Coffee and Cigarettes

my impression of the film is that jarmusch wasn't really trying very hard. perhaps i'll be proven wrong and this film will one day be shown to have an understated genius about it, but i doubt it. the film is merely a collection of shorts that jarmusch has been putting together since 1986. the first one was the first one shot and the later ones seem to be filmed more recently (judging by the age of bill murray, and inclusion of alfred molina or meg/jack white, for example), but i can't verify that it was presented in the chronological filming order. at any rate, the film revolves around various people discussing various things over coffee (or tea) and cigarettes. more than anything the film made me want to go to a diner and have a coffee with some apple pie a la mode. unlike 'stranger than paradise' or 'down by law' this film had very little lasting effect on me. i had fun while i was watching it - jarmusch always has a quiet humor to his films, producing more chuckles than outright laughs - but it didn't leave me thinking like some of his others have. i like the molina/coogan and rza/gza/murray shorts the most. i don't mean to give the impression that the film is bad or that i don't like jarmusch because both are incorrect, it's just that jarmusch has done better and the film was mostly good fluff. B-.

Finally, a movie my sister can get behind! With a title like 'Coffee And Cigarettes', health nuts must be having a collective heart attack. And the title isn't ironic. Every single episode in this string-of-vignettes movie has enough java and smokes to murder a truck driver. Bizarro writer/director Jim Jarmusch shot the flick over many years, gathering a wildly disparate cast to co-star in his black and white art film. No scenes are connected (except by the ever-present cigs & a cup o' joe) and each quirky sequence functions as its own self-contained act.

Most of the character's names are just the actor's names, but that doesn't mean they're playing themselves. In reality, Bill Murray might moonlight as a waiter and hang out with the Wu-Tang Clan (who always refer to him as "billmurray", one word). Jack & Meg White from the White Stripes might have a remarkable interest in science. And Cate Blachett might have a resentful, rebellious cousin who looks exactly like her (because she's playing both of them). But I doubt it. Those are just a few of the oddball sketches in this movie. In fact, I mentioned those ones first because, of the scenes with the big-name celebrities, they're probably the weakest.

Alfred Molina and Steve Coogan work together in the longest sequence. Molina is courteous and affable, Coogan aloof and mildly interested in why Doc Ock has asked for this meeting. In a gem of warp-speed character development, Molina goes from shy to eager to crushed to bitter. Both men are excellent. Also, musicians Tom Waits and Iggy Pop have similar oil/water chemistry, which is what makes their culture-clash one-upsmanship memorable. Roberto Benigni and Steven Wright set the tone with their jittery, nonsensical opening scene. There's more, but I've forgotten the rest already.

So I didn't reveal much plot. What's there to tell, though? The terrific Molina/Coogan sequence could be lengthened into its own movie, but the rest of this picture wouldn't work if the short scenes played any longer. 'Coffee And Cigarettes' isn't really even about smoke rings or the caffeine rush. Jarmusch and the cast use those as props to create some zany bits with an "opposites attract...or not" motif. The flick is funny, a bit too long, and light years away from the mainstream. I enjoyed myself, found my interest bobbing & weaving, then left the theatre. That's okay. Even art films are allowed to be fast food.

Talk about an appropriate title.

This is a collection of 11 short stories directed by indie stalwart Jim Jarmusch ("Strangers in Paradise", "Ghost Dog: The Way Of The Samurai") that have been filmed over the last 18 years, all of which involve two or more characters simply sitting at a table, conversing over...yep, coffee and cigarettes.

In the hands of a lesser director that might be extremely boring, but Jarmusch is a master of subtle understatement and great deadpan humor. This may be one of the funniest movies you've ever seen in which no one cracks a smile.

Almost all the actors play themselves, which adds a meta-theatrical, slightly surreal touch to it all.

Among my favorite stories are one in which an overly eager Alfred Molina has a surprise in store for coolly arrogant fellow actor Steve Coogan and a great one in which Cate Blanchett plays both herself and her jealous cousin Shelby. Then there's the one where Tom Waits and Iggy Pop meet in a dive bar to discuss things and have a smoke (to celebrate quitting smoking), Jack and Meg White of the White Stripes experimenting with a Tesla coil, and in the funniest casting, RZA and GZA of the Wu-Tang Clan sharing some downtime with, of all people, Bill Murray. I also like the one with Spike Lee's twin siblings, Joie and Cinque, dealing with an invasive waiter (a hilarious Steve Buscemi). Almost all the stories are excellent, but there are three that are very forgettable and pretty unnecessary, and they're all in a row, which disrupts the flow of the film. If those three had been taken out, "Coffee and Cigarettes" would be just about perfect, but it's still really good. And those three are out of the way in the first half, anyway.

For the first hour the movie feels mainly just like fun. Straight-faced, deadpan, B&W comedy just like "Strangers In Paradise". But as it goes on, and strange connections are made between the stories, it seems to have a sudden dreamlike depth to it.

The final story in particular, in which two old men in a dark room (Bill Rice and Taylor Mead) discuss life while on a coffee break that feels like it'll last forever, has a distinct "Waiting For Godot" feel and ends the movie on a perfect note of haunting, existential sadness.

It was at that point that I realized I hadn't just watched a string of jokey short stories, but a string of jokey short stories that say a lot about human nature and life in general.

And if that's not enough to interest you, how often do you get to see Tom Waits and Iggy Pop have a conversation? Or RZA, GZA, and Bill Murray?

"Coffee and Cigarettes" (2004) written and directed by Jim Jarmush is a very simple movie shot in B/W, a typical in the good sense independent movie. It is a collection of eleven shorts where famous actors, comedians, rock-stars, and musicians played themselves. They drink coffee (lots of it), smoke, and talk. While each segment is short, we still can learn a lot about human nature.

I read some comments and was surprised that there are so many negative opinions. Some users think that the movie was slow - I did not even notice how the time flew. Of eleven shorts, six were wonderful, and the rest - quite watchable. After I finished watching it, I started all over and watched the ones that I loved for a second time. The best, IMO are "Somewhere in California" with Iggy Pop and Tom Waits, "Cousins" - (Cate Blanchette plays a dual role - herself and her not so successful cousin, and she is as good as ever in the dual performance); "These Things Will Kill You" (Joe Rigano, Vinny Vella, and Vinny Vella, Jr), "Cousins?" – easily the best in the bunch (Alfred Molina and Steve Coogan), "Delirious" – the funniest (RZA, GZA, and Bill Murray), and the final one, the elegiac "Champagne" – (Bill Rice and Taylor Mead).

An odd concept for a film, Coffee and Cigarettes can be seen as either one of two ways. On one hand a dark, clever, ingenious piece of cinema, or on the other hand a dark, clever, ingenious piece of cinema. Jarmusch has succeeded in gathering as diverse a cast as you're ever likely to see, the site of GZA, RZA, and Bill Murray waxing intellectual over smokers cough and herbal medicines is enough to interest even the most fervent sceptic of such work. Even the Cate Blanchett (whom i'm not a huge fan of) scene was so well set up and written (or improvised, who knows) that you find your self unable to turn away, so intent are you on what she has to say next. Alfred Molina and Steve Coogan are so wonderful as over blown versions of themselves, Coogan as a super arrogant celebrity and Molina as a bumbling, sweet, excitable actor. Together they form what would be the best scene of the whole film, that is if it wasn't for Iggy and Tom. Ah Iggy and Tom, such characters, such dialogue, such a beautifully surreal piece. Iggy (or Jim to his friends) is more like an over nervous school boy than an ageing rock star, and Tom is strong as the defensive perfectionist. All in all this film succeeds in what it tries to do, if you like dark surreal comedy then you'll like this. Be warned though it will give you a craving for Coffee and Cigarettes.