La vie et la carrière du légendaire musicien de R&B, Ray Charles, de ses humbles origines dans le sud des États-Unis, où il est devenu aveugle à l'âge de sept ans jusqu'à son ascension fulgu... Tout lireLa vie et la carrière du légendaire musicien de R&B, Ray Charles, de ses humbles origines dans le sud des États-Unis, où il est devenu aveugle à l'âge de sept ans jusqu'à son ascension fulgurante dans les années?0 et 60.La vie et la carrière du légendaire musicien de R&B, Ray Charles, de ses humbles origines dans le sud des États-Unis, où il est devenu aveugle à l'âge de sept ans jusqu'à son ascension fulgurante dans les années?0 et 60.
- A remporté 2 oscars
- 53 victoires et 55 nominations au total
- Mary Ann Fisher
- (as Aunjanue Ellis)
- Gossie McGee
- (as Terrence Dashon Howard)
Avis en vedette
By the way, you'll probably notice that my review is pretty short considering how big a hit the film was and what an epic film it was. Well, there are already TONS of reviews for the movie and so I chose just to focus on the historical aspects of the film.
Jamie Foxx has become one of the premiere actors in Hollywood as is clearly shown in Ray and he should get an Oscar for this role, it is unprecedented. In fact, everyone who worked on this film should receive accolades. I really liked Kerry Washington who played the exceptional wife...Ray Charles obviously married well. Regina King is a fine actress as well as the extraordinary Sharon Warren who plays a struggling young mother.
In all honesty, I'd say this whole project was providentially arranged. The entire cast was perfect, great screenplay and awesome settings...major props to the director Taylor Hackford and crew for doing such a splendid job in bringing the life of Ray Charles to the screen so flawlessly. This is my picture of the year, certainly one of the best biographical films ever made.
I expected to either suffer or coast through this movie.
I was wrong.
This is an engaging story told in a classic cinematic style. The realism is in the nuances - the tilt of a character's head after a dramatic moment or the look in their eyes while they sing. I literally discovered myself involved in this movie during the course of viewing it.
Jaime Foxx, of which much has been said, heads a cast of immaculate re-creators of not just a time, but an ERA, a LIFE that never really existed to those of us under forty. This movie sinks the audience into time without the gimmicks and grand sweeping panoramas of Titanic or other period pieces of that ilk. This movie doesn't present you with the 50's and 60's music scene, it takes you there.
This is a movie about Ray Charles, but your appreciate of it should not be limited to the story of his life. This is the kind of movie, like Saving Private Ryan or Schindler's List, that does what a movie should do - bring you to another place, another time.
So this film stars Jamie Fox in the title role and manages to blend all aspects of the artist's life into a cohesive whole - his impoverished childhood, his life as a musician and artist, his private life at home, and his private life on the road. And Ray's delusional belief that he can keep all these different parts of his life from having a head on collision. It runs back and forth between all of these phases of Ray Charles' life and kept me very engaged. And the music will give you a soul attack.
Jamie Foxx disappears into the role of Charles and reflects the complexity of the man while still leaving him enough of an enigma to keep you intrigued. Kerry Washington plays Bea, the long suffering wife of Charles. When it comes to Charles' life on the road she doesn't know and she doesn't want to know. And yet she knows. Margie and Mary Ann are the two women who represent all of the other women in Charles' life. If you had the actual number of women involved with Charles in this bio pic, the traffic direction would become so complex that you wouldn't see the forest for the trees.
Special kudos to Curtis Armstrong as Ahmet Ertegun, Atlantic record producer and friend of Ray. If not for this film I would only remember him from the 80s TV show Moonlighting where he was the (at least initially) unwilling object of oddball Agnes Depesto's affection.
This film has great acting, obviously a great soundtrack, is a shining example of expert editing, and has a screenplay that I just don't get bored of even though the story of Ray is pretty well known. Great for repeat viewing. Highly recommended.
The dramas of Charles' struggles with guilt, the death of his younger brother and mother, blindness, discrimination, addiction, and success, are neatly woven into the tapestries of his music. The music is beautiful, the script is, as far as I can tell, perfect, and the acting is nothing short of legendary.
The directorial method of the film warrants discussion. Taylor Hackford - a director I am generally ambivalent about - had to choose what aspects of the larger-than-life and complex life story of Mr. Charles would tell his story most honestly, dramatically, and understandably. Though some disagree (seemingly wanting a documentary instead of a dramatized biopic) I believe he selected his themes admirably. A big part of the success of this film is its consistent focus on a few persistent themes in Charles' life - his profound love and respect for his mother, his need to be loved and accepted, his addiction and guilt complex, his musical genius, and his deep-seated fear of responsibility for others. Charles is depicted as a man struggling valiantly against an army of personal demons. I learned more than I could have imagined about one of the men I used to listen to on my old turntable with my dad in his livingroom on Sunday nights while football games were on the TV. And nothing was sugar-coated in "Ray." The themes are carried forward with power and human dignity. These themes create a unifying drama which span the length of his long and illuminated life. The power of these themes, the strong script and directing, the music, and the acting make this one of the most enjoyable and evocative biographical films I have seen.
Recommended for everyone.
Le saviez-vous
- AnecdotesRay Charles died of liver failure on June 10, 2004, after filming had ended. He was able to sit through the first edit of this movie before his death.
- GaffesThe scene where Charles is met by a group of protesters outside the Bell Auditorium in Augusta, Georgia is a fabrication. Charles canceled his appearance after receiving a telegram from students at a local black college. The promoter successfully sued Charles for breach of contract, but he was never banned from the state of Georgia. When the Georgia state legislature honored Ray Charles in 1979, they didn't apologized for banning him because he was never banned. In the commentary, it is stated that this event actually happened, but those who looked into Georgia's legislature found no record that he was banned, just sued, and later they adopted as their state song "Georgia" - by Ray Charles.
- Citations
[first lines]
Aretha Robinson: Always remember your promise to me. Never let nobody or nothing turn you into no cripple.
- Générique farfeluRay Charles is survived by 12 children, 21 grandchildren, and 5 great-grandchildren.
- Autres versionsUniversal Pictures Oscar Edition contains Extended Cut of the film.
- Bandes originalesWhat'd I Say
Written by Ray Charles
Performed by Ray Charles
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Strategic Marketing
Meilleurs choix
- How long is Ray?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Unchain My Heart: The Ray Charles Story
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 75 331 600 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 039 730 $ US
- 31 oct. 2004
- Brut – à l'échelle mondiale
- 123 971 376 $ US
- Durée
- 2h 32m(152 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1