Dans la Venise du XVIe siècle, lorsqu'un commerçant ne peut payer le prêt important d'un prêteur juif abusé à cause d'un ami aux ambitions romantiques, le créancier amèrement vengeur exige à... Tout lireDans la Venise du XVIe siècle, lorsqu'un commerçant ne peut payer le prêt important d'un prêteur juif abusé à cause d'un ami aux ambitions romantiques, le créancier amèrement vengeur exige à la place un paiement horrible.Dans la Venise du XVIe siècle, lorsqu'un commerçant ne peut payer le prêt important d'un prêteur juif abusé à cause d'un ami aux ambitions romantiques, le créancier amèrement vengeur exige à la place un paiement horrible.
- Nominé pour le prix 1 BAFTA Award
- 2 victoires et 7 nominations au total
- Aragon
- (as Antonio Gil-Martinez)
Histoire
Le saviez-vous
- AnecdotesThe bare-breasted prostitutes were not put in the film to make it more risqué, but rather to add a note of historical authenticity. Venetian law at the time required all prostitutes to bare their breasts because the Christian authorities were concerned about rampant homosexuality in their city.
- GaffesIn Venice in 1598 a woman with no head-dress and her hair flowing loose would be taken for a whore, yet this is how Portia frequently appears.
- Citations
Shylock: I am a Jew! Hath not a Jew eyes? hath not a Jew hands, organs, dimensions, senses, affections, passions? Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? if you tickle us, do we not laugh? if you poison us, do we not die? And if you wrong us, shall we not revenge? If we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be - by Christian example? Why, revenge. The villany you teach me, I will execute, and it shall go hard - but I will better the instruction.
- Générique farfeluPROLOGUE: "Intolerance of the Jews was a fact of 16th century life even in Venice, the most powerful and liberal city state in Europe."
"By law the Jews were forced to live in the old walled foundry or 'Geto' area of the city. After sundown the gate was locked and guarded by Christians."
"In the daytime any man leaving the ghetto had to wear a red hat to mark him as a Jew."
"The Jews were forbidden to own property. Thus, they practiced usury, the practice of lending money at interest. This was against Christian law."
"The sophisticated Venetians would turn a blind eye to it but for the religious fanatics, who hated the Jews, it was another matter . . . "
- ConnexionsFeatured in 'Merchant of Venice': Shakespeare Through the Lens (2005)
- Bandes originalesWith Wand'ring Steps
Composed by Jocelyn Pook, Lyrics by John Milton
Arranged by Jocelyn Pook
Performed by Baroque Strings Quartet Ensemble, featuring solo vocals by Andreas Scholl
Harp: Siobhan Armstrong
Psaltery: Harvey Brough
Lute: Elizabeth Kenny
Published by Shylock Ltd / EMI Music Publishing Ltd
© 2004 Decca Music Group Limited
(p) Jocelyn Pook Ltd. /2004 Decca Music Group Limited
"The Merchant of Venice" is a great adaptation of Shakespeare play and a perfect vehicle for the brilliant Al Pacino, with a character, dialogs and screenplay tailored for him. Jeremy Irons is also fantastic on the other side of this tale of revenge with cruelty and forgiveness. The cinematography, costumes, landscapes and scenery are stunning and the beauty of Lynn Collins is amazing. My vote is seven.
Title (Brazil): "O Mercador de Veneza" ("The Merchant of Venice")
- claudio_carvalho
- 1 févr. 2007
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Merchant of Venice
- Lieux de tournage
- Esch-sur-Alzette, Luxembourg(only Venice film set)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 3 765 585 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 69 868 $ US
- 2 janv. 2005
- Brut – à l'échelle mondiale
- 21 560 182 $ US
- Durée2 heures 11 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1