- A remporté 1 prix Primetime Emmy
- 12 victoires et 58 nominations au total
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Nip/Tuck breaks new ground
I eagerly anticipated this series because of my admiration for Julian McMahon (Charmed). The entire cast is great, and the subplots are the real masterpiece of this drama/comedy. Sure, the premise is built around the issue of plastic surgery, but it is everything outside the operating room that provides the substance to this show. The triangle of Christian / Julia / Shawn is by now (second season) ripe for some real turbulence, especially with Christian's crisis and Julia's secret. I, for one, can't wait to see how the season unfolds - or explodes, I expect. The theme is also well-represented in showing how people can so easily take plastic surgery way too far - surgeons included. This show has a lot of life to it, and I can't wait to see where it takes us.
Nip/Tuck is a breath of fresh air!
It's riveting, it's controversial, it's explicit, and it's steaming up the small screen! Nip/Tuck is certainly not your average cable television show, but its material is presented in such a way that you're hooked after the first couple of episodes. It's real, it's bloody, and it gets under your skin. But personally, I think Nip/Tuck is a real gem - and the acting is totally off the page. Just when you think it can't get any better, Ryan Murphy throws you another delicious twist. I recommend that everyone watch at least one episode. This show offers the opportunity for talents like Dylan Walsh and Julian McMahon to shine in truly unique roles. FX definitely scored with this one.
Disturbing, Addictive, Truly Entertaining
The first episode I caught of this show involved a talking disembodied head and a poignant suicide set to Elton John's "Rocketman". I was hooked! As soon as the DVD set of season one came out, I bought it and watched it within a couple of days. This show is completely immoral, shockingly disturbing, undeniably fascinating. It is like a bad car accident... you know you shouldn't look, but you just can't help. By far it is the best show on TV now. The stories are entertaining, twisted, and smart. The acting is what makes this series great. Dylan Walsh, Julian McMahon, and Joely Richardson give some top-notch, powerful, and gripping performances on this show!!!
If you wanted "Father Knows Best," this is not it!!!
I have little patience for people who get bent out of shape about TV shows like "Nip/Tuck" that push the envelope when they are warned, up front, that the show contains material not suitable for the average viewer.
There is a lot of mindless, self-serving crap on Network TV today with all the reality garbage that only appeal to the lowest common denominator. Thankfully, "Nip/Tuck" is not one of them. What makes "Nip/Tuck" different is not that it seems like a cross between "ER" and "Jerry Springer," -- which it is -- but that it keeps the viewer engaged by being both off-the-wall and unpredictable.
Yes, all the characters on the show are dysfunctional (with the possible exception of Liz), but they are far more realistic than all the characters on "Father Knows Best" where everyone only had a good side.
On "Nip/Tuck," both the good sides and the dark sides of each character are brought to the fore. Irony has a field day on this show as those who you deemed to be stupid and insensitive turn out to be just the opposite when situations change.
The main problem with this series lies in where you, the viewer, make your entrance. You will be at a great loss to figure out what is going on now if you have not followed the show from its inception. Every successive show builds upon the events of all the previous ones, straight back to the pilot episode. For example, the turmoil in Sean and Julia's marriage was there from Day One as was the competitiveness between Sean and his womanizing partner, Christian Troy.
At the core of it all is Sean's ongoing identity crisis in which he has gone from a prudish wimp to a man at war with himself and everyone around him.
Although the tagline of the show is when Drs McNemara and Troy ask patients what they do not like about themselves, the underlying theme is about all the things that these two perplexed plastic surgeons hate about their lives. In trying to make others "feel better about themselves," they confront their own inadequacies, and invariably direct their hatred of themselves towards others.
Psychobabble aside, the show is damn funny, too!
There is a lot of mindless, self-serving crap on Network TV today with all the reality garbage that only appeal to the lowest common denominator. Thankfully, "Nip/Tuck" is not one of them. What makes "Nip/Tuck" different is not that it seems like a cross between "ER" and "Jerry Springer," -- which it is -- but that it keeps the viewer engaged by being both off-the-wall and unpredictable.
Yes, all the characters on the show are dysfunctional (with the possible exception of Liz), but they are far more realistic than all the characters on "Father Knows Best" where everyone only had a good side.
On "Nip/Tuck," both the good sides and the dark sides of each character are brought to the fore. Irony has a field day on this show as those who you deemed to be stupid and insensitive turn out to be just the opposite when situations change.
The main problem with this series lies in where you, the viewer, make your entrance. You will be at a great loss to figure out what is going on now if you have not followed the show from its inception. Every successive show builds upon the events of all the previous ones, straight back to the pilot episode. For example, the turmoil in Sean and Julia's marriage was there from Day One as was the competitiveness between Sean and his womanizing partner, Christian Troy.
At the core of it all is Sean's ongoing identity crisis in which he has gone from a prudish wimp to a man at war with himself and everyone around him.
Although the tagline of the show is when Drs McNemara and Troy ask patients what they do not like about themselves, the underlying theme is about all the things that these two perplexed plastic surgeons hate about their lives. In trying to make others "feel better about themselves," they confront their own inadequacies, and invariably direct their hatred of themselves towards others.
Psychobabble aside, the show is damn funny, too!
Pushes the envelope in cable television
The first time I heard of Nip/Tuck I was hesitant and reluctant to see it. Plus I felt that the show was not going to last and that it stereotypes plastic surgeons. But as I continued watching the show I got addicted to the offbeat humor, the gross surgical procedures, and its characters. Julian McMahon is sexy and gives his character a vulnerability and humanity that is not typical in sex-crazy handsome male characters. He gives his character a reason to like him and yet he will also give audiences a reason to despise him. Dylan Walsh shines as Dr. Sean McNamara. Proving himself worthy as an actor, he shows us a character with everything in the world and yet has inner self-destructive part that is hidden from everyone else.
Additional performances by Joely Richardson as a woman who may have some skeletons in her closet and is loved by both McMahon and Walsh. Excellent writing and dialogue that leads you to want more.
Additional performances by Joely Richardson as a woman who may have some skeletons in her closet and is loved by both McMahon and Walsh. Excellent writing and dialogue that leads you to want more.
Le saviez-vous
- AnecdotesThe character of Kimber was only supposed to be on the pilot, but creator Ryan Murphy liked Kelly Carlson's performance so much that he kept her on the show.
- Citations
[at the start of a consultation]
Sean/Christian: Tell me what you don't like about yourself?
- Générique farfeluThe intro sequence is full of still figures, and a marker pen draws lines on the bodies, just as a plastic surgeon does when they're extrapolating the procedure.
- ConnexionsFeatured in The 61st Annual Golden Globe Awards (2004)
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