The Wendell Baker Story

I love the Wilsons as much or more than anyone, but it doesn't look like any of them tried too hard on this film to make it work. I just saw the world premiere at the Paramount and the crowd was wild for it. I on the other hand, along with all of my friends thought that the movie lacked a lot of what critics call believability.

The characters weren't quite paper thin, more like cardboard, and there were about 20 of them. Every time Wendell's charm wained immediately another character would show up to make him look all the better. Every time Wendell had a problem another character would show up to help him. Sometimes characters just showed up for the hell of it.

It was a fun movie, I laughed a lot, especially at Will Ferel's bit role. Austin, my city of residence, is also the backdrop which makes everyone feel nice. It seems though that the Wilson brothers were a little too proud of Austin, TX. At one point near the beginning Texas is mentioned, then he turns the corner in his car to show a TX license plate, then another shot as he drives into the distance and a huge Texas flag flutters above.

I don't want it to sound like I hated it, but I really wished for more. Luke didn't seem to work out everything quite as well as he could have, he even threw in some random voice over to help the plot hobble along. If you are looking for a fun movie that should have maybe starred Burt Reynolds circa 1972 then this is your movie, if you are looking for a tightly formed narrative then look elsewhere.

Once upon a time movies were for entertainment. They made you feel good about life. They were visual fairy tales that ended with the line ---"and they all lived happily ever after." That's what this movie is to me. Doesn't require a degree in psychology or a doctorate in human behavior. It just tells the story of a guy who messes up, then has an epiphony and decides to make it right. He helps others along the way without putting his personal agenda first. Anyone who goes along with his philosophy ends up getting rewarded in the end. And after all, isn't that what fairy tales are supposed to be about? There is enough heartache and sorrow in life without using it for entertainment purposes.

I just saw The Wendell Baker Story at what is its third screening, at the Virginia Film Festival in Charlottesville.

Although, as stated in the prior comment, this movie will be no cult nor mainstream classic, it is highly entertaining. For a comedy, it is considerably light: the humor is mostly situational.

I personally found Wendell Baker's greatest success in the developing of the secondary characters as foils. The movie does not have opening credits, instead only introducing the title. As such, I was pleasantly surprised to see many high profile actors in roles fitting well within the film. In the post-screening interview, Luke Wilson discussed how this choice for no opening credits was as an "album cover" and that, with the focus directly on the introduction of an Austin Texas feel.

The acting in the film is generally good. Highlights for me were the performances of Grant James and Kris Kristofferson. I was, unfortunately, disappointed in Eva Mendes' delivery of her character. I feel the 'girlfriend who 'the guy' loses' cliché could have been as fresh as the other foil supporting characters.

The film has many beautiful shots on location in Texas, although the editing at times is choppy (granted the film is still not finished). The music is absolutely wonderful: the folky rock feel contributing in subtle persistence to the southwestern feel of the film.

I enjoyed this film. It was not profound... do not go to this movie to see another Royal Tenenbaums. The film is a comedy, but it is neither dark nor slapstick. It very much reminds me of Sideways in that both take advantage of a specific local color create a more personal and more relaxed movie. As such, while not often was I laughing, the ever-present humor kept me entertained.

Watched it last night for the first time. Although it wasn't "slapstick" humor, I still felt it was thoroughly enjoyable. In fact, it seemed almost like a breath of fresh air. Not as formulaic as a lot of other comedies out there, thank goodness. I especially enjoyed Luke's character of Wendell Baker. He comes across as being forever boyish until he does experience loss in his life. Harry Stanton and Seymour Cassel really do bring a unique air to the film, being septuagenarians with a fervid love of life. Kristofferson's character I felt could have used a bit more development, but is overall well acted nonetheless.

The soundtrack to this movie really helped a lot. If it had to be called a flavor, I'd call it "Texas BarBQ"...flavorful, colorful and spicy. Very unique.

In short, this would be the kind of movie you could watch with your family and not be embarrassed.

As played by Luke Wilson, Wendell Baker is the kind of character authors like to refer to as a "lovable rogue" - a smooth-talking scam artist with a tongue as nimble as the pen of a scribe (to borrow a phrase from scripture, if I may be so bold). The trouble is that a good-hearted guy can run afoul of the law for only so long before he risks losing the woman he loves (Eva Mendes) and before he is finally forced into taking a long, hard look at his life. Thus, once he's paroled from prison, Wendell decides to go straight by taking a job at a retirement home (he's been duped into believing that this is a first step on the road to a career in hotel management) run by a sadistic administrator (Owen Wilson) and his toadying staff. There's a little of the feel of "One Flew Over the Cuckoo's Nest," as the con man leads the put-upon inmates of the "asylum" in a well-coordinated rebellion against their oppressors.

The chief attraction of "The Wendell Baker Story" is the opportunity it affords us of seeing the Wilson brothers appearing together in the same movie - and what a treat it turns out to be. Luke has written a script filled with the kind of dry, wry wit that has been the hallmark of both of their performances over the years, and their scenes together crackle with understated cynicism and humor (Luke co-directed the feature with yet another brother, Andrew, making this a family affair in the fullest sense of the term). The movie is also blessed with an amazing team of supporting players, including Harry Dean Stanton and Seymour Cassel as spry oldsters who find a supportive helpmate in Wendell Baker; Kris Kristofferson as a mysterious, stoic resident who is harboring a carefully guarded secret about his past; Will Ferrell as the grocery store owner who is Wendell's chief rival for his now ex-girlfriend's affections; and Eddie Griffin who serves as chief henchman for the home's scalawag of a director.

Their performances and the laidback tone of the humor compensate for the occasional dry spots and the fact that the movie itself doesn't really add up to all that much when all is said and done.