good Halloween movie.

This is not one of the worse adaptations of Stephen King's work, but it's another one that makes the successful ones (De Palma's "Carrie," Reiner's "Stand by Me," and Kubrick's "The Shining" come immediately to mind) seem all the more remarkable. Jonathan Jackson does a fine job of playing a self-absorbed and death-fixated jerk. David Arquette does a fine job of playing a weirdo, which I know comes as a shock, but this one is threatening. It's nice to see Barbara Hershey and Cliff Robertson working, but the film is an incoherent, drug-trippy, red-herring-loaded road movie in which each succeeding segment and flashback builds to a huge.... mind-numbing yawn. If you fast-forward to long segments you may miss some details but in the end, you won't care.

I am actually surprised to see this movie has gotten as high a rating as it has, as honestly it doesn't deserve it. Unless you are a die hard King fan this probably won't hold much appeal to you. The almost-horror premise involves a young man's trip to visit his mother who has been hospitalized from a stroke. Along the way he comes to terms with his past and current fears involving death in an almost 'Chistmas Carol' like way. The main flaw with the movie is that it may have a good theme about the value of life, but the 'fantasies' that the lead lives in lend a horror aspect that is mostly conveyed as trite and forced. The acting and effects were convincing enough for what it is (though much of the effects that are supposed to scare us involve menacing conversation), but overall it was too uneven to really deliver either a decent horror or a good coming to terms movie. A good choice for a Sunday night when nothing else is on.