ÉVALUATION IMDb
6,2/10
7,3 k
MA NOTE
Ajouter une intrigue dans votre langueA man faces a moral dilemma after learning of his brother and cousin's involvement with the mob.A man faces a moral dilemma after learning of his brother and cousin's involvement with the mob.A man faces a moral dilemma after learning of his brother and cousin's involvement with the mob.
- Prix
- 1 victoire au total
Avis en vedette
It was a mediocre movie with a good cast and lots of clichés. Plot was nice, but predictable and unoriginal. Val Kilmer and Dennis Hopper were simply there for BIG NAME billing and a waste of time. It was also funny to see Tommy Lee in a cameo. James Marsden, Giovanni Ribisi, and Brad Renfro were all excellent and were believable. I don't know, but I think Rocco was played by The Tony Luke, Jr. His roast pork sandwiches are fantastic.
My main problem with the movie is that it was not filmed at 10th & Wolf. I grew up in Philadelphia and it looks nothing like the scenes in the movie. Well, maybe they got a few street shots. There were too many bridges, streets too wide and too clean, and the properties were too wide to name a few examples. Even the scenes on 9th street (outside the butcher shop scenes) were not filmed on the market that I know. It was not just a mediocre movie, but it was a sham.
My main problem with the movie is that it was not filmed at 10th & Wolf. I grew up in Philadelphia and it looks nothing like the scenes in the movie. Well, maybe they got a few street shots. There were too many bridges, streets too wide and too clean, and the properties were too wide to name a few examples. Even the scenes on 9th street (outside the butcher shop scenes) were not filmed on the market that I know. It was not just a mediocre movie, but it was a sham.
Robert Moresco ('Crash') is proving to be a fine storyteller with a definite style of his own. 10TH & WOLF, written by both Moresco and Allan Steele and directed by Moresco appears on the shelves of DVDs as one of those films that makes us wonder why it didn't do well on the theater screens: it is well written, beautifully directed, has a cast that is consistently fine, and unravels a family involved in organized crime theme as well as any movie out there.
Moresco very wisely starts his story in the burning oil fields of Kuwait during Desert Storm where Marine sargeant Tommy (James Marsden, doing his finest work since his brilliant portrayal in THE 24TH HOUR) drives his Hummer through the desert, coming to grips with the absurdity of war, a key turn in his personality causing him to be dishonorably discharged for his refusal to take part in that ridiculous war game. He is given a deal: FBI agents Horvath (Brian Dennehy) and Thornton (Leo Rossi) visit his cell stateside and offer him clemency if he helps them capture a big drug dealer Reggio (Francesco Salvi) in Tommy's hometown of Philadelphia. Tommy had escaped the organized crime scene by joining the Marines, but is suddenly returned to his family occupation as an undercover agent with a wire. Tommy's brother Vincent (Brad Renfro) and his cousin Joey (Giovanni Ribisi) welcome his return and begin plotting ways to off Reggio. Beatings and murders begin to occur: Joey is a bit on the mad side and plunges his boys into messes that become like quicksand. How the family bonds over losses to big crime and vendettas, and how that lifestyle affects parents (Lesley Ann Warren) and victims turned girlfriends (Piper Perabo) leaving the drive to survive as the paramount goal is the run of the plot.
There are plenty of cameos (Dennis Hopper, Val Kilmer, Dash Mihok etc) to round out the dark atmosphere, but the strength of the film lies strongly on the shoulders of Marsden, Ribisi and Renfro and they handle their roles exceptionally well. This is yet another big crime story but one that grips the audience's attention and holds it to the final twisted end. Strong violence and language, but a testy and tightly woven story with many unspoken metaphors. Grady Harp
Moresco very wisely starts his story in the burning oil fields of Kuwait during Desert Storm where Marine sargeant Tommy (James Marsden, doing his finest work since his brilliant portrayal in THE 24TH HOUR) drives his Hummer through the desert, coming to grips with the absurdity of war, a key turn in his personality causing him to be dishonorably discharged for his refusal to take part in that ridiculous war game. He is given a deal: FBI agents Horvath (Brian Dennehy) and Thornton (Leo Rossi) visit his cell stateside and offer him clemency if he helps them capture a big drug dealer Reggio (Francesco Salvi) in Tommy's hometown of Philadelphia. Tommy had escaped the organized crime scene by joining the Marines, but is suddenly returned to his family occupation as an undercover agent with a wire. Tommy's brother Vincent (Brad Renfro) and his cousin Joey (Giovanni Ribisi) welcome his return and begin plotting ways to off Reggio. Beatings and murders begin to occur: Joey is a bit on the mad side and plunges his boys into messes that become like quicksand. How the family bonds over losses to big crime and vendettas, and how that lifestyle affects parents (Lesley Ann Warren) and victims turned girlfriends (Piper Perabo) leaving the drive to survive as the paramount goal is the run of the plot.
There are plenty of cameos (Dennis Hopper, Val Kilmer, Dash Mihok etc) to round out the dark atmosphere, but the strength of the film lies strongly on the shoulders of Marsden, Ribisi and Renfro and they handle their roles exceptionally well. This is yet another big crime story but one that grips the audience's attention and holds it to the final twisted end. Strong violence and language, but a testy and tightly woven story with many unspoken metaphors. Grady Harp
What an awful film. I caught a screening of it last night in Irvine, CA. I think the filmmakers would be lucky if it made it straight to USA or FX. It's not even good enough for Showtime. Seriously though. Every cliché in existence is thrown in, combined with REALLY bad acting and REALLY bad cameos from Val Kilmer and Dennis Hopper. What a waste of time. The worst performance in the film probably comes from Lesley Ann Warren, who acts all Jennifer Coolidge-esquire in an over-the-top role. After seeing this movie, everyone will know that Paul Haggis is the real brains behind "Crash," because what Bobby Moresco wrote here comes straight from the lame examples you would find in a book on how to write a screenplay. Trust me, and don't waste your time on this movie if it ever ends up coming to a theater near you, which it probably won't. This was pure trash.
Tommy (James Marsden) is a Marine threatened with prison after a drunken fight during the Gulf War. It's 1991. Unscrupulous FBI Agent Horvath (Brian Dennehy) recruits him as a confidential informer. His family is connected to the Philadelphia mafia. Mob boss Matty Matello (Dennis Hopper) has been assassinated and Tommy's beloved cousin Joey (Giovanni Ribisi) is the new leader. The New York mob is looking to take over.
This is second tier gangster flick. It feels like it. It looks like it. The filmmaking is strictly second tier level. Marsden is not quite mobster material. I guess that Tommy is not a mobster but it would be better to have some buried mobster within him. Marsden can't do that. Brad Renfro could have done it better. The saving grace of this movie is Ribisi. He is the definition of unstable and is a great mini-Hopper. At the end of the day, this is very derivative and a lesser version of better movies. I do still like me some Ribisi.
This is second tier gangster flick. It feels like it. It looks like it. The filmmaking is strictly second tier level. Marsden is not quite mobster material. I guess that Tommy is not a mobster but it would be better to have some buried mobster within him. Marsden can't do that. Brad Renfro could have done it better. The saving grace of this movie is Ribisi. He is the definition of unstable and is a great mini-Hopper. At the end of the day, this is very derivative and a lesser version of better movies. I do still like me some Ribisi.
I gave this film an 8. Maybe it's just because I happen to think Giovanni Ribisi is an exceptional actor, but I really did find this to be a surprisingly good film. The one thing that didn't sit well with me was the idea that James Marsden is the star. That's simply a misnomer. He is a decent actor and does give a professional effort, but I just do not see him as the street-tough Philly kid he's supposed to be. Maybe this is a bit cynical, but there really wouldn't be much reason for a woman to watch this movie if not for somebody with good looks like Marsden playing the lead character and gracing the cover of the DVD. Hey, don't get me wrong, Piper Perabo has made me watch a movie or two that I regret, so it definitely goes both ways. Still, I could have done without the forced romance angle that they really tried to pull off between the two of them. But overall I definitely would recommend seeing this film for Ribisi's performance if nothing else. As he ages he's beginning to play some much darker, grittier characters which suits him very well. His versatility is astounding, especially his ability to maintain a level of sympathy no matter how many misdeeds he commits. Check this one out if you're a fan of the genre, it will hold your attention and may surprise you a bit as it's much more than just the former Marine forced to return home in order save his family from a couple of corrupt cops trying to extort him.
Le saviez-vous
- AnecdotesPennsylvania lured the production with the following incentives to keep the budget fiscally responsible: a 20% transferable tax credit, no state sales tax, and free use of state-owned property.
- GaffesLocation errors abound as the story is based in Philadelphia. Most telling are: a Steelers logo on a beer billboard in one scene (would be an Eagles logo if in Philly); the Allegheny County '412' area code on a sign on a building for lease, late in the film; The PPG famous spiked tower in the background; famous Pittsburgh yellow bridges throughout; and key scenes at 'Wholey's' which is a real meat and fish landmark store in Pittsburgh's Strip District.
- Générique farfeluJesse Gullion - Milk Shake Guy
- ConnexionsReferences Donnie Brasco (1997)
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- How long is 10th & Wolf?Propulsé par Alexa
Détails
Box-office
- Budget
- 8 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 54 702 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 774 $ US
- 20 août 2006
- Brut – à l'échelle mondiale
- 143 451 $ US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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