ÉVALUATION IMDb
5,6/10
44 k
MA NOTE
Un jeune programmeur dont le travail est de surveiller le Cube déformant la réalité défie les ordres de sauver une mère innocente piégée dans l'une de ses pièces.Un jeune programmeur dont le travail est de surveiller le Cube déformant la réalité défie les ordres de sauver une mère innocente piégée dans l'une de ses pièces.Un jeune programmeur dont le travail est de surveiller le Cube déformant la réalité défie les ordres de sauver une mère innocente piégée dans l'une de ses pièces.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 3 victoires et 2 nominations au total
Joshua Peace
- Finn
- (as Josh Peace)
Flossie McKnight
- Female Doctor
- (as Araxi Arslanian)
Kyle Derek
- Squad Leader
- (as Kyle McDonald)
5,644.3K
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Avis en vedette
Finally got to see it in English and liked it very much
i just finished watching it and taught it was great to have a perspective from observers outside of the Cube for once .i read some other user comment one especially saying the cube as not been ameliorated uplifted .well how could it be more advanced when the movie happens before the original cube.i also liked the fact that in this one you get the general idea on how and why people end up in the cube.Good death traps all around as usual ,groovy atmosphere a good film well done with a bunch of unknown actors that play there roles in a credible manner considering the type of film this is.i enjoy the less mainstream thriller horror pictures lately always more original than all those block busters remake from the good 70's movies which needed none of that remake bull@#@$ all together it was very entertaining i give it a 7.5 out of 10
Watchers
I was one of the enthusiasts of the original. It seemed a clever solution to one of filmdoms most persistent challenges: how to stage drama.
Noir is our most basic cinematic model. The core of noir is a universe where capricious fate toys with human destiny in cruel and arbitrary ways. "Cube" cleverly merged a modern noir vision with a solution to the staging problem.
Then along came the sequel which had no understanding of what made the original appealing and important. They turned it into a conventional government plot thriller with all the baggage that carries. Along the way, they introduced some pseudomathematical notions that were bizarre.
If there is anyone on the planet that would know how such a government program would work, it would be me. I wrote a comment about this which triggered a couple dozen messages among the editor of a film magazine, myself and the original author of "Hypercube."
As it happens, the original script was more true to what made the first one work, but it was coopted and changed by the same hack behind this.
So once again, here we have some sort of evil experiment by some agency. In the last one, that was actually a major weapons company. The one clever idea is similar to "Saw," where we watch the watchers of watchers watch. This folding is supposed to impute an evil to us that we see in the maniacal Dennis Hopper impersonator.
One of the intermediate watchers draws comics. This is textbook folding. Not clever, not worthy.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Noir is our most basic cinematic model. The core of noir is a universe where capricious fate toys with human destiny in cruel and arbitrary ways. "Cube" cleverly merged a modern noir vision with a solution to the staging problem.
Then along came the sequel which had no understanding of what made the original appealing and important. They turned it into a conventional government plot thriller with all the baggage that carries. Along the way, they introduced some pseudomathematical notions that were bizarre.
If there is anyone on the planet that would know how such a government program would work, it would be me. I wrote a comment about this which triggered a couple dozen messages among the editor of a film magazine, myself and the original author of "Hypercube."
As it happens, the original script was more true to what made the first one work, but it was coopted and changed by the same hack behind this.
So once again, here we have some sort of evil experiment by some agency. In the last one, that was actually a major weapons company. The one clever idea is similar to "Saw," where we watch the watchers of watchers watch. This folding is supposed to impute an evil to us that we see in the maniacal Dennis Hopper impersonator.
One of the intermediate watchers draws comics. This is textbook folding. Not clever, not worthy.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
amazing extension of this building saga and mythos
The cube movies are the most inventive and satisfying creations in budget horror films today.
The first film is still in my top ten list and is a destined to be classic. I was a little disappointed by the second film which took a much more of a sci fi turn.
But this film returns to the grittiness of the first. Also being that we get to see the observers of the cube more, many connections (mostly to the first film) and secrets are revealed.
Many people say that they didn't like this because it jumps around out of the cube so you can't really get connected with the people in the cube. But honestly, that story has already been done, to perfection in the first cube film. This film is more about the button men who work at the cube.
This movie is awesome and is a perfect sequel to the original, and far more superior than the first sequel.
The first film is still in my top ten list and is a destined to be classic. I was a little disappointed by the second film which took a much more of a sci fi turn.
But this film returns to the grittiness of the first. Also being that we get to see the observers of the cube more, many connections (mostly to the first film) and secrets are revealed.
Many people say that they didn't like this because it jumps around out of the cube so you can't really get connected with the people in the cube. But honestly, that story has already been done, to perfection in the first cube film. This film is more about the button men who work at the cube.
This movie is awesome and is a perfect sequel to the original, and far more superior than the first sequel.
Okay
Cube Zero is not that bad but is far weaker than the first Cube movie. Like the Saw movies all those sequels (or prequels or whatever) can't provide the same level of quality regarding suspense and execution of the idea. Cube Zero: not bad, but not what I would call an essential watch. .
I preferred this one
Well, after glancing over a few of these comments...there aren't a lot of people who actually like this film. Which I am personally quite surprised at as me and my boyfriend found this film to be the best of the Cube series.
I got the Cube box set for Christmas and I always look forward to watching a good movie. I had already seen Cube 1, so not much shocked me...bearing in mind, the first time I watched it, I was fairly disturbed...putting myself in their position...waking up in a huge cube not knowing how you got there.
Then there was Cube 2, not much happened in this film...I didn't like the fact there weren't any traps as good as the first film.
Then there is Cube Zero...a film that can get very confusing in places, but pieces itself together gradually, and actually explains WHY these people are in the cube, how they got there, and what happens when/if they get out. In Cube Zero, there are 2 guys hired to watch over the people in the Cube...they have files on what looks like everyone who has ever been in the Cube...you ask yourself "why would anyone want to watch over a bunch of people dieing in a cube?"...well you find that out also.
I personally think that the makers of the 'SAW' series got some of their ideas from the Cube series. I mean, when you think about it...strangers waking up in a room, not knowing how they got there at first, having to find a way out of this rooms else they'll die. Pretty similar scenarios if you ask me.
I'm not going to go into too much detail, as I don't really want to confuse people...but it's advised that you definitely must see the first one to make a connection to Cube Zero.
I got the Cube box set for Christmas and I always look forward to watching a good movie. I had already seen Cube 1, so not much shocked me...bearing in mind, the first time I watched it, I was fairly disturbed...putting myself in their position...waking up in a huge cube not knowing how you got there.
Then there was Cube 2, not much happened in this film...I didn't like the fact there weren't any traps as good as the first film.
Then there is Cube Zero...a film that can get very confusing in places, but pieces itself together gradually, and actually explains WHY these people are in the cube, how they got there, and what happens when/if they get out. In Cube Zero, there are 2 guys hired to watch over the people in the Cube...they have files on what looks like everyone who has ever been in the Cube...you ask yourself "why would anyone want to watch over a bunch of people dieing in a cube?"...well you find that out also.
I personally think that the makers of the 'SAW' series got some of their ideas from the Cube series. I mean, when you think about it...strangers waking up in a room, not knowing how they got there at first, having to find a way out of this rooms else they'll die. Pretty similar scenarios if you ask me.
I'm not going to go into too much detail, as I don't really want to confuse people...but it's advised that you definitely must see the first one to make a connection to Cube Zero.
Le saviez-vous
- AnecdotesThe exit machine is a slightly reworked old Moviola film editing machine with a couple of raw speakers and a YES/NO button added.
- GaffesThe file cabinets in the observation room are marked with name ranges; one drawer is listed as "Rabinovich - Rabe", which is not in alphabetical order.
- Générique farfeluZero the fish as himself
- ConnexionsFeatured in WatchMojo: Top 10 Horror Movie Prequels (2018)
- Bandes originalesMessage From Buddha
Performed by Norman Orenstein
Written by Norman Orenstein
Published by Norman Orenstein Music (Socan)
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Détails
Box-office
- Budget
- 1 200 000 $ (estimation)
- Durée
- 1h 37m(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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