Baisers fumants

Directed and co-written by Shane Black; based on a novel, "Bodies Are Where You Find Them" written by Brett Halliday; and starring Robert Downey Jnr, Val Kilmer and Michelle Monaghan.

A terrific opening credit sequence easily sets up the audacity and chagrin of the film for an appreciative audience. In essence, these are the reasons why you need to see this movie: the razor sharp wit, shockingly fast-paced and hysterical dialogue, pulp-fiction-esquire vibe, its pure cheesiness and the cynicism of a beat up old paperback detective novel.

Got you yet? Alright, maybe an explanation of the seemingly simple plot is warranted. It begins with a ridiculously funny set up resulting in Downey's character being paired up with Kilmer to observe the latter in his job as a private detective. They hook up with a down-on-her luck actress who brings a case for the sleuths. This synopsis constitutes gross misrepresentation on my part as things get remarkably complex. How so? Well, even the lead the character (who also is purposefully pathetic as narrator) takes time out within the movie to remember where he is in telling the story. There are even snippets of dialogue where the characters attempt to fill in the gaps or actually remind themselves of what has happened thus far in the movie.

Downey, Kilmer and Monaghan are all caricatures drawn from popular references of literature, movies and art. All however, are larger than life, exhibit great chemistry and for a movie buff, it is heaven to witness the self referential exercises and hear the narrator shred every narrating convention applicable. Downey's performance is remarkable (neurotic, comic, vulnerable and charming). I have never seen Kilmer in such a well-defined, uproarious piece of work. Monaghan is also integral to the trio and shines exuding a brash, fighting and sexy appeal. She brought back fond memories of early Kathleen Turner and Rene Russo. The fact that her look screams Renee Zellweger, is not a bad thing either.

Black became famous in the 1980s for writing the hit buddy movies: Lethal Weapon, The Last Boy Scout and The Long Kiss Goodnight. As a first time director, he does well keeping the frenetic pace and allowing the audience to catch up only to get lost time and time again. The style is so disarmingly effective, that at times I shook my head in confusion or found my hands against my mouth, agape in shock. I also think that in creating such a brilliant script that Black may have blacklisted himself in Hollywood for mirroring its supposed fame and glamor and exposing its not too pretty side. His one-liners and connected sub-plots are not typical and Kilmer and Downey make magic with their banter and clinical delivery.

All the ingredients of a pulp-noir novella can be found, even employing a structure of chapter-type headings within the movie. Parallel story lines unfold and given plot assumptions are turned over, always with achingly funny results. Even the clichés are clever e.g. a tough guy predictably crashes through a glass table, or body after body turns up, to haunt the characters.

I strongly recommend the movie, given the talent of Downey and Kilmer. Downey should be honored with a Lead Actor Oscar nomination; while Kilmer deserves a Supporting Actor nod. It thrilled me to see them both in their element, as I was on the verge of disavowing them as marquee/box-office draws. The screenplay should also attract Oscar consideration.

One of the year's best films and one of those rare movies where you'll consistently find something new to laugh at, when viewed each of a dozen times.

Without a doubt I thought that this was truly entertaining film. I only managed to catch it at my local cinema in a one off showing, but I really wasn't disappointed.

Me and my friend went in the film not truly understanding what to expect. Basically it cracks down to Robert Downey Jr. starting the film off as a burglar, after being shot at he accidentally runs into an acting audition. Breaking down with tears in the office, he accidentally gets the acting job and whisked off to Hollywood with hopes of playing a detective in an upcoming film.

Cue Gay Perry a.k.a Val Kilmer who is fantastic in this film with his dry wit and humour adding some hilarious scenes to this film. He plays a gay detective assigned to help train up Robert Downey Jr. The pair of them get sucked into a story starting with discovery of a corpse and building into deeper plot involving kidnapping and murder. The plot line is genuinely well crafted, and is explored in the perfect amount of depth. It is quite simply littered with many funny moments. Probably the favourite of mine being the running joke of the gay detective through the film, involving the 'faggot' gun. Shane Black directs this film superbly, keeping it alive with sharp wit.

The whole cast clicks together perfectly with Robert Downey Jr and Val Kilmer shining with good support coming from Michelle Monaghan. The film is accompanied by a very light hearted narration from Robert Downey Jr. which makes the film that even bit more engaging.

Overall, a quirky, very amusing film, with a superb cast, and with a run time of 99 minutes, you simply can't afford to miss it.

Kiss Kiss Bang Bang... A solid 10/10

A lucky mistake shifts out-of-luck criminal Harry Lockhart (Robert Downey Jr) from the gritty streets to glossy showbiz in L.A, landing him a part in an upcoming film. Another mistake then shifts him from actor to private detective, and this is where Val Kilmer comes in and things start to go wrong, more wrong and unbelievably wrong until they've snowballed into an enjoyable detective mess -- all to impress failed actress Harmony (Next big thing: Michelle Monaghan).

Shane Black's directorial debut 'Kiss Kiss Bang Bang' is a comic film noir. Even in the dazzling opening credits using a montage of contrasts of red, black and white, it is evident that this is no run-of-the-mill crime story, but a viciously entertaining ride from scene 01. What makes it so special is that it mixes equal doses of humour and crime like a $15,000,000 blender, pouring out a balanced end product and glazing it with a clever narrative coating by Robert Downey Jr. Black also sprinkles some rapid-fire dialogue onto his product, which is facilitated by the comedic chemistry between Downey and Kilmer. Some of the lines, gags and images are truly laugh-out-loud worthy. Everything else is nice, but forgettable.

Its only problem, as far as I can see it, is its paper-thin plot. It does not seem believable; it is complex, dizzying and not nearly as involving as it would like to be. So back to formula on that one, and Kiss Kiss Bang Bang would be a near-perfect comedy-thriller.

7.5/10

I didn't expect much from this at all, but it turned out pretty good. Think of a Raymond Chandler murder mystery, updated to a sort of modern and enormously... self-aware buddy film-noir. Yes, a buddy-movie, film-noir, murder mystery, crime-thriller, all rolled into one hip modern self-referential update, packed with amusing references to all the clichés of the genres depicted. Before you can even think about the next cliché in the film, it grabs it, makes a mockery of it and proceeds at break-neck pace.

Petty thief Harry Lockhardt (Downey) is a lovable loser who accidentally winds up in the movie business, auditioning for the part of a private detective. Val Kilmer plays the real private eye, Perry Shrike (half the fun is picking the right name!) who has to learn him the trades of the business, but soon they both wind up in a murder mystery with so many twists and turns (and bodies), it'll make your head spin.

Downey and Kilmer seem to have the time of their lives, but not to the viewer's expense. Perhaps a bit too clever for it's own good with so many "clever" plot turns, that I was lost in the end, but perhaps I'm not as clever as I wish to. And I must say, Michelle Monaghan! Wow! She really gave one sexy performance! It derails a bit in the end and goes so wildly over the top with shaggy-dog jokes, ridiculously stupid bad guys and buddy-clichés, it makes Austin Powers look like a straight-faced classic. But as a whole very entertaining, with snappy dialogue, clever writing, and enjoyable performances. Just lots of fun.

Camera Obscura --- 8/10

Shane Black's films seem to have a very unique sense of humour about them. They don't always work for me but they often contain either very clever humour that makes you smile inwardly, or there will always be a couple of moments of genuine laugh out loud humour along the way. 'Kiss Kiss Bang Bang' is probably the funniest thing I've seen from him.

The film is very self-aware. It is not afraid to break the fourth wall with its narration. I'm not always the biggest fan of narration but it works reasonably well here. In particular because the story is pretty darn complex, so it is good to have a guiding voice that can clear the odd thing up.

The film is boosted by a great cast. Robert Down Jr. And Val Kilmer were perfectly suited for their roles. Kilmer in his prime was such a treat to watch. I had a good time with this one. 7/10.