Une ballade pour Bobby Long

This is a movie about two alcoholics. One middle-aged and the other on his way to that age. It's difficult to say which company they prefer, the bottle or each other.

Than the young girl arrives and shakes their world. You've seen that theme many times in movie history, but this is for once done in a very intelligent way. Gabriel Macht is very good and Scarlett Johansson, the greatest talent of her young generation, too. But Travolta is probably doing the part of his life so far. Travolta is now a character actor, if anyone is.

American movies don't always tell about these kind of losers in such a sympathetic way. But this one does. The end is sentimental, but never mind. The ride towards that is really worth seeing.

for each detail. for New Orleans who becomes part of the stories about it. for John Travolta who reminds his real artistic virtues. for story, heavy, cool, fascinating, slow, dramatic and familiar, for Gabriel Macht behind "Suits" and for Scarlett Johansson and her science to escape by the temptation of clichés. one of old fashion about South, with strong flavor and the time different by the rest of world, a poem about friendship and about solitude and about the escaping from yourself.

Just a nice little movie. I really did not dislike any of it. It was just nice. I thought the characters were nice and most importantly the movie did not make judgements on any of them, even though two of the main characters were alchoholics. The acting was good and I am surprised nobody got at least an Oscar nod.

I also liked the locale and the music. It is funny because when this movie was out, I had never heard of it. I don't think it got the publicity that normal John travolta movies get. I also thought it was sad and eerie seeing New Orleans locales before Hurricane Katrina. Anyway, good movie.

In Florida, the teenager Purslane Hominy Will (Scarlett Johansson) is lately informed by her mate that her mother passed away. She returns to her hometown, New Orleans, for the funeral and decided to live in her mother's house. However, she finds that the completely decayed house has two drunken dwellers: the former English professor Bobby Long (John Travolta) and his former assistant Lawson Pines (Gabriel Macht), who has unsuccessfully been trying to write a book about the life of Bobby Long for nine years. She decides to share the place living together with them and after their initial difficult relationship, they disclose deep secrets and improve their lives.

"A Love Song for Bobby Long" is a bitter tale of love, friendship and synergy of invisible people. With many citations of important writers, the dramatic story has excellent lines and is very positive, with good messages and a well resolved conclusion. The irregular John Travolta and always perfect Scarlett Johansson are splendid in the role of broken, suffered and hopeless characters, and the story is never corny. The music score with typical blues, songs and bands from New Orleans completes this surprisingly good movie. My vote is eight.

Title (Brazil): "Uma Canção de Amor Para Bobby Long" ("A Love Song for Bobby Long")

If you like movies that are character driven, then this is one for you to watch.

I have never seen Scarlett Johanssen in anything before. I have to say she impressed me here with her performance as Pursalane Hominy Will (ain't that a mouthful of a name!). Travolta does a nice turn as the titular Bobby Long, a former English professor who has fallen into the depths of an alcohol induced fantasy life. Gabriel Macht also does a good job as Lawson Pines, Bobby Long's former teaching assistant who has accompanied Long into his descent out of a sense of loyalty and guilt.

Perhaps the most interesting character, to me, is the one you never see, Lorraine Will; a New Orleans diva and the mother of young Pursey. Lorraine's death from alcoholism is what brings our characters together, and much like Alex in The Big Chill, we never once see or hear from Lorraine (not even in voice-over when Pursey reads a letter never sent to her by Lorraine), but we experience her through the people in this movie. It is a brave choice for the director to make, as I believe others would opt for more direct exposition via flashback, voice-overs, etc.

In the end, while there is a certain formulaic approach to the story, the characters are done well enough that you enjoy the story anyway.