La mariée poursuit sa quête de vengeance contre son ancien chef et amant Bill, le videur solitaire Budd, et la traître et borgne Elle.La mariée poursuit sa quête de vengeance contre son ancien chef et amant Bill, le videur solitaire Budd, et la traître et borgne Elle.La mariée poursuit sa quête de vengeance contre son ancien chef et amant Bill, le videur solitaire Budd, et la traître et borgne Elle.
- Prix
- 23 victoires et 84 nominations au total
Ambrosia Kelley
- Nikki
- (as Ambrosia Kelly)
Yoshiyuki Morishita
- Tokyo Businessman
- (as Yoshijuki Morishita)
Gorô Daimon
- Boss Honda
- (as Goro Daimon)
Histoire
Le saviez-vous
- AnecdotesQuentin Tarantino originally intended to only have Pai Mei's lips speaking Cantonese, while his voice would be in English, imitating a bad dub job. Tarantino was going to provide the voice himself. In the end, Tarantino abandoned this idea, and Pai Mei (Chia-Hui Liu) speaks in his own voice.
- GaffesWhen Beatrix is on the patio, after being "shot" by her daughter, she is sitting on the ground hugging her, the sword on her back disappears and reappears numerous times between shots.
- Citations
Bill: Pai Mei taught you the five point palm-exploding heart technique?
The Bride: Of course he did.
Bill: Why didn't you tell me?
The Bride: I don't know... because I'm a bad person.
Bill: No. You're not a bad person. You're a terrific person. You're my favorite person, but every once in a while, you can be a real cunt.
- Générique farfeluAfter the credits there is an outtake with Uma Thurman.
- Autres versionsHong Kong version differs very slightly from the US version. The only difference is that some alternate shots were used in the scene where Beatrix drives to Esteban and the scene where she finally goes to him in the village.
- ConnexionsEdited into Kill Bill: The Whole Bloody Affair (2006)
- Bandes originalesAbout Her
Written by Malcolm McLaren (as M. McLaren), W.C. Handy, Rod Argent
Performed by Malcolm McLaren
Courtesy of Malcolm McLaren
Contains samples of "She's Not There"
Written by Rod Argent
Published by Marquis Music Co. Ltd.
Performed by The Zombies
Licensed courtesy of Marquis Enterprises Limited
and of "St. Louis Blues"
Written by W.C. Handy (as William C. Handy)
Published by Handy Brothers Music Co., Inc., New York
Administered by EMI Music Publishing Ltd.
On behalf of Francis Day & Hunter
Performed by Bessie Smith
Original recording from the film "St. Louis Blues" in 1929
Used with permission. All rights reserved.
Commentaire en vedette
Over the last 40 years, I've seen a lot of movies. All types. Some great, some good and some mostly inedible; most left my breath with a sour smell. Westerns, sci-fi, comedies, dramas, etc. After seeing Kill Bill Vol I, I assumed that any sequel would pale to its predecessor. I, of course, was premature in my prediction. The movie was, by all means, a classic. I feel Taratino was really trying to make a great movie versus making money for his producers. To build his tasty sandwich, he took the lessons he learned from life as a movie maker and cleverly managed to meld some slices of meat from Sergio Leone (subtly), Akira Kurosawa (very subtly) and, I'm stretching it here, Ridley Scott, to create a great sequel to an excellent first movie. He used some great, almost forgotten actors (Daryl Hannah, Micheal Parks, and David Carradine to create a memorable meal. It was only a sandwich, but what morsel it was. I was full and wanting more. Very rare to find this type of film in our corporate world. He must wield some real power in the movie world. I don't know of anyone who has saw this movie who hasn't given it great feedback. And I know all types of viewers. My wife, who really doesn't like anything that is not overly melancholy or dripping with sentimentality, actually liked the whole movie. That in itself is an endorsement. Well done. Mr. Tarantino, you will be hard placed to match this gem.
- abacus24
- 4 juill. 2006
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Kill Bill: Vol. 2
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 66 208 183 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 25 600 000 $ US
- 18 avr. 2004
- Brut – à l'échelle mondiale
- 154 118 514 $ US
- Durée2 heures 17 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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