Les relations de deux couples deviendront compliquées et trompeuses lorsqu'un homme d'un des couples rencontre la femme de l'autre.Les relations de deux couples deviendront compliquées et trompeuses lorsqu'un homme d'un des couples rencontre la femme de l'autre.Les relations de deux couples deviendront compliquées et trompeuses lorsqu'un homme d'un des couples rencontre la femme de l'autre.
- Nommé pour 2 oscars
- 22 victoires et 50 nominations au total
Steve Benham
- Car driver
- (uncredited)
Elizabeth Bower
- Chatty Exhibition Guest
- (uncredited)
Rene Costa
- Club Gangster
- (uncredited)
Ray Donn
- Customs Officer
- (uncredited)
Daniel Dresner
- Coughing Man
- (uncredited)
Rrenford Fitz-Junior Fagan
- Bus Passenger
- (uncredited)
Antony Gabriel
- Luke
- (uncredited)
Michael Haley
- Smoking Man
- (uncredited)
Steve Morphew
- Bartender
- (uncredited)
Abdul Popoola Pope
- Doctor
- (uncredited)
Jacqui-Lee Pryce
- Traveller
- (uncredited)
Peter Rnic
- Bodyguard
- (uncredited)
Avis en vedette
While I thought the characters were interesting, I found it very difficult to watch, as my own marriage disintegrated in a fashion too familiar to these characters. The lies, the half-truths, the inability to distinguish truth from lie after being told so many lies. I could completely relate to the characters in this movie.
Though I could laugh with it, it was nevertheless painful to watch. I couldn't recommend this movie to anyone except my ex-. Even then, I have trouble believing she's understand any part of it.
This particular film was more like a documentary shot without the shaky hand-held camera. But, like the still photographs the movie mocks as being false, Closer allows only glimpses of the truth behind the myriad lies.
I want to be entertained at a movie and I cannot think of a single person to whom I'd recommend this movie. It was very well acted, scripted, and executed on all parts. But it was more painful than pleasant or enlightening.
Though I could laugh with it, it was nevertheless painful to watch. I couldn't recommend this movie to anyone except my ex-. Even then, I have trouble believing she's understand any part of it.
This particular film was more like a documentary shot without the shaky hand-held camera. But, like the still photographs the movie mocks as being false, Closer allows only glimpses of the truth behind the myriad lies.
I want to be entertained at a movie and I cannot think of a single person to whom I'd recommend this movie. It was very well acted, scripted, and executed on all parts. But it was more painful than pleasant or enlightening.
What an amazing concept. A story that perfectly captures the emotions that we feel when involved in a love spat. The complete desire and need for another person, wanting to hold them close to you, while at the same point in time the mere vision of seeing that person and hearing their voice sends you into utter misery and you feel repulsed by them. Jude Law is masterful in his role, and he is matched equally by the performances of Clive Owen, Natalie Portman and Julia Roberts. A brilliant movie with many mixed emotions. As soon as you think, okay, this is where they live happily ever after, another twisting tale occurs. This is as real as it gets folks. Definitely one worth purchasing when it hits DVD, apart from that, watch it on big screen and you will be amazed at how you relate to this master piece.
What a treat. Most of the people who came with me, left, half way through the film. I stayed to the end and I loved it. It moved me. A rarity this days. The face of Jude Law is, still, so full of possibilities. He seems unafraid of darkness. Strong. This is his most grown up performance. I can't wait to see what he'll become. (If he stays away from Hollywood as much as temptations permit, and keeps that purity, that makes his darkness so powerful, as intact as humanly possible). Julia Roberts is wonderful in a performance part Margaret Sullavan, part Jeanne Moreau but all her own. Clive Owen is a force of nature. Dangerous, compelling, human to the hilt. And what about Natalie Portman? Wow. No surprise here. But what a surprise. I'm sure she is going to amaze us for years and years to come. I'm really glad I stayed to the end.
Mike Nichols directed, in my opinion, one of the three best adaptations from stage to screen. "Who's afraid of Virginia Woolf" (The other two being Sidney Lumet's "Long day's journey into night" and Elia Kazan's "A Streetcar named Desire) After the extraordinary television adaptation of "Angels in America" I also would have pleaded with Mike Nichols to do "Closer" Sorry I'm rambling. What I'm trying to say in a rather convoluted way is, simply, thank you Mr. Nichols. Adult themes, conceived and performed by adult artists. I hope it makes zillions of dollars so we can have more of it. Jude Law is a Peter O'Toole without the steroids, Julia Roberts a Jeanne Moreau with an American passport, Clive Owen is a child of John Garfield and Peter Finch and Natalie Portman a Jean Peters with a college degree. I saw the film twice in a row, I hadn't done that in years. Not since "Drugstore Cowboy", "Apartment Zero" and "Sex Lies and Videotape" The unfolding of the dark happens in front of our eyes and it feels chillingly familiar. Lies we tell each other with so much conviction with so much honesty. The only real thing is the pain and the loneliness. It doesn't sound like a very entertaining night out but believe me, it is. Go, see for yourself. You may have to confront something you didn't want to confront. That's part of the process call growing up. Who's afraid of that?
This movie is a big game of narcissistic people who treat each other as puppets. There is no love, no truth, no good. In the beginning we all try to find a hero in the story, someone to sympathize with only to realize what we have is a bunch of mentally ill people making themselves suffer. Dan (Jude Law) is just a big kid longing for attention and a new toy, which he only cares for about 5 mins. Anna (Julia Roberts) is also desperate for attention and love since her ex left her for a younger girl. She is confused and unreasonable, her ego makes all the decisions instead of her mind. Larry (Clive Owen) is an agressive jerk, playing along Dan's little game, while Alice is just a naive, traumatized, young girl who falls in love and decides to avoid all the red flags and becomes part of this sick 4 some. Brilliant movie. Honestly not the ending what I hoped for tho (I just wanted all 4 of them together in a room while Slim Pickens rides the atom bomb there).
Le saviez-vous
- AnecdotesAt the beginning of filming, Natalie Portman gave Julia Roberts a necklace that said "cunt" in honor of their characters' foul mouths. At the end of filming, Roberts gave Portman a necklace that said "lil' cunt".
- GaffesWhen Larry and Dan are talking in Larry's office you can clearly see the bed sheet in the bed behind Dan. When Larry walks to the bed it has no sheet and he pulls one out of the roll.
- Autres versionsThere are two versions available. Runtimes are "1h 44m (104 min)" (general theatrical release) and "1h 38m (98 min) (TV) (Turkey)".
- Bandes originalesThe Blower's Daughter
Written and Performed by Damien Rice
Under license to Vector Recordings, LLC/Warner Bros. Records Inc. and 14th Floor Records
By arrangement with Warner Strategic Marketing US and Warner Strategic Marketing UK
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Closer
- Lieux de tournage
- Postman's Park, Little Britain, Londres, Angleterre, Royaume-Uni(park with Alice Ayres tablet)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 33 987 757 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 707 972 $ US
- 5 déc. 2004
- Brut – à l'échelle mondiale
- 116 671 982 $ US
- Durée
- 1h 44m(104 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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